Becket 1960

From January 17 to 26, 2020, New Yiddish Rep will present a Yiddish language version of 'The Labor of Life' by Israeli playwright Hanoch Levin, translated by Eli Rosen, directed by Gera Sandler, at New Yiddish Rep's Cyrus and Rose Feldman Studio Theater, 315 W. 39 Street, 9th floor. This comedy, originally written in Hebrew, will be performed in Yiddish with projected English surtitles. It is a funny and very sad play of the missed opportunities, compromises and disillusionments demanded by the 'labor of life.' Originally presented at Israel's HaBima in June, 1989, it stands out among contemporary writings for its sardonic resonance to Israelis and Jews worldwide.

Gloria McLean, President of the American Dance Guild, announced today the lineup for ADG Festival 2018, Visions Then and Now. Honors to choreographic luminaries Jane Comfort and the late Eleo Pomare will complement four days of performances by 34 multi-generational artists from across the United States. The Festival will take place October 25 through October 28 at the Ailey Citigroup Theater, 405 West 55th Street, in New York City.

This year's Tony Award nominations feature a rarity: a Best Play category comprised of as many women as men. Surrounding Paul Vogel's INDECENT and Lynn Nottage's SWEAT, however, is a profusion of male-written work; of the Best Musical nominees, only one so much as includes a woman on its writing team (Irene Sankoff, COME FROM AWAY).

The legendary Martha Graham Dance Company (MGDC) will kick off its 90th Anniversary year in a seven-show engagement at Jacob's Pillow's historic Ted Shawn Theatre, August 26-30. Celebrating the company's pioneering past and trail-blazing reputation, MGDC's program features a diverse set of works including Graham's dramatic classic Embattled Garden, the world premiere of AXE by eminent choreographer Mats Ek, the powerful Depak Ine by Nacho Duato, and Echo by Greek choreographer Adonis Foniadakis.

Jacob's Pillow Executive and Artistic Director Ella Baff brings together some of today's most innovative hip-hop dancemakers for a new, Pillow-exclusive production. Unreal Hip-Hop features the diverse styles of Brooklyn-based crew Decadancetheatre, b-girl Ephrat 'Bounce' Asherie, freestyle and pop 'n' lock duo The Wondertwins, plus the musical stylings of DJ Boo. These artists can only be seen together at the Pillow, today, June 25-29 in the Doris Duke Theatre.

Carmen de Lavallade's career as a dancer, choreographer, and stage and film actress spans more than six decades working with luminaries such as Lena Horne, Josephine Baker, Harry Belafonte, Alvin Ailey, and many others. She already holds the distinction of the longest Jacob's Pillow Dance Festival performing career on record, having made her Pillow debut with Lester Horton Dance Theatre in 1953 and performing at the Festival as recently as 2004 (with Paradigm), and she now extends that record by another decade. In the world premiere of her new solo show, As I Remember It, de Lavallade combines powerful movement and poignant storytelling to weave a theatrical memoir about her venerable life on stage. This exclusive engagement opens the 2014 Festival in the Doris Duke Theatre with a limited three-show run, this weekend, June 20-22.

Jacob's Pillow Executive and Artistic Director Ella Baff brings together some of today's most innovative hip-hop dancemakers for a new, Pillow-exclusive production. Unreal Hip-Hop features the diverse styles of Brooklyn-based crew Decadancetheatre, b-girl Ephrat "Bounce" Asherie, freestyle and pop 'n' lock duo The Wondertwins, plus the musical stylings of DJ Boo. These artists can only be seen together at the Pillow, June 25-29 in the Doris Duke Theatre.

Carmen de Lavallade's career as a dancer, choreographer, and stage and film actress spans more than six decades working with luminaries such as Lena Horne, Josephine Baker, Harry Belafonte, Alvin Ailey, and many others. She already holds the distinction of the longest Jacob's Pillow Dance Festival performing career on record, having made her Pillow debut with Lester Horton Dance Theatre in 1953 and performing at the Festival as recently as 2004 (with Paradigm), and she now extends that record by another decade. In the world premiere of her new solo show, As I Remember It, de Lavallade combines powerful movement and poignant storytelling to weave a theatrical memoir about her venerable life on stage. This exclusive engagement opens the 2014 Festival in the Doris Duke Theatre with a limited three-show run, June 20-22.

Ehrenkranz Artistic Director Jane Moss today announced the roster for Lincoln Center's fourth multidisciplinary White Light Festival, October 24 through November 23, 2013. The Festival's focus is music's capacity to illuminate the many dimensions of our interior lives, with a particular emphasis this year on the power of the voice. Spanning numerous musical traditions, genres, and disciplines, the Festival will offer 23 performances, films, and events featuring seven premieres and debuts by artists and companies from more than a dozen countries, including France, India, the Netherlands, Spain, Germany, the U.K., Mali, Estonia, Italy, Austria, Canada and the U.S. New to this edition of the Festival is White Light on Film, film screenings followed by discussions with their directors. Other Festival components include: a panel discussion focused on the subject of time, pre- and post-performance artist discussions, and the popular post-performance White Light Lounges.

The Joffrey Ballet, one of America's pioneering ballet companies of the 20th century, makes a rare East Coast appearance to conclude the Jacob's Pillow 80th Anniversary Season today, August 22 through August 26.

The Joffrey Ballet, one of America's pioneering ballet companies of the 20th century, makes a rare East Coast appearance to conclude the Jacob's Pillow 80th Anniversary Season August 22-26. The Joffrey Ballet returns for the first time since its high-profile appearances at the Pillow in the 1950s and 60s, presenting an impressive program that features Taiwanese-American choreographer Edwaard Liang's Age of Innocence, Russian choreographer Yuri Possokhov's Bells, and the world premiere of Son of Chamber Symphony by Stanton Welch, Artistic Director of Houston Ballet.