Do It Again! 1971 - Articles Page 36

Pioneer, innovator and the voice of an entire new musical theatre generation coming in the dawning of the age of GLEE, Tony Award recipient and Grammy-winning composer, lyricist and performer Lin-Manuel Miranda has merged the worlds of the two most significant of original American art forms - musicals and rap - in such a striking and surprisingly inventive way with his hit musical IN THE HEIGHTS - currently touring the country - and is setting out to do the same with his fresh collaboration with Pulitzer Prize-winning NEXT TO NORMAL composer Tom Kitt on their new musical BRING IT ON!, currently in previews out of town in Los Angeles as it eyes New York. In addition to discussing the development of IN THE HEIGHTS and BRING IT ON! in detail, Miranda and I also outline his experience working alongside the two modern-day masters of the musical theatre - Stephen Sondheim and the recently deceased Arthur Laurents - on the Spanish translation and new lyrics for the recent bilingual revival of WEST SIDE STORY - in addition to his forthcoming ALEXANDER HAMILTON project, which Miranda recently performed a medley from for President Obama himself at the White House Poetry Jam. As if all of that were not enough, we also delve into his thought process as he sets out to take on one of Sondheim's most challenging roles in all of musical theatre - that of Charley Kringas in MERRILY WE ROLL ALONG at Encores!, under the direction of James Lapine. Plus, news on his new feature film THE ODD LIFE OF TIMOTHY GREEN, as well as recollections of his fondest Broadway shows, scores, cast albums, movie musicals and general musical and theatrical inspirations - and his favorite Shakespeare plays, too - as well as much, much more!

In just a few short years since his sensational debut in Lawrence Kasdan's MUMFORD, rising star Jason Ritter has carved out an impressive indie resume - including noted standouts such as THE EDUCATION OF CHARLIE BANKS, HAPPY ENDINGS and GOOD DICK - in addition to a successful TV career - having appeared in featured roles in JOAN OF ARCADIA and THE CLASS before his leading role on THE EVENT last season - but theatre fans are certainly aware of considerable stage skills, as well, having performed in plays for many esteemed directors and premiering works by the likes of Neil LaBute and Wendy Wasserstein. While there has been the occasional big budget vehicle, too - SWIMFAN and FREDDY VS. JASON included - it is Ritter's fierce commitment to fine storytelling and intriguing projects that make him truly one to watch. Discussing many aspects of his busy career from THE DREAMER OF OZ opposite his iconic father, John - now available on the WIZARD OF OZ Blu-ray box-set - all the way up to his forthcoming films such as THE PERFECT FAMILY co-starring two previous InDepth InterView participants, Kathleen Turner and Sharon Lawrence, plus THE FIVE STAGES OF GRIEF, FREE SAMPLES, an untilled Mark Webber project, I AM I and his new Disney animated series, GRAVITY FALLS. With an emphasis on his theatre background and insights into the currently running LA Theatreworks presentation of COMPLETENESS, Ritter and I shine some light on a career that, based on what we have already seen from him onstage and onscreen, clearly knows no bounds whatsoever. Some people can do it all and do it all brilliantly and Jason Ritter has clearly proven he is one of those select, special few.

Once you enter the world according to Phil Olson, there's no turning back. Be prepared to have a good time, or bust! Their fourth Don't Hug Me musical in a row, Don't Hug Me, I'm Pregnant - they referring to the Olson brothers Phil and Paul - is as usual obscenely silly and over-the-top, but a definite charmer, no matter how tired the pregnant jokes become. Now at the Secret Rose Theatre the show is guaranteed to please and has big bit written all over it. Ya, sure, you betcha!

Barrington Stage Company's world premiere musical 'The Game,' a 'breathtakingly beautiful' adaptation of 'Les Liaisons Dangereuses,' returns to the Berkshires for a second chance at a longer life

Another wonderful evening of song from Kritzerland, Bruce Kimmel's production label, at the Gardenia on Wednesday August 3, this time saluting the music of Harvey Schmidt and Tom Jones, and congrats are in as this show marks Kritzerland's 12th consecutive show in its series at the Gardenia! Schmidt and Jones penned The Fantasticks, I Do! I Do!, among the most famous, and less so: 110 In the Shade, Collette Collage, Celebration and even a musical entitled The Bone Room. On hand to perform were musical director John Boswell and special guest Rex Smith, Lauren Rubin, Michaelia Leigh, Will Collyer, Camille Saviola, Michael Hawkins, 13 year-old Melody Hollis and even Guy Haines - I mean, Bruce Kimmel himself - singing. And I'm here to tell you, he didn't sound half bad! Kimmel as always introduced the evening with interesting composer trivia and anecdotes. The music showcased included well known tunes and lesser known or unfamiliar ones. Schmidt and Jones may not have had the popularity of Rodgers and Hammerstein, Lerner and Lowe, or Kander and Ebb, but one thing is certain they sure did pen some eclectically beautiful songs!

How in the world do Broadway actors do it? I'm talking about the music: how do they sing through the same cast album so many times in a row and be able to get it out of their heads when they're done? I'm plagued by an album-long earworm: the 2009 Revival Cast Recording of one of the greatest musicals of all time: HAIR.

'Who would have thought that a young boy from Weymouth would become part of such a large family of vagabonds,' remarked Hal Holbrook about the actors and industry professionals that gathered to honor him at the 15th annual TONY Award party in Los Angeles. 'Not all of us have been lucky enough to make a steady income from this profession we love so much. It's nice to know an organization such as the Actors Fund exists to watch our backs, while we concentrate on using our craft to make the world a richer place to live,' added Holbrook just after friend and colleague, Sean Penn, presented the accomplished thespian with the Julie Harris Award. Penn, who directed Holbrook in 'Into The Wild,' said 'Hal always got it in the first take, but you wanted him to do it again, just so you could watch him work.'

Diminutive 5' Pia Zadora makes a come back with new act. 'I'm nowhere in my career right now...' Zadora shares, '...except singing.' Zadora combined forces with three-time Emmy-winning director/choreographer Walter Painter and Emmy-nominated writer Jon Macks to create this seamless, steamlined 75-minute act, receiving an exclusive booking at the Rrazz Room in the Hotel Nikko, San Francisco.

In a very short time since his Broadway debut roughly ten years ago, Aaron Lazar has crafted a particularly impressive career consisting of a striking series featured and leading roles in everything from LES MISERABLES and A TALE OF TWO CITIES to THE LIGHT IN THE PIAZZA - and the sensational PBS Live From Lincoln Center telecast of it - to his superb turn as Count Carl Magnus in the recent revival of Stephen Sondheim's A LITTLE NIGHT MUSIC starring Catherine Zeta-Jones and Angela Lansbury to, most recently, Lonny Price's rapturously received presentation of Sondheim's COMPANY: IN CONCERT starring Neil Patrick Harris and Patti LuPone at Lincoln Center - which will soon be seen in 500+ movie theaters nationwide starting in June. In this revealing conversation we discuss all of the aforementioned peformances, as well as what we can expect from the forthcoming Clint Eastwood film J. EDGAR starring Leonardo DiCaprio and Josh Lucas, written by Dustin Lance Black, with Lazar in a featured role, as well as his upcoming dates premiering his new show at Feinstein‘s in June. Before all of that, you can catch Aaron live and in person May 2 at the NY Pops Tribute to Bob Hope, which will also feature performances by Kelli O'Hara, Tom Wopat and many more in addition to a special presentation by Angela Lansbury. More information about the event - and tickets - is available here.

Last weekend marked the opening of his new vampire-centric horror film STAKE LAND, and you can catch him every week on FOX's hit series FRINGE, but Michael Cerveris is certainly best known for his series of stunning performances in some of the finest musical theatre productions of the 21st century - John Doyle's SWEENEY TODD and Joe Mantello's ASSASSINS chief among them - as well as for originating the title role in Pete Townshend's singular Broadway foray, The Who's TOMMY. With a captivating new double-disc concept album - NINE LIVES - out now, it seems that Cerveris has found a way to juggle it all. In this extensive two-part conversation, we take a look back at his experiences in the aforementioned Sondheim musicals, as well as his series of performances in Sondheim shows under the direction of Lonny Price at the Ravinia Festival co-starring Audra McDonald and Patti LuPone, and also touch upon his work in plays, such as his recent Kent in Kevin Kline's KING LEAR at The Public, HEDDA GABLER opposite Mary Louise Parker, and Sarah Ruhl's IN THE NEXT ROOM (OR THE VIBRATOR PLAY) with Laura Benanti. Additionally, he shares his Tony memories, singing SWEENEY TODD at the recent SONDHEIM! Celebration, HEDWIG & THE ANGRY INCH, TITANIC and much, much more in this compelling and comprehensive conversation - plus, first news on his upcoming TREME appearance and FRINGE renewal confirmation. His new feature film STAKE LAND is in selected cities now!

Supremely gifted. Stupendously stunning. Stupefying in her ability to hold magnetic sway over an audience. Kerry Ellis simply has it all and, now, following the worldwide success of her truly awesome collaboration with Queen's Brian May on their epic rock album ANTHEMS, May and Ellis are hitting the road for a UK tour kicking off at the Royal Albert Hall later this month. Over the weekend Kerry was kind enough to take a look back at her career with me - which includes her earth-shattering turns in WICKED in both the West End and on Broadway, plus her unforgettable turns in CHESS: LIVE IN CONCERT, on CD and DVD, as well as OLIVER and more - plus, we take a look ahead to what she would like to tackle next: a one-woman-musical ala TELL ME ON A SUNDAY, perhaps? Whatever she chooses to do, judging from her track record it is clear she will knock it clear out of the park.

After a sold-out run last November, Theater for the New City (Crystal Field, Executive Director) is proud to present, back by popular demand, ONLY LOVE WILL DO - A GayStraigt RomCom, written by Walt Stepp (Lightin' Out-A Mark Twain Musical, Why We Shot Jack-The Conspirators' Drama), from April 14th thru May 1st. Lissa Moira once again directs this Freudian Fandango of gay/straight romantic dramedy/sexploration.

Planet Improv and Actor's Crib, Inc. presents the Chuckleheads' Hoops We Did It Again Comedy Improv Variety Extravaganza

Planet Improv and Actor's Crib, Inc. presents the Chuckleheads' Hoops We Did It Again Comedy Improv Variety Extravaganza

Remind me someday to tell you my Connie Francis story - although, in retrospect, it probably veers dangerously close to the realm of 'you had to be there,' but then again, who among you has a Connie Francis story to tell? The Italian-American songstress, who was such a presence in American pop culture in the middle of the last century, has been on my mind a lot since seeing Breaking Up is Hard to Do, an appealing, if slight, musical revue featuring the hits of Neil Sedaka, now onstage at The Gaslight Dinner Theatre at The Renaissance Center in Dickson.

In what could well be the most talked-about theatrical event of the new year, Street Theatre Company presents Chess in Concert February 24-27, featuring some of Nashville's best known stage talents and including a chorus of more than 40 voices. And it seems, in talking to some of the artists most intimately involved in the creative process that will culminate in this weekend's five performances, that it is a process they'd definitely sign-up for again - and it's clear that Nashville audiences will be talking about it for a long time after the curtain rings down Sunday night.

In what could well be the most talked-about theatrical event of the new year, Street Theatre Company presents Chess in Concert February 24-27, featuring some of Nashville's best known stage talents and including a chorus of more than 40 voices. And it seems, in talking to some of the artists most intimately involved in the creative process that will culminate in this weekend's five performances, that it is a process they'd definitely sign-up for again - and it's clear that Nashville audiences will be talking about it for a long time after the curtain rings down Sunday night.

After a sold-out run last November, Theater for the New City (Crystal Field, Executive Director) is proud to present, back by popular demand, ONLY LOVE WILL DO - A GayStraigt RomCom, written by Walt Stepp (Lightin' Out-A Mark Twain Musical, Why We Shot Jack-The Conspirators' Drama), from April 14th thru May 1st. Lissa Moira once again directs this Freudian Fandango of gay/straight romantic dramedy/sexploration.

In what could well be the most talked-about theatrical event of the new year, Street Theatre Company presents Chess in Concert February 24-27, featuring some of Nashville's best known stage talents and including a chorus of more than 40 voices. And it seems, in talking to some of the artists most intimately involved in the creative process that will culminate in this weekend's five performances, that it is a process they'd definitely sign-up for again - and it's clear that Nashville audiences will be talking about it for a long time after the curtain rings down Sunday night.

Last night I had the privilege of interviewing comedy icon and red carpet legend Joan Rivers about her first love of theatre and live performance, working the red carpet and virtually inventing celeb-reality culture, her Broadway endeavors - FUN CITY, Neil Simon's BROADWAY BOUND and SALLY MARR... AND HER ESCORTS, plus her new autobiographical piece - as well as all about the dazzling documentary JOAN RIVERS: A PIECE OF WORK. All of this, in addition to discussing her two weekly TV shows - FASHION POLICE on E! and the hit new WE reality series with daughter Melissa Rivers, JOAN AND MELISSA: JOAN KNOWS BEST? Stay tuned to BroadwayWorld for a complete conversation with Melissa all about growing up Hollywood, her superstar mother and running a production company and what it was like filming season one of MOTHER KNOWS BEST? coming up soon.

Today we are talking to the composer of the Pulitzer Prize-winning rock musical NEXT TO NORMAL, Tom Kitt, about his influences - from Sondheim to Schwartz to Finn to Elton John to some of his own contemporaries - and working with Green Day on AMERICAN IDIOT and his own eponymous band, to the creation of a Broadway phenomenon by tracing the path of the show from FEELING ELECTRIC to NEXT TO NORMAL - plus, the many exciting projects that he has coming up this year and beyond, including a thorough discussion of his upcoming collaboration with Lin-Manuel Miranda, Amanda Green and Jeff Whitty on BRING IT ON: THE MUSICAL and the very first news of a new, original Kitt/Yorkey musical on the horizon - and much, much more.

Composer and Producer Arden Lo announces the release of "I Believe, We Can Do It Again," a follow-up to the successful EP "I Believe! Go Saints All the Way!" featuring 15 fight songs for The Superbowl Champion New Orleans Saints.

Over the course of our ninety minute conversation earlier this week, Tony-winning Broadway star Alice Ripley was kind enough to open up about her role in the phenomenon of the Pulitzer Prize-winning NEXT TO NORMAL, which is now kicking off a US Tour beginning in Los Angeles, as well as offer thoughts on many of her significant stage roles that she has taken on over the course of her impressive and varied career. Pete Townshend and THE WHO'S TOMMY to Andrew Lloyd Webber and SUNSET BOULEVARD and TELL ME ON A SUNDAY, to Sondheim with COMPANY (as the greatest Amy of all time), and even a turn in ROCKY HORROR; Alice Ripley has seemingly done it all,and her passion, dedication and insight into her craft are amply evident in both her studied performances on stage as well as in discussing the art of acting in musical theatre in conversation and her inspirations as Diana Goodman, ranging from Albee to O'Neill to actors like Cynthia Nixon, Toni Collette and more. In her most comprehensive print interview to date, BroadwayWorld is proud to present InDepth InterView: Alice Ripley.

In this exclusive interview with BroadwayWorld, Raul Esparza takes a comprehensive look back at his spectacular rise to fame from this time ten years ago in THE ROCKY HORROR SHOW on Broadway, his first New York stage role, to now, with career-defining reviews for the out-of-town tryout of the new Alan Menken musical LEAP OF FAITH - as well as his sold-out American Songbook concerts early next year in New York. What does the future hold for Raul Esparza onscreen and onstage? Will it be Shakespeare or Sondheim or something completely new? Mamet or MERRILY WE ROLL ALONG? You may very well find your answer here.

Following on the heels of last year's How Do You Solve A Problem Like Maria and Any Dream Will Do, I'd Do Anything again brings together the dream team of talk-show host Graham Norton and Lord Andrew Lloyd Webber.