by Stephi Wild
- Mar 23, 2026
North Coast Repertory Theatre announced its 44th Spotlight Gala, 'An Evening of Laughter with Rita Rudner',
set to entertain attendees with a night of comedy.
by Shari Barrett
- Sep 16, 2021
The need for personal isolation during 2020 appears to have led to a plethora of solo shows being developed and performed online and in person in which performers create mostly autobiographical tales meant to unify their own experience with the rest of us. So when I heard about Rachel Parker's world premiere of her darkly funny, moving The Wolfe & The Bird premiering at the Matrix Theatre on September 18, I decided to ask her about its development as well as the many characters which play a part in her story via voiceover artists.
by Joni Lorraine
- Feb 19, 2020
Gift yourself with the Tony nominated COME FROM AWAY. It's simply marvelous.
by Valerie-Jean Miller
- Nov 1, 2019
One Performance Only! This Sunday, November 3, 2019!
Long ago but not far away at all, there were many TV Variety Shows, Award Ceremonies, Music Centers and Theatre abounding with live Musical Performances, all with massive budgets; and dancers in this town, Los Angeles, made a darn good living, albeit having to work their asses off to do so, but it was a good and plentiful, fulfilling life. Besides myself, there was a plethora of working, professional dancers who ended up bonding together pretty easily, as a dancer's life is one of a nomad, or gypsy, going from one job to another, but in doing so, finding kindred spirits and lifelong connections.
Jay Johnson, husband of one of these dancers and artistically gifted himself, was part of the artistic community, as was his wife, Sandi, and, typical with dancers, became close friends and comrades with other dancers, choreographers, and like-minded performers.
As Jay was earning international fame as a ventriloquist, actor and comedian, and starring on the hit TV Series 'Soap,' us dancers were slaving away, happy to be able to make a living doing what we loved.
Jay is best known for his role on ' Soap' as Chuck Campbell, a ventriloquist who believed his puppet Bob was real and demanded everyone treat Bob as human.
by Valerie-Jean Miller
- May 21, 2019
Segerstrom Center for the Arts is excitingly welcoming the return of the Eifman Ballet of
St. Petersburg with the West Coast Premiere of The Pygmalion Effect May 24-26, 2019
A new ballet from the company's award-winning artistic director and choreographer, Boris Eifman, The Pygmalion Effect is inspired by the Greek mythological tale of Pygmalion - a sculptor who became infatuated with his own life-like carving of a beautiful girl. Renowned for works that are 'bold, psychological and highly theatrical' (The New York Times), Boris Eifman infuses his signature choreographic style into this dynamic new production, set to a score by 'The Waltz King' Johann Strauss II.
The Pygmalion Effect received its world premiere in St. Petersburg's Alexandrinsky Theatre on February 6, 2019. This new production marks choreographer Boris Eifman's return to the genre of comedy or, more accurately, tragicomedy; a form which the choreographer has perfected.
Eifman offers the audience a balletic interpretation of the archetypical story of Pygmalion. In the ballet the protagonist is a successful ballroom dancer who transforms a clumsy girl into a virtuoso performer. In this production, Eifman presents a comprehensive artistic and philosophical portrayal of a human personality's remarkable flexibility and ability to adjust in response to set aims and aspirations. The title is a reference to a well-known physiological phenomenon whereby a person's performance is positively influenced by the expectations of others.
by Stephi Wild
- Sep 9, 2018
Omigod! Omigod, you guys! Aurora's Paramount Theatre - Chicago's most decorated theater at the 2017 Jeff Awards, the most heavily subscribed theater in Chicago, and the second largest in the nation - is excited to kick off Chicago's 2018-19 theater season in high fashion with a new production of Legally Blonde.
by Julie Musbach
- May 16, 2018
The annual Broadway League Awards, honoring excellence and achievement for Touring Broadway, were announced today during the Broadway League's 2018 Spring Road Conference. First presented in 1992, the Broadway League Awards recognize the contributions of those who have displayed exemplary service to the Broadway industry and are considered innovators of their craft.
by Elliot Lanes
- Mar 21, 2018
Today's subjects, Bill Largess and Ann Norton, are living their theatre lives as the Artistic Director and Executive Director of one of the gems in our local theatre scene.
by Benjamin Tomchik
- Jul 19, 2017
If you are in need of a pick-me-up or a fun night out, pack a picnic and head to Wolf Trap for a trip down the aisle you'll never forget.
by Joni Lorraine
- Dec 15, 2016
The Rudes. They're like the cast of Star Wars or Star Trek, iconic and revered in that way that Trekkers love Leonard Nimoy or George Takei, but for Austin and its avid theatre going Rude fans, well, that, and their collaborative works with others from Helsinki to Cedar Rapids. And their current production, REQUIEM FOR TESLA, is, in its third incarnation, like a Star Trek reboot. While other theatres around town dust off the usual December holiday fare, The Rude Mechanicals, never to be usual, have resurrected REQUIEM FOR TESLA in celebration of their 20th anniversary season. It's obvious they've been around and drummed up an enthusiastic fan base. (Full disclosure: I'm one of them). On opening night for this particular production, one ebullient fan behind us waxed poetic to total strangers about each and every Rude production he'd seen (many of which I've seen myself) including the 2001 and 2003 iterations of REQUIEM FOR TESLA.