A Way of Life 1969 Broadway — Photo Coverage Page 2

Review: THE UNSEEN HAND and KILLER'S HEAD Showcase Sam Shepard's Loners in the Middle of Nowhere or at a Dead End

by Shari Barrett • Feb 4, 2020

Sam Shepard, who left this world in 2017, was an American playwright and actor whose plays adroitly blend images of the American West, pop motifs, science fiction, and other elements of popular and youth culture. His settings are often a kind of nowhere, notionally grounded in the dusty heart of the vast American Plains. His characters are typically loners, drifters caught between a mythical past and the mechanized present; his work often concerns deeply troubled families, lovers or friends. Two of his plays centering on loners at the end of their rope, THE UNSEEN HAND coupled with Shepard's gritty and audacious KILLER'S HEAD, joins Odyssey Theatre Ensemble's 50th Anniversary a?oeCirca '69a?? Season of significant and adventurous plays that premiered around the time of the company's inception.

Review: American Tribal Rock Musical HAIR is Still Relevant After 50 Years

by Shari Barrett • Oct 30, 2019

HAIR was written more than 50 years ago by Gerome Ragni, James Rado and Galt MacDermot and broke new ground in musical theatre by defining the genre of 'rock musical' as well as using a racially integrated cast and inviting the audience onstage to join in the a?oeBe-Ina?? finale. But at the time it opened off Broadway at the end of 1967, it seemed unlikely that HAIR would be relevant five decades later. A product of the hippie counter-culture, sexual revolution, and Vietnam War protests of the late 1960s, several of its songs became anthems of the anti-war movement, while its profanity, depiction of the use of illegal drugs, treatment of open sexuality, irreverence for the American flag, and full-frontal nude scene caused much comment and controversy at the time. Yet today it seems what was shocking has become so common place that even a few children were in the audience at the performance I attended.

Review: Quintessential Clown Bill Irwin ON BECKETT Showcases the Humor and Pathos of the Irish Playwright

by Shari Barrett • Sep 21, 2019

While I find Beckett's plays often too intensely intellectual for my comprehension, this was not the case with Irwin's seemingly effortless way of donning a bowler hat (or 2 or 3), juggling them until the perfect one is atop his head, and then going on to flop around the stage in his baggy pants and oversize shoes as a quintessential clown while explaining his interpretation of passages reflecting a?oethe noise of lifea?? in Beckett's a?oeText for Noting,a?? a?oeWatt,a?? a?oeWaiting for Godot,a?? a?oeEndgame,a?? and a?oeThe Unnamable.a?? It was an extraordinary evening of watching a master of the stage interpret the life and brilliance of a theatre legend.

Photo Flash: Folger Theatre Opens The 2019/20 Season With 1 HENRY IV

by A.A. Cristi • Sep 4, 2019

Folger Theatre opens the 2019/20 season with 1 Henry IV, Shakespeare's richly layered coming-of-age tale of power, rebellion, honor, and redemption. The production is directed by Rosa Joshi (co-founder of Seattle's upstart crow collective theater company in Seattle; Henry V and As You Like It at Oregon Shakespeare Festival), who makes her DC directorial debut at the Folger.

Review: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT Brings Entertaining Fun to the James Armstrong Theatre

by Shari Barrett • Jul 23, 2019

First recorded in 1969, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT with music and lyrics by Tim Rice and music by Andrew Lloyd Webber, finally opened Off-Broadway in November 1981 and then moved to The Great White Way in January 1982 where the production received six Tony Award nominations, including Best Musical, Book and Score. This ever-popular musical based on the a?oeCoat of Many Colorsa?? story from the Bible's Book of Genesis failed to win even one Tony, but has gone on to be one of the most popular, family-friendly stories with actors of all ages involved in the big-scale production performed around the world. Now being presented as the 40th production by The Aerospace Players, directed by John Woodcock and Angela Asch (who also choreographed the show), the dedicated (and all volunteer) cast features stand-out performances by many in the leading roles who make the story as fun to watch as it is entertaining.

BWW Review: Joe Orton's Dark Comedy LOOT Satirically Examines Societal Stupidity

by Shari Barrett • Jul 15, 2019

Odyssey Theatre Ensemble kicks off its 'Circa '69' season of significant and adventurous plays that premiered around the time of the Odyssey's 1969 inception with Joe Orton's darkly comic masterpiece LOOT, which asks us to wipe the fluff from our eyes and see society the way he sees it. And as a gay man during a time when British society forced artists into the closet, his farce comically examines a sort of rigged system that benefits bullies and oppressors and controls anyone stupid enough to go along with the lies. As directed by Bart DeLorenzo, this tale of corrosive wit, dizzying intrigue and classic farce suggests that the only acceptable alternative is to become a criminal, with Orton supplying laughs at everyone's expense along the way.