For the Glory - 2006 - Articles Page 20

?Dallas Theater Center announced today complete details for the rolling world premiere of Colossal, a new play by Andrew Hinderaker. DTC artistic director Kevin Moriarty directs the Kennedy Center Jean Kennedy Smith Playwriting Award-winning play, which is choreographed by founder and artistic director of Dark Circles Contemporary Dance Joshua L. Peugh. Colossal begins with previews tonight, April 2 with a Pay-What-You-Can performance and runs through Sunday, May 3.

This April and May, 54 BELOW presents an exciting lineup of the brightest talent from Broadway and beyond. Located just below the legendary Studio 54 at 254 West 54th Street.

What happens when two of the world's most extraordinary theater companies, the England's Royal Shakespeare Company and the National Theatre of Scotland, make the decision to work together on a sequel to Shakespeare's tragedy Macbeth, one of his darkest and most powerful works? It's no less than a magical combination of talent that makes an improbable tale seem to be the essence of truth about sex, politics and power. Patricia Wolff, Interim Artistic Director of The Wallis adds, "David Greig's thrilling new drama brilliantly straddles the ancient and modern worlds, playing like a cross between "Game of Thrones" and "House of Cards."

?Dallas Theater Center announced today complete details for the rolling world premiere of Colossal, a new play by Andrew Hinderaker. DTC artistic director Kevin Moriarty directs the Kennedy Center Jean Kennedy Smith Playwriting Award-winning play, which is choreographed by founder and artistic director of Dark Circles Contemporary Dance Joshua L. Peugh. Colossal begins with previews on Thursday, April 2 with a Pay-What-You-Can performance and runs through Sunday, May 3.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Today we are celebrating this week's hot news of Audra McDonald's big Broadway return next season!

Music Director Marin Alsop and the Baltimore Symphony Orchestra (BSO) announce the Orchestra's celebratory Centennial 2015-2016 season, its ninth season under the direction of Maestra Alsop. Through appearances by the world's most renowned artists, premieres of several new works, Baltimore homecomings from local artists or artists who got their start on the BSO stage, exciting signature projects and strengthening of longstanding community partnerships, the BSO marks this important milestone in grand fashion.

Music Director Marin Alsop and the Baltimore Symphony Orchestra (BSO) announce the Orchestra's celebratory Centennial 2015-2016 season, its ninth season under the direction of Maestra Alsop. Through appearances by the world's most renowned artists, premieres of several new works, Baltimore homecomings from local artists or artists who got their start on the BSO stage, exciting signature projects and strengthening of longstanding community partnerships, the BSO marks this important milestone in grand fashion.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Continuing its 2014-15 Script in Hand playreading series featuring women playwrights, Westport Country Playhouse will present Pearl Cleage's humorous and gripping "Flyin' West," on Monday, March 9, at 7 p.m. Director is Anne Keefe, Playhouse associate artist and curator of the playreading series. Tickets are $20 each.

Carnegie Hall today announced that Sanford I. Weill, Chairman of Carnegie Hall's Board of Trustees since 1991, will retire from this post after 24 remarkable years of service and a total of 32 years as a Carnegie Hall trustee. Mr. Weill will continue to serve as a member of Carnegie Hall's board, transitioning to a new role as President, a title formerly held by the late violinist Isaac Stern. Mr. Weill is only the second person to hold the title of President since Carnegie Hall was established as a non-profit in 1960.

2014 Helpmann Award winning Best Cabaret Artist Yana Alana returns to Adelaide with her smash hit one-woman show 'Between the Cracks' for a limited Fringe season at the Garden of Unearthly Delights.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Following a record-breaking 2014/15 season, Broadway San Jose, a Nederlander Presentation, announced last night the six productions that will comprise the lineup for the 2015/16 season.

Previews begin February 12th for the musical On the Twentieth Century, featuring music by Cy Coleman, with book and lyrics by Betty Comden and Adolph Green, directed by Roundabout's Associate Artistic Director, Scott Ellis, at the American Airlines Theatre.

Dayton's premier professional regional theatre continues its legacy of developing new works and its long-standing relationship with New York writer Michael Slade as it prepares for the first ever production of Slade's latest play, Family Shots, at downtown's The Loft Theatre. Charming family patriarch Sam Baker lies in a hospital bed, recovering from an apparent heart attack, but his wife, Marsha, won't stop making the crisis all about her -- much to the dismay of their son, Aaron. The young photographer wonders why his parents even stay together while he and his husband, Malcolm, deal with their own issues as newlyweds. Intimate, yet universal, Family Shots is a wildly funny and touching comedy about marriage -- its joys, challenges and responsibilities -- and what's worth fighting for. The production runs tonight, January 22 - February 8, 2015.

Now enjoying near-record subscription numbers and unparalleled community appreciation during Music Director Carl St.Clair's 25th-anniversary season, Pacific Symphony today announces the 2015-16 Hal and Jeanette Segerstrom Family Foundation Classical Series—packed with familiar favorites, exciting world premieres and hidden gems. Bookended by popular Beethoven works and featuring superstar guest artists like violinist Midori, and pianists André Watts and Conrad Tao, Maestro St.Clair's season includes repertoire by popular composers including Beethoven, Brahms, Tchaikovsky, Dvorák, Gershwin, Vivaldi and more. The Symphony's opera and vocal initiative, “Symphonic Voices,” continues with Puccini's “Turandot,” while the critically acclaimed American Composers Festival enters its 15th year with a spotlight on the king of instruments: the organ.

2014 Helpmann Award winning Best Cabaret Artist Yana Alana returns to Adelaide with her smash hit one-woman show 'Between the Cracks' for a limited Fringe season at the Garden of Unearthly Delights.

The judges for the fourth triennial Parkening International Guitar Competition, to be presented by Pepperdine University in Malibu, CA, from Wednesday, May 27, to Saturday, May 30, 2015, have been announced.

Almost Maine is one of the countries most produced plays, this February; Royal Family Productions (Katie Avebe, Mary Bernardi, Chris Henry and Andy Theodorou, Founders) will present the New York premiere of John Cariani's follow-up play LOVE / SICK. Directed by Chris Henry and featuring choreography by JoAnn M. Hunter, LOVE / SICK will begin performances on February 6 and open on February 9 through February 26, 2015 at Royal Family's new home in Times Square at Royal Family Performing Arts Space (145 West 46th St.). Tickets are $18 and can be purchased by visiting royalfamilyproductions.org or by calling Ovation Tickets at (866)811-4111.

Film and television stars (and audiences) are sure to come out in droves when funny ladies Tina Fey and Amy Poehler take the stage for a final time (so they say!) to host the Golden Globes, tonight on NBC at 8pm/7c. While the annual ceremony wouldn't be as geared toward theatre people as, say, the Tony Awards (June 7th on CBS for those who need a heads-up), this year is a bit different, with a collection of nominees having Broadway experience, and a few films up for nods having ties to theatre as well.

the side project will kick off the New Year with the World Premiere of Steve Spencer's dark comedy, Push Button Murder. Spencer, the author of 2007 blackbox hit Another Day in the Empire, continues his biting, sarcastic and caustic humor with his play which starts previews tonight, January 8, 2015. The play marks his first at the side project. It's director Ronan Marra's side project debut as well.

Alexander Bar and Cafe welcomes back Micheal Kirch's production of COCK & BULL STORY, performed by Rowan Studti and Dylan Skews, to the Upstairs Theatre following its succesful debut run there last year. The drama will run for 4 performances, starting 19 January.