Come Over Here - 1913 - West End Articles Page 4

The New-York Historical Society has announced its programs for February 2014. All programs are presented at the New-York Historical Society unless otherwise noted. Details below!

Dan Stevens appeared on this morning's TODAY show on NBC and apologized to fans for the shocking death of his character during the final moments of the DOWNTON ABBEY Season 3 finale.

Actors' Equity Association President Nick Wyman spoke at AEA's centennial celebration in St. Louis on Monday, November 25, 2013, and BroadwayWorld has his full speech below!

Today we are talking to a Tony Award-winning composer and lyricist celebrated for his many impressive musical theatre scores since his astonishing debut in the 1990s with SONGS FOR A NEW WORLD and PARADE, the one and only Jason Robert Brown. Discussing the finer points of the vastly different scores for his two new stage musicals premiering this year, THE BRIDGES OF MADISON COUNTY and HONEYMOON IN VEGAS, Brown paints a vivid portrait of his composing process in creating both the serious romantic drama and bubbly musical comedy, respectively. Additionally, Brown outlines his experiences collaborating with theatre legends Harold Prince and Alfred Uhry on his first big Broadway musical, PARADE, and also reflects on the subsequent successful national tour which he himself conducted. Most importantly, Brown sheds some light on the sparkling new cast recording of his recent self-directed revival of his two-character cult mainstay THE LAST FIVE YEARS and how the last ten years have shaded his perspective on the piece, particularly as anticipation builds for the release of the highly anticipated feature film adaptation starring Anna Kendrick and Jeremy Jordan, directed by Richard LaGravenese and set for release next year, which Brown confirms he has completed his scoring duties on this month and offers an enticing endorsement of the indie movie musical. All of that, a discussion of his solo album and specialty material penned over the years, astute observations on his sporadic collaborations with wife, songwriter and fellow InDepth InterView participant Georgia Stitt as well as much, much more in this quick catch-up chat with one of Broadway's busiest musical craftsmen.

The Met Museum Presents series has announced its October 2013 events, including: Alarm Will Sound's season-long residency with 'The Permanent Collection', the Calder Quartet in three concerts of Bartok, and TEDxMET: Icons. Details below!

The Kimmel Center for the Performing Arts campus is waking to the sweet sounds of a robust Fall harvest of programming with a dynamic line-up of arts offering something for everyone.

The Kimmel Center for the Performing Arts campus is waking to the sweet sounds of a robust Fall harvest of programming with a dynamic line-up of arts offering something for everyone.

This year's Ars Electronica Festival is set for today, September 5-9 in Linz. The title is TOTAL RECALL - The Evolution of Memory. The festival program will consist, as always, of a splendid array of symposia, exhibitions, performances, interventions and concerts; the details will be announced online at www.aec.at/totalrecall/en.

The Met Museum Presents series has announced its October 2013 events, including: Alarm Will Sound's season-long residency with 'The Permanent Collection', the Calder Quartet in three concerts of Bartok, and TEDxMET: Icons. Details below!

This year's Ars Electronica Festival is set for September 5-9 in Linz. The title is TOTAL RECALL – The Evolution of Memory. The festival program will consist, as always, of a splendid array of symposia, exhibitions, performances, interventions and concerts; the details will be announced online at www.aec.at/totalrecall/en over the coming weeks.

TACT/The Actors Company Theatre has announced its 2013/2014 Season, which will include two treasures from iconic American playwrights. The critically-acclaimed and Drama Desk nominated Off-Broadway company 'dedicated to presenting neglected or rarely produced plays of literary merit,' will present the family drama Natural Affection by William Inge and the comedy Beyond Therapy by Christopher Durang, Off-Broadway at The Beckett Theatre (410 West 42nd Street - between 9th & 10th Avenues) on Theatre Row. Neither play has been seen in NYC since their original productions.

Aaron Copland once characterized 'The Rite of Spring' as the foremost orchestral achievement of the 20th century, and The New York Times proclaimed the significance of the work to be 'to the 20th century as Beethoven's Ninth is to the 19th.' With the arrival of the centennial of Stravinsky's iconic masterwork, a reverberation of celebration can be heard around the symphonic world-and Pacific Symphony is no exception, offering a variety of activities throughout the rest of the 2012-13 season. In conceiving 'The Rite of Spring,' Stravinsky broke all the rules and defied convention, and it is very much in this spirit that the Symphony approaches its celebration.

One of the most stunning, brilliantly-staged productions I've seen in the past few years, Orange County's 3D Theatricals has, once again, outdone itself with its moving, epic-sized revival of Jason Robert Brown's Tony Award-winning musical PARADE. Now playing a limited engagement through May 26 at the Plummer Auditorium in Fullerton, this triumphant, emotionally-resonant, Broadway-caliber presentation directed by 3DT's co-founder and artistic director TJ Dawson ranks as, arguably, the best musical this relatively young regional theater company has produced thus far.

Aaron Copland once characterized "The Rite of Spring" as the foremost orchestral achievement of the 20th century, and The New York Times proclaimed the significance of the work to be "to the 20th century as Beethoven's Ninth is to the 19th." With the arrival of the centennial of Stravinsky's iconic masterwork, a reverberation of celebration can be heard around the symphonic world-and Pacific Symphony is no exception, offering a variety of activities throughout the rest of the 2012-13 season. In conceiving "The Rite of Spring," Stravinsky broke all the rules and defied convention, and it is very much in this spirit that the Symphony approaches its celebration.

Henry Jaglom & The Rainbow Theater Company, in association with Edgemar Center for the Arts, presents Tanna Frederick and Robert Standley in "The Rainmaker," a play by N. Richard Nash. The cast also includes Benjamin Chamberlain, David Garver, Ralph Guzzo, Steve Howard and Scott Roberts. The show is directed by Jack Heller and produced by Alexandra Guarnieri.

Stage, television and film star Robert Sean Leonard will star as Henry Higgins in The Old Globe's 100th anniversary production of George Bernard Shaw's masterwork, Pygmalion. The Tony Award-winning actor last appeared on the Old Globe stage as Edgar in Jack O'Brien's renowned 1993 presentation of King Lear starring Hal Holbrook. Directed by Nicholas Martin (Broadway's Butley with Nathan Lane and Present Laughter with Victor Garber), Pygmalion will run on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center, Jan. 12 - Feb. 17, 2013. Preview performances run Jan. 12 - Jan. 16. Opening night is Thursday, Jan. 17 at 8:00 p.m. Tickets are currently available by subscription only. Single tickets go on sale Sunday, Dec. 9 at 12 noon. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.

Cleveland Play House opens its 98th consecutive season with its new production of the smash Broadway hit Lombardi. Bob Ari, seen last season as Mark Rothko in Red, returns to CPH to play the legendary coach who defined inspiration.

Theatre Seven of Chicago, recipient of the 2012 Emerging Theater Award, has announced its full 2012/13 Season: AMERICAN STORM by Carter Lewis, directed by Artistic Director Brian Golden at the Greenhouse Theater Center; BLACKTOP SKY by Christina Anderson, directed by Cassy Sanders, presented as part of Steppenwolf Theatre Company's 4th annual Garage Rep in The Steppenwolf Garage; JOHNNY by Artistic Director Brian Golden at the Greenhouse Theater Center; and UNWILLING AND HOSTILE INSTRUMENTS: 100 Years of Extraordinary Chicago Women, a collection of seven new plays by some of the industry's most talented playwrights and directors.

North Coast Repertory Theatre presents a San Diego premiere of The Underpants, adapted by Steve Martin and written by Carl Sternheim. The show begins previews tonight, September 5th through 7th and continues September 8 through 30, 2012.

North Coast Repertory Theatre presents a San Diego premiere of The Underpants, adapted by Steve Martin and written by Carl Sternheim. The show begins previews September 5-7 and continues September 8 through October 7, 2012.

Cleveland Play House opens its 98th consecutive season with its new production of the smash Broadway hit Lombardi. Bob Ari, seen last season as Mark Rothko in Red, returns to CPH to play the legendary coach who defined inspiration.

Award-winning Barbra Streisand tribute artist Carla DelVillaggio makes her New York City debut in STREISAND: THE GREATEST STAR, a trilogy shows offering encyclopedic theatrical recreations of Barbra Streisand's career.

Award-winning Barbra Streisand tribute artist Carla DelVillaggio makes her New York City debut in STREISAND: THE GREATEST STAR, a trilogy shows offering encyclopedic theatrical recreations of Barbra Streisand's career.

Thornton Wilder's classic Our Town has been a part of my American cultural mindset since high school, practically all my life. And, of course, being a New Englander, it is not very hard to put myself into Grover's Corners, New Hampshire, even though the time period for the play 1901-1913 is about 30 + years before my existence. People are people and daily life was pretty much the same; things - except cars replacing horse and buggy - didn't really start changing until the middle of the 20th century. Now in this spaced out, high tech, faster-than-the-speed-of-light world we live in, it's nice to look back and see how it once was and reflect on what it maybe should be. On the Broad stage through February 12 only, David Cromer's fascinating staging puts his audience smack dab in the middle of the town and makes us believe we have time-traveled back to this simpler but just as psychologically complicated era. How inexpensive things cost, how people trusted one another, and how they amused themselves by reading, attending choir practice or actually conversing with one another instead of being glued to the TV set or sidetracked by other low quality, insignificant perversions! But there were some who just could not cope, like Mr. Stimson, the alcoholic choir director, who ended up committing suicide. We've all known people like him. So, the play is timeless. And somehow contemporary dress for the actors is not a hindrance to our accepting who and where they are, as it makes them like us, as we all fit together into one big macrocosm.

Thornton Wilder's classic Our Town has been a part of my American cultural mindset since high school, practically all my life. And, of course, being a New Englander, it is not very hard to put myself into Grover's Corners, New Hampshire, even though the time period for the play 1901-1913 is about 30 + years before my existence. People are people and daily life was pretty much the same; things - except cars replacing horse and buggy - didn't really start changing until the middle of the 20th century. Now in this spaced out, high tech, faster-than-the-speed-of-light world we live in, it's nice to look back and see how it once was and reflect on what it maybe should be. On the Broad stage through February 12 only, David Cromer's fascinating staging puts his audience smack dab in the middle of the town and makes us believe we have time-traveled back to this simpler but just as psychologically complicated era. How inexpensive things cost, how people trusted one another, and how they amused themselves by reading, attending choir practice or actually conversing with one another instead of being glued to the TV set or sidetracked by other low quality, insignificant perversions! But there were some who just could not cope, like Mr. Stimson, the alcoholic choir director, who ended up committing suicide. We've all known people like him. So, the play is timeless. And somehow contemporary dress for the actors is not a hindrance to our accepting who and where they are, as it makes them like us, as we all fit together into one big macrocosm.