But Not For Love - 1934 - Broadway Articles Page 17

David Zinman will replace Daniel Harding, who has had to withdraw due to illness, to lead the Orchestra in Sibelius's Symphony No. 3;; Schumann's Piano Concerto, with pianist Jan Lisiecki in his Philharmonic debut;; and Sibelius's Symphony No. 7 tonight, December 13, 2012, at 7:30 p.m.; Friday, December 14 at 11:00 a.m.; and Saturday, December 15 at 8:00 p.m.

The Jewish Museum and the Film Society of Lincoln Center will present the 22nd annual New York Jewish Film Festival at the Film Society's Walter Reade Theater, Jan. 9-24, 2013. The festival's 45 features and shorts from 9 countries - 23 screening in their world, U.S. or New York premieres - provide a diverse global perspective on the Jewish experience. Many film screenings will be followed by filmmakers and special guests in onstage discussions.

Director Ed Fernandez brings the Tony-nominated Cole Porter revival to Lancaster County, and revives audience spirits along with it

David Zinman will replace Daniel Harding, who has had to withdraw due to illness, to lead the Orchestra in Sibelius's Symphony No. 3;; Schumann's Piano Concerto, with pianist Jan Lisiecki in his Philharmonic debut;; and Sibelius's Symphony No. 7 on Thursday, December 13, 2012, at 7:30 p.m.; Friday, December 14 at 11:00 a.m.; and Saturday, December 15 at 8:00 p.m.

MERRILY WE ROLL ALONG began performances 16 November 2012 - 23 February 2013. Stephen Sondheim and George Furth, with triple Olivier award winner Maria Friedman are making her professional directorial debut at the Chocolate Factory.

The Florida Repertory Theatre's 15th Anniversary Season began Friday night with Ken Ludwig's farce, Lend Me A Tenor. Chris Clavelli directs the season opener and leads a first-rate ensemble cast to a night full of laughter, heart, and cheer.

Beginning this month, the University of Cincinnati College-Conservatory of Music (CCM) will celebrate the iconic work and enduring legacy of composer Kurt Weill with an unprecedented series of events. Opening on Friday, Oct. 19, and running through Tuesday, March 12, CCM's Kurt Weill Festival will incorporate the renowned theatre composer into a broad range of both public performances and classroom exercises.

Much like Dixie Wilson-the character she played in Marshall Brickman and Rick Elice's Turn of the Century at Chicago's Goodman Theatre in 2008-actress Rachel York, the clarion-voiced leading lady whose timeless appeal has made her one of Broadway's most beloved stars, might be a time traveler. For certain, the woman who now plays Reno Sweeney in the national tour of Roundabout Theatre's acclaimed revival of Anything Goes, readily admits she could very possibly have been born in the wrong era, any and all science fiction possibilities notwithstanding.

Lynne Meadow (Artistic Director), Barry Grove (Executive Producer), and Mandy Greenfield (Artistic Producer) just announced the 2012 recipients of the Alfred P. Sloan Foundation Initiative commissions for Manhattan Theatre Club. This year's six commissioned writers are April de Angelis (Jumpy), Nick Jones (The Coward), Heidi Schreck (Creature), Melissa Ross (Thinner Than Water), Sarah Treem (A Feminine Ending), and Bess Wohl (Barcelona).

'Ninety-seven percent of the public believe what they're told, and what they're told is what the other chap's been told - and the fellow who told him read it somewhere,' announces marketing maven Ambrose Peale to would-be businessman Rodney Martin in 'It Pays to Advertise.' The Equity professional East Lynne Theater Company presents this screwball comedy from tonight, September 19 through October 13, with an 8:00 p.m. curtain. It is the usual Wednesday through Saturday schedule, except there is no show on Wednesday, October 3, and an added show on Sunday, October 7 at 7:30 p.m. On Wednesday, September 19 is an after-show opening night party at Aleathea's Restaurant at The Inn of Cape May, 7 Ocean Street, where patrons have the opportunity to mingle with actors and fellow theater lovers while indulging in complimentary hors d'oeuvres. There is an after-show Q&A with the cast and director on Friday, September 28, and on Friday, October 12, is an American Sign Language interpreted performance.

Laugh yourself silly at Ridgedale Players' 2012 2013 Season opener, Lend Me A Tenor! This hilarious comedy features a shining cast of veteran actors who have perfect timing and outrageous expression.

'Ninety-seven percent of the public believe what they're told, and what they're told is what the other chap's been told - and the fellow who told him read it somewhere,' announces marketing maven Ambrose Peale to would-be businessman Rodney Martin in 'It Pays to Advertise.' The Equity professional East Lynne Theater Company presents this screwball comedy from September 19 through October 13, with an 8:00 p.m. curtain. It is the usual Wednesday through Saturday schedule, except there is no show on Wednesday, October 3, and an added show on Sunday, October 7 at 7:30 p.m. On Wednesday, September 19 is an after-show opening night party at Aleathea's Restaurant at The Inn of Cape May, 7 Ocean Street, where patrons have the opportunity to mingle with actors and fellow theater lovers while indulging in complimentary hors d'oeuvres. There is an after-show Q&A with the cast and director on Friday, September 28, and on Friday, October 12, is an American Sign Language interpreted performance.

McGovern creatively opens and closes the musical with an image that evokes all the glitter and glamor of old Hollywood: the presentation of the Academy Awards in 1941, the year that Ginger Rogers beat out such adversaries as Katharine Hepburn, Bette Davis, Joan Fontaine and Martha Scott for the best actress Oscar for her performance of "knocked-up shopgirl" Kitty Foyle.

How do mothers and daughters deal with a coming-out crisis? Has the sexual camaraderie of gay men changed as the AIDS epidemic recedes from memory? Is it possible that a child's lie can ruin the lives of three adults? The staged readings of this month's Summer Pride Festival at Chandler address these conflicts and situations.

To be gay was to be a criminal in Nazi Germany. Martin Sherman's play, 'BENT,' takes on the issue of homosexuality under Hitler's rule in this 2-act, 2+ hour production now at Baltimore's Mobtown Players theater.

The Belcourt Theatre presents Castles in the Sky: Miyazaki, Takahata and the Masters of Studio Ghibli, a film retrospective of the renowned Japanese animation studio from tonight, June 1 through June 13. In addition to the series' 15 animated films, the Belcourt will also feature Studio Ghibli's most recent release, THE SECRET WORLD OF ARRIETY.

The Belcourt Theatre presents Castles in the Sky: Miyazaki, Takahata and the Masters of Studio Ghibli, a film retrospective of the renowned Japanese animation studio from June 1-13. In addition to the series' 15 animated films, the Belcourt will also feature Studio Ghibli's most recent release, THE SECRET WORLD OF ARRIETY.

How do mothers and daughters deal with a coming-out crisis? Has the sexual camaraderie of gay men changed as the AIDS epidemic recedes from memory? Is it possible that a child's lie can ruin the lives of three adults? The staged readings of July's Summer Pride Festival at Chandler address these conflicts and situations.

Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer; Mandy Greenfield, Artistic Producer) today announced the lineup for this spring's Ernst C. Stiefel "7@7" Reading Series. The Ernst C. Stiefel Foundation has supported Manhattan Theatre Club's reading series since 2006.

The original Broadway cast album of Stephen Sondheim and George Furth's Merrily We Roll Along is one of those handful of recordings - like Mack and Mabel and Candide - that a musical theatre lover can listen to hundreds of times without hearing a clue as to why the show flopped.  The quick answer, and usually the most unfair one, is 'the book.'  More often, though, the more complete answer is ambition.

Southwark Playhouse in association with Arts Collective Ltd presents the world premiere of Howl's Moving Castle by Diana Wynne Jones.

Being a fan of film-noir, I was delighted to have the opportunity to review "Double Indemnity," the final show of A Contemporary Theatre's 2011 season. Adapted from James M. Cain's 1936 novella, it's basically the same framework as his 1934 novel "The Postman Always Rings Twice." If you're unfamiliar with the storyline, I shan't spoil the fun.

George Kelly's name should be as familiar to Americans as Mark Twain or James Thurber - or Neil Simon, for that matter.

George Kelly's name should be as familiar to Americans as Mark Twain or James Thurber - or Neil Simon, for that matter.

Being a fan of film-noir, I was delighted to have the opportunity to review "Double Indemnity," the final show of A Contemporary Theatre's 2011 season. Adapted from James M. Cain's 1936 novella, it's basically the same framework as his 1934 novel "The Postman Always Rings Twice." If you're unfamiliar with the storyline, I shan't spoil the fun.