Cinder-le-on! - 1867 - Broadway Articles Page 15

On May 5, at 17:00 Moscow time [14:00 GMT], the Mariinsky Theatre Symphony Orchestra, conducted by People's Artist of Russia Valery Gergiev, held the 'Pray for Palmyra. Music Revives Ancient Ruins' concert on the stage of Palmyra's world-famous amphitheater.

Arguably one of the most complex and intriguing female characters ever written, HEDDA GABLER weaves a mesmerizing tale of a woman trapped in a loveless marriage who is driven by a need for power and freedom.

The Pennington Players are pleased to announce a one-night only special event performance of Jason Robert Brown's song cycle, Songs for a New World, on Saturday evening, May 21, 2016 at 8:00PM.  

? Centenary College Theater Department's Nextstage Repertory presents Into the Woods April 28 through May 8 in the Sitnik Theater of the Lackland Performing Arts Center.  Into the Woods was created by Stephen Sondheim and writer James Lapine and it originally premiered in 1987 on Broadway.  The musical is set in an alternate world of four of The Grimm's fairy tales.  Into the Woods tells the tale of a childless baker and his wife who are desperate to have a baby.  They attempt to lift the curse that has been placed on the Baker's side of the family by a witch because his father stole magic beans.  Along the way they encounter Little Red Riding Hood, Cinderella, Rapunzel, and Jack from Jack and the Beanstalk.  Each one of the characters have a desperate desire that they will do anything to achieve, but when wishes don't go the way they thought they would, the characters realize something that had never occurred to them before; that maybe wishes aren't always what they appear to be.

ORLANDO, Fla., March 31, 2016 /PRNewswire/ Marriott Vacation Club, a global leader in vacation ownership and brand segment of Marriott Vacations Worldwide (NYSE:VAC), announced today that Owners and guests can make reservations at its newest property, Marriott Vacation Club, San Diego, through the Marriott Vacation Club Destinations TM Exchange Program for arrivals beginning July 1.

Theatre Three unmasked seven productions, plus a curtain raiser, to be produced as part of the 2016-17 "Season of Masquerade" via video announcement on social media platforms at noon today, March 21.

The Junction Theatre will present the West Coast Premiere of RED VELVET, a critically acclaimed play written by Lolita Chakrabarti, directed by Benjamin Pohlmeier, to be presented at Atwater Playhouse, 3191 Castitas Avenue, #100, Los Angeles, CA 90039, on Fridays and Saturdays at 8:00 p.m. and Sundays at 5:00 p.m., March 26 - April 30, 2016. Tickets can be purchased by calling Brown Paper Tickets 24/7 at 1-800-838-3006, or online at http://redvelvet.brownpapertickets.com. General Admission is $25 per person; Students, Seniors and Veterans are $20 per person; and Groups of 10 or more $15 per person. To learn more, please visit www.thejunctiontheatre.org and http://atwaterplayhouse.com/

Under the direction of Bartlett Sher (whose work is currently represented on Broadway with Lincoln Center Theater's revival of The King and I, Charles Gounod's 1867 French opera ROMEO AND JULIET comes to opulent, dramatic life--with the quality and grandiosity that characterize Lyric Opera's productions. This production of Gounod's opera--with libretto by Jules Barbier and Michel Carre and which was first performed at the Lyric in 1981--retains the original Renaissance setting of Shakespeare's classic play and renders it larger-than-life. The inherently dramatic nature of the play makes it a fitting choice for an operatic adaptation--Romeo and Juliet's tragic love story becomes even more heightened when set to Gounod's decadent score.

?This spring, Marin Theatre Company will round out its first ever fully self-produced Family Series season of Theatre for Young Audiences (TYA) plays with an adaptation of Hans Christian Andersen's classic tale, The Little Mermaid. In this version adapted by Mike Kenny, characters dubbed "Flotsam" and "Jetsam" act as simple but mystical bits of ocean rubbage who happen to be very imaginative storytellers. The pair act on a minimal set using props from a treasure trunk to take on the forms of the characters in their story, including The Little Mermaid herself, the mermaid's sisters, a handsome prince, and the infamous Sea Witch. Children will love this reinterpretation of the classic story for its creativity, humor, and excitement.

This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.

This spring, Marin Theatre Company will round out its first ever fully self-produced Family Series season of Theatre for Young Audiences (TYA) plays with an adaptation of Hans Christian Andersen's classic tale, The Little Mermaid.

Hottest Articles on BroadwayWorld.com from this weekend Sunday, January 17, 2016 - Sunday, January 17, 2016.

The 1860s are a familiar period for Donna Murphy. In addition to winning Tonys for playing Fosca in the original Broadway production of PASSION and Anna in the 1996 revival of THE KING AND I, the actress played Mary Todd Lincoln in the television movie, THE DAY LINCOLN WAS SHOT. All three projects were set between 1862 and 1867. And, while she jokes that the 1998 film was the last time that she had worn a corset, when she read the pilot episode of PBS's Civil War medical drama MERCY STREET, premiering tonight at 10:00pm ET, she knew that she wanted to be involved.

Brill is proud to announce that three Brill publications have made Choice magazine's 2015 list of Outstanding Academic Titles. Selected by Choice review editors, the awarded titles are representative of Brill's rich publishing program.

Aurora Theatre Company continues its 24th season with the World Premiere of LITTLE ERIK. Written and directed by award-winning Bay Area auteur Mark Jackson (The Letters, The Arsonists, Salomania), LITTLE ERIK features Marilee Talkington, Joe Estlack, Wilma Bonet, Greg Ayers, Mariah Castle, and Jack Wittmayer. LITTLE ERIK plays January 29 through February 28 at the Aurora Theatre in Berkeley. For tickets ($32-60) and information the public can call (510) 843-4822 or visit auroratheatre.org.

The Center for Jewish History has just announced its January & February 2016 programs. Highlights include a discussion on Jewish Museums in the 21st Century, the launch of Lawrence Douglas' book on John Demjanjuk, a daring theatrical examination of racism and anti-Semitism, a look back at the 16th century 'Battle of the Books,' and a look forward at the rise of a 'New Judaism' in Latin America. 

In December 1867, Charles Dickens arrived in New York City for a month of sold-out performances of his beloved holiday classic, A CHRISTMAS CAROL. Join Mr. Dickens, portrayed by actor John Kevin Jones, as he tells his timeless Christmas tale in the elegant intact Greek Revival parlor of the landmark 1832 Merchant's House Museum (29 East 4th Street, Manhattan). 

Due to popular demand and many sold out shows, Summoners Ensemble Theatre has added a performance of A CHRISTMAS CAROL on Saturday, December 19th at 5PM at the Merchant House.

Director Evan Cabnet and set designer Beowulf Boritt give an insider look creating the drama's pivotal visual.

The holiday season is here at last, and in just weeks, the world will be spreading yuletide cheer by decking the halls, wrapping the gifts and sipping the eggnog. There are plenty of ways to join in the spirit, because for theatre fans, Broadway is everywhere this season... and BroadwayWorld has a complete guide of where to find it!

It is the complete package that we have come to expect from this group.

In December 1867, Charles Dickens arrived in New York City for a month of sold-out performances of his beloved holiday classic, A Christmas Carol. Join Mr. Dickens, portrayed by actor John Kevin Jones, as he tells his timeless Christmas tale in the elegant intact Greek Revival parlor of the landmark 1832 Merchant's House Museum (29 East 4th Street, Manhattan).

New-York Historical Society (170 Central Park West New York, NY 10024) has announced its winter exhibitions and programs, December 2015 - January 2016. Scroll down for details!

The Broadway adaptation of THERÈSE RAQUIN, starring Academy and Golden Globe nominee Keira Knightley (Therese) in her Broadway debut, opens officially tonight, October 29, 2015 on Broadway at Studio 54. Let's see what the critics had to say...

Director Evan Cabnet's mounting of Helen Edmundson's adaptation looks like a somewhat faded oil painting come to life.