GIANT to be Licensed Through R&H Theatricals
by Kelsey Denette - May 21, 2013
Ghostlight Records will release the Original Cast Recording of the acclaimed epic musical GIANTonline and in stores on May 21, 2013. Performance rights for GIANT will be licensed through R&H Theatricals, a division of Rodgers & Hammerstein, an Imagem Company. Applications for performance are not yet being accepted and will be announced at a later date. In the meantime all inquiries should be directed to Theatre@rnh.com. For more information please visit http://www.rnh.com/show/335/GIANT.
Bard SummerScape 2013 Season Announced
by BWW News Desk - Feb 5, 2013
Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.
GIANT Original Cast Album Coming in Spring 2013!
by Nicole Rosky - Dec 14, 2012
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced today that the cast of the acclaimed epic musical GIANT will enter the recording studio in January to create an original cast album, which will be released by Ghostlight Records in spring 2013. GIANT officially opened at The Public on November 15 and features a book by Sybille Pearson, music and lyrics by Michael John LaChiusa, and direction by Michael Greif. The show will end its limited run at The Public Theater at Astor Place on Sunday, December 16 following a final two-week extension.
Kaufman and Hart's ONCE IN A LIFETIME Opens At A.C.T.
by BWW News Desk - Sep 22, 2011
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).
Kaufman and Hart's ONCE IN A LIFETIME Opens At A.C.T.
by Gabrielle Sierra - Aug 29, 2011
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).
Kaufman and Hart's ONCE IN A LIFETIME Opens At A.C.T.
by Gabrielle Sierra - Aug 1, 2011
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).
Review - Mourning Becomes Electra: My Heart Belongs To Daddy
by Kristin Salaky - Feb 20, 2009
It was believed by many back in 1932, as it still is today, that the only reason Eugene O'Neill was not awarded that year's Pulitzer Prize for his Mourning Becomes Electra, an epic retelling of Aeschylus' Oresteia trilogy that declares Sigmund Freud as the true victor of the American Civil War, was that after granting him top honors for Beyond The Horizon (1920), Anna Christie (1922) and Strange Interlude (1928) the gang at Columbia figured enough was enough. So history was made that year when the Gershwin, Gershwin, Kaufman & Ryskin lark Of Thee I Sing became the first musical so honored, leaving O'Neill waiting until after his death to nab another, for Long Day's Journey Into Night.