A Lady for a Night - 1928 - Broadway Articles Page 10

One of the many delights of director Michael Blakemore's revival of Noel Coward's giddily funny 1941 froth, Blithe Spirit, is that this 2009 production looks like it could have been seen in the play's premiere year. No doubt contemporary Broadway theatre can provide more spectacular ways for an actress playing a ghost to enter a room than to just have her walk through the French windows. And certainly if an invisible spirit chooses to destroy her husband's drawing room, modern technology can whip up a few tricks more gasp-inducing than simply having a picture frame fall and a bookshelf topple over. But when you have one of the English language's great comedies played by a company that excels in the verbal dexterity of the playwright's wit, there's no need for such distractions.

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby

Matthew White is to direct Tamzin Outhwaite as Charity Hope Valentine in the Tony Award-winning musical Sweet Charity at the Menier Chocolate Factory. Sweet Charity previews from 21 November with press night on 02 December, and runs until 07 March 2010. The box office opens for general public bookings at noon on Thursday 17 September. With book by Neil Simon, music by Cy Coleman and lyrics by Dorothy Fields, choreography is by Stephen Mear, set design by Tim Shortall, costume design by Matthew Wright, musical supervision and direction by Nigel Lilley, orchestrations by Chris Walker, lighting by David Howe and sound design by Gareth Owen.

The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby

American Conservatory Theater (A.C.T.) announces the final show of its 2008-09 season: Edward Albee's At Home at the Zoo, staged by acclaimed director Rebecca Bayla Taichman (world premieres of Theresa Rebeck's The Scene and Mauritius and Sarah Ruhl's Dead Man's Cell Phone). This new spellbinder by the master playwright who also penned Who's Afraid of Virginia Woolf? and A.C.T.'s The Goat, or Who is Sylvia?, is a meticulously calibrated and dangerously brutal look at relationships intimate and unexpected. The story opens with Peter, a tweedy book editor, and his wife, Ann, whose everyday conversation takes an unexpected turn into dangerously personal territory. It's the kind of conversation that can drive a husband out for a walk-to Central Park, where Jerry, a desperate outcast, awaits. An unforgettable pairing of Albee's original The Zoo Story with a freshly penned prequel, At Home at the Zoo (formerly titled Peter and Jerry) bares its teeth to threaten the delicately balanced world its characters inhabit. Artistic Director Carey Perloff has put together an all-star artistic team on this production, featuring Tony Award-nominated actor Manoel Felciano (Ragtime at The Kennedy Center, A.C.T.'s Rock 'n' Roll, and Sweeney Todd on Broadway) as Jerry and scenic designer Robert Brill, who received a Tony Award nomination last week for his work on Guys and Dolls on Broadway. Hailed by critics as 'a thoroughly satisfying package of jagged-edged provocation' (Newsday) and 'an essential and heartening experience' (The New York Times), Edward Albee's At Home at the Zoo plays at A.C.T. June 5-July 5, 2009. Opening night is Wednesday, June 10, 2009, at 8 p.m. Tickets-starting at $14-are available by calling A.C.T. Ticket Services at 415.749.2228, or at www.act-sf.org.

The Cleveland Play House Artistic Director Michael Bloom announces the world premiere production of Thornton Wilder's novel Heaven's My Destination, adapted by award-winning playwright Lee Blessing. The play is the centerpiece of the fourth annual FusionFest, a multidisciplinary performing arts festival.

The Cleveland Play House Artistic Director Michael Bloom announces the world premiere production of Thornton Wilder's novel Heaven's My Destination, adapted by award-winning playwright Lee Blessing. The play is the centerpiece of the fourth annual FusionFest, a multidisciplinary performing arts festival.

Today's Broadway Blogs on BroadwayWorld.com from Sunday, March 22, 2009.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Winner of the 1967 Pulitzer Prize, Edward Albee's A Delicate Balance comes to Arena Stage in a contemporary and provocative new staging under the direction of experienced Albee collaborator Pam MacKinnon. Featuring Broadway stars Kathleen Chalfant (Wit, Angels in America), Terry Beaver (Henry IV, The Last Night of Ballyhoo), Ellen McLaughlin (Angels in America) and Carla Harting (Eurydice),joined by Helen Hedman and James Slaughter, A Delicate Balance runs February 6-March 15, 2009 at Arena Stage in Crystal City. The press opening performance is Thursday, February 12, 2009 at 8:00 p.m. 'Albee is fearless about writing stories that get us in the solar plexus, and he does so with his brilliant wit, dynamic storytelling and rigorous use of language,' shares Artistic Director Molly Smith. 'His work draws the best artists, and with this production audiences are fortunate to have an enormously strong cast and creative team-approved by Albee himself.' A frequent director of Albee plays, MacKinnon has directed The Play About the Baby, the world premieres of Peter and Jerry: Homelife and The Zoo Story (now titled At Home at the Zoo) and Occupant, as well as the U.S. regional and European premieres of The Goat, or Who Is Sylvia?

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Winner of the 1967 Pulitzer Prize, Edward Albee's A Delicate Balance comes to Arena Stage in a contemporary and provocative new staging under the direction of experienced Albee collaborator Pam MacKinnon. Featuring Broadway stars Kathleen Chalfant (Wit, Angels in America), Terry Beaver (Henry IV, The Last Night of Ballyhoo), Ellen McLaughlin (Angels in America) and Carla Harting (Eurydice),joined by Helen Hedman and James Slaughter, A Delicate Balance runs February 6-March 15, 2009 at Arena Stage in Crystal City. The press opening performance is Thursday, February 12, 2009 at 8:00 p.m. 'Albee is fearless about writing stories that get us in the solar plexus, and he does so with his brilliant wit, dynamic storytelling and rigorous use of language,' shares Artistic Director Molly Smith. 'His work draws the best artists, and with this production audiences are fortunate to have an enormously strong cast and creative team-approved by Albee himself.' A frequent director of Albee plays, MacKinnon has directed The Play About the Baby, the world premieres of Peter and Jerry: Homelife and The Zoo Story (now titled At Home at the Zoo) and Occupant, as well as the U.S. regional and European premieres of The Goat, or Who Is Sylvia?

The New York Musical Theatre Festival (NYMF) celebrates its fifth year with 24 full productions, a dance series, a developmental series, concerts and special events.

Westport Country Playhouse and Westport Arts Center will co-present two award-winning legends - playwright Edward Albee and film and theatre actor Kathleen Turner in 'Artists in Conversation,' a casual, intimate talk between two theatre professionals who also happen to be good friends, on Monday, June 23, 8 p.m., at the Playhouse.

Westport Country Playhouse and Westport Arts Center will co-present two award-winning legends - playwright Edward Albee and film and theatre actor Kathleen Turner in 'Artists in Conversation,' a casual, intimate talk between two theatre professionals who also happen to be good friends, on Monday, June 23, 8 p.m., at the Playhouse.

Berkshire Theatre Festival opens its 2008 80th anniversary season with Harold Pinter's 'The Caretaker', directed by Eric Hill in the Unicorn Theatre.

Broadway In Chicago is proud to announce the complete 2008 Walgreens Broadway In Chicago Season Series.

Three time Tony Award-winner Boyd Gaines discusses his varied acting career, as well as his next role as Herbie in Encores! Summer Stars Gypsy, opposite Patti LuPone!

Dancap Productions Inc. Launches Inaugural Season With the Best of Broadway ... Six 'Must-See' Musical Events! The Drowsy Chaperone returns home to T.O. to kick off North American Tour

Manhattan Theatre Club (Lynne Meadow, artistic director; Barry Grove, executive producer) is pleased to announce full casting for the world premiere of LoveMusik, a new musical featuring the songs of Kurt Weill, starring Tony Awardâ winners Michael Cerveris and Donna Murphy.

Another year draws to a close and a new year beckons. Almost as the clock turns between the years we say adieu to Idina and say hello to Kerry, wave a fond goodbye to Caroline or Change and The Producers and welcome the brief return of The Rocky Horror Show and The History Boys. As we sing Auld Lang's Syne, it gives cause to look back on and look forward to the respective years in London theatre.

The show, will begin previews on April 3, 2006 and will open on May 1, 2006.

The New York Times reports that Ana Gasteyer has joined the cast of Roundabout's 'Threepenny Opera' for which previews will beging on March 24th.