On the Twentieth Century Revival 2005 - Articles Page 7

Among them, the company can claim 18 Tony Awards, 4 Pulitzer Prizes, 6 Pulitzer finalist distinctions, 3 Emmy Awards, and 2 Academy Awards; to list all their honors would take several pages.

Miles Teller heads the newest installment of the Marvel franchise, FANTASTIC FOUR.

Paper Mill Playhouse released a block of great seats today for the world premiere musical, Ever After for Father's Day Weekend including Friday, June 19 at 7:00pm, Saturday, June 20 at 7:00pm and Sunday, June 21 at 1:30pm and 7:00pm.

From tonight, June 11, through June 21, 2015, Houston Ballet will present John Cranko's staging of The Taming of the Shrew, a masterful choreographic depiction of Shakespeare's perpetually battling lovers, Petruchio and Katherina, and of Petruchio's determination to bend the feisty, independent-spirited and tempestuous Katherina to his will. Incorporating a stunning array of dramatic moods, virtuoso dancing and vivid characterization, The Taming of the Shrew conveys like no other ballet Shakespeare's wit, brilliant comic invention and sharp understanding of human character. Houston Ballet will give seven performances of The Taming of the Shrew at Wortham Theater Center in downtown Houston.

On Site Opera has garnered considerable acclaim for its immersive, site-specific productions since stage director Eric Einhorn founded it just three years ago.

HOUSTON, TEXAS - From June 11-21, 2015, Houston Ballet will present John Cranko's staging of The Taming of the Shrew, a masterful choreographic depiction of Shakespeare's perpetually battling lovers, Petruchio and Katherina, and of Petruchio's determination to bend the feisty, independent-spirited and tempestuous Katherina to his will. Incorporating a stunning array of dramatic moods, virtuoso dancing and vivid characterization, The Taming of the Shrewconveys like no other ballet Shakespeare's wit, brilliant comic invention and sharp understanding of human character.  Houston Ballet will give seven performances of The Taming of the Shrewat Wortham Theater Center in downtown Houston. Tickets may be purchased by calling 713 227 2787 or by visiting www.houstonballet.org.

From June 11-21, 2015, Houston Ballet will present John Cranko's staging of The Taming of the Shrew, a masterful choreographic depiction of Shakespeare's perpetually battling lovers, Petruchio and Katherina, and of Petruchio's determination to bend the feisty, independent-spirited and tempestuous Katherina to his will.

This summer, On Site Opera(OSO) will present a new production that exemplifies the company's mission to stage operas in non-traditional locations ideally suited to the stories they tell. OSO will offer an immersive site-specific staging of Giovanni Paisiello's The Barber of Seville at the opulent Fabbri Mansion (House of the Redeemer) on New York City's Upper East Side. Conducted by the company's newly appointed Music Director,Geoffrey McDonald and directed by OSO's Co-Founder and Artistic Director, Eric Einhorn, the production will be updated to the early decades of the twentieth century (when the Fabbri Mansion was built) and staged in themansion's outdoor courtyard and library.

The Twentieth-Century Way, Tom Jacobson's acclaimed two- person play about homosexual entrapment in Los Angeles at the turn of the 20th century, premieres off-Broadway this spring. Directed by The Theatre @ Boston Court's Michael Michetti, and starring Will Bradley and Robert Mammana, the play begins previews tonight, May 28, 2015, with opening night set for June 3, 2015 at Rattlestick Playwrights Theatre (224 Waverly Place, NYC). The limited engagement will run through July 19, 2015.

Paper Mill Playhouse presents the world-premiere musical Ever After, directed and choreographed by three-time Tony Award winner Kathleen Marshall (Anything Goes, Nice Work If You Can Get It), featuring a book and lyrics by Marcy Heisler and music by Zina Goldrich. Ever After begins performances tonight, May 21, 2015, and runs through Sunday, June 21, 2015.

The Theatre @ Boston Court announces two critically acclaimed Main Stage productions to receive New York premieres in June, 2015.

Catch up on the week's biggest stories from Broadway and beyond in BroadwayWorld's 'This Week in Pictures,' featuring coverage of press events, rehearsals, opening nights, and more. Highlights this week include coverage of opening night of The Public Theater's GROUNDED, starring Anne Hathaway, the cast of THE VISIT recording the original cast album, a first look at Darren Criss's return to Broadway as HEDWIG, and more!

Beginning May 1, two walls of the Jewish Museum's lobby will be filled with 34 new portraits by the London-based painter Chantal Joffe. This body of work explores Jewish women of the twentieth century, focusing on those who made major contributions to art, literature, philosophy, and politics - including Diane Arbus, Nancy Spero, Gertrude Stein, Alice B. Toklas, Susan Sontag, and Hannah Arendt.

The Downtown Urban Theater Festival (Reg E. Gaines, Artistic Director) will present its 13th annual season in New York City from May 13th - 30th, 2015.

This summer, On Site Opera (OSO) will present a new production that exemplifies the company's mission to stage operas in non-traditional locations ideally suited to the stories they tell. OSO will offer an immersive site-specific staging of Giovanni Paisiello's The Barber of Seville at the opulent Fabbri Mansion (House of the Redeemer) on New York City's Upper East Side. Conducted by the company's newly appointed Music Director, Geoffrey McDonald and directed by OSO's Co-Founder and Artistic Director, Eric Einhorn, the production will be updated to the early decades of the twentieth century (when the Fabbri Mansion was built) and staged in themansion's outdoor courtyard and library.

Hottest Articles on BroadwayWorld.com from this weekend Sunday, April 19, 2015 - Sunday, April 19, 2015.

In a career spanning more than four decades, the contemporary American choreographer Karole Armitage has been celebrated for blurring the boundaries between dance, music and art. Inspired by disparate, non-narrative sources—from 20th century physics, to 16th century Florentine fashion, to pop culture and new media—the classical dance vocabulary, in her hands, is given a needed shock to its system with speed and fractured lines, abstractions and symmetry countermanded by asymmetry.

Paper Mill Playhouse has announced complete casting for the world-premiere musical Ever After, directed and choreographed by three-time Tony Award winner Kathleen Marshall (Anything Goes, Nice Work If You Can Get It), featuring a book and lyrics by Marcy Heisler and music by Zina Goldrich.

This month, the Museum of Arts and Design is pleased to present The Director Must Not Be Credited: 20 Years of Dogme 95, a cinema series exploring the enduring legacy of the game-changing film movement. Premiering tonight, March 13, 2015, the twentieth anniversary of Danish filmmakers Lars von Trier and Thomas Vinterberg's revolutionary manifesto, the series features nine, rarely screened films recognized by the Dogme 95 committee --many of which never received US distributions. Together, these films highlight the growth of Dogme 95 into a worldwide movement that spanned genres and forever changed the ways in which narrative feature films are made.

Court Theatre announces its 61st season under the continuing leadership of Artistic Director Charles Newell, Executive Director Stephen J. Albert, and Board Chair Marilyn Fatt Vitale.

On Site Opera has garnered considerable acclaim for its immersive, site-specific productions since stage director Eric Einhorn founded it just three years ago.

On Site Opera has garnered considerable acclaim for its immersive, site-specific productions since stage director Eric Einhorn founded it just three years ago. This summer, the company kicks off its most ambitious undertaking to date:The Figaro Project. On Site Opera will offer lesser-known operatic adaptations of French playwright Pierre-Augustin Caron de Beaumarchais' (1732-1799) famed trilogy of Figaro plays: The Barber of Seville (1775), The Marriage of Figaro (1784) and The Guilty Mother(1792). The Figaro Project will reacquaint audiences with their favorite Beaumarchais' characters in new and unexpected ways in non-traditional venues across New York City.

In a career spanning more than four decades, the contemporary American choreographer Karole Armitage has been celebrated for blurring the boundaries between dance, music and art. Inspired by disparate, non-narrative sources—from 20th century physics, to 16th century Florentine fashion, to pop culture and new media—the classical dance vocabulary, in her hands, is given a needed shock to its system with speed and fractured lines, abstractions and symmetry countermanded by asymmetry.

The Suzanne Farrell Ballet, the Kennedy Center's own ballet company, will engage in an artistic partnership with Theatre Ballet Moscow in February 2015 to perform George Balanchine'sMonumentum Pro Gesualdo. The Suzanne Farrell Ballet will also perform Balanchine's Movements for Piano and Orchestra. Theatre Ballet Moscow will complete the program with pieces by George Aleksidze and Paul Mejia. Through this artistic partnership, Theatre Ballet Moscow will have the opportunity to take classes and learn Balanchine's choreography from Ms. Farrell, one of Balanchine's foremost interpreters, and rehearse with The Suzanne Farrell Ballet. Performances will take place tonight and tomorrow, February 26 and 27 at 7:00pm at the Cultural Centre ZIL in Moscow.