Lust 1993 - Articles Page 2

Works & Process at the Guggenheim presents the World Premiere of Works & Process Rotunda Project: Daniil Simkin Falls the Shadow with choreography by Alejandro Cerrudo, September 4 & 5, 2017 at 8pm and 9:30pm.

Works & Process at the Guggenheim announces that Dior will design costumes for the World Premiere of Falls the Shadow, a new 30-minute work made in and for the Solomon R. Guggenheim Museum rotunda. Falls the Shadow is spearheaded by American Ballet Theatre (ABT) principal Daniil Simkin, with new choreography by Alejandro Cerrudo, and projection design by Dmitrij Simkin.   

Works & Process at the Guggenheim announces the World Premiere of Works & Process Rotunda Project: Daniil Simkin Falls the Shadow with choreography by Alejandro Cerrudo

Spearheaded by American Ballet Theatre principal Daniil Simkin, with new choreography by Alejandro Cerrudo, and projection design by Dmitrij Simkin, Falls the Shadow is a new 30-minute work made in and for the Solomon R. Guggenheim Museum rotunda. 

Works & Process at the Guggenheim announces the World Premiere of Works & Process Rotunda Project: Daniil Simkin Falls the Shadow with choreography by Alejandro Cerrudo on September 4 & 5, 2017 at 8pm and 9:30pm.

Spearheaded by American Ballet Theatre principal Daniil Simkin, with new choreography by Alejandro Cerrudo, and projection design by  Dmitrij Simkin, Falls the Shadow is a new 30-minute work made in and for the Solomon R. Guggenheim Museum rotunda. 

Actor's Express stages Arthur Miller's Tony award-winning play The Crucible January 21 - February 19, 2017.

January brings events to Bookworks that explore transformations, education, social issues like war and charity, and great new literature.

Actor's Express stages Arthur Miller's Tony award-winning play The Crucible January 21 - February 19, 2017.

San Francisco Opera General Director Matthew Shilvock today announced the casting and schedule for the Company's summer 2018 presentations of Richard Wagner's Der Ring des Nibelungen (The Ring of the Nibelung). The four-opera cycle of Das Rheingold,Die Walkure, Siegfried and Gotterdammerung-widely considered the greatest and most ambitious work ever conceived for the lyric stage-will be presented in three complete cycles from June 12 through July 1, 2018. 

Andrew Bovell's When the Rain Stops Falling continues the Wilma Theater's 2016-17 season. A fish falls from the sky in the year 2039. A man named Gabriel prepares to meet his adult son after being estranged for twenty years. He wonders why his son is coming and what he wants: to know who he is? Where he comes from? Where he belongs? Gabriel knows nothing; his own past escapes him. As the story of Gabriel's family unfolds onstage, his ancestors come alive around him to fill in the gaps. With its web of intricately overlapping connections, When the Rain Stops Falling follows four generations of a family from 1959 to 2039, and from London to Australia. As this family and their world evolve over time, one question remains: in the face of climate change, can we break our habits and change the way we live?

Coal Mine Theatre presents the Toronto premiere of the in-your-face balls-to-the-wall black comedy, KILLER JOE, written by American playwright Tracy Letts and directed by Peter Pasyk (13/14 Urjo Kareda  Artist-in-Residence), from April 3-24, 2016 at the Coal Mine Theatre.

 Cohesion Theatre Company is proud to announce the second main stage show of their Second Season. Cohesion Co-Founder Alice Stanley is set to direct the full production going up at Church on the Square in Canton for 9 performances March 4th - 20th, 2016.

Fear, deceit, and paranoia run rampant in Cleveland Play House's (CPH) gripping new production of Arthur Miller's THE CRUCIBLE.

Harold Pinter was born in Hackney, in London's East End, in October of 1930. An only child, he was born to Jewish parents of very moderate means; his father, a tailor, and his mother, a homemaker, were first-generation descendants of Eastern European immigrants. Like many of his contemporaries, Pinter's childhood was shaped by the onslaught of World War II; at the age of nine, he was evacuated from London through Operation Pied Piper and resettled in a town in Cornwall. The sense of isolation he felt in Cornwall would come to influence his work, as would the changed London to which he returned during the Blitz, where he was witness to, as his 2008 Guardianobituary put it, 'the dramatic nature of wartime life - the palpable fear, the sexual desperation, the genuine sense that everything could end tomorrow.'

Fear, deceit, and paranoia run rampant in Cleveland Play House's (CPH) gripping new production of Arthur Miller's THE CRUCIBLE.

The Pittsburgh Cultural Trust and the Humanities Center of Carnegie Mellon University announce the launch of the inaugural Pittsburgh Humanities Festival, scheduled for March 26-29, 2015. The Festival will take place throughout Pittsburgh's Cultural District and neighboring locales.

Artists confirmed for Andrew Upton's seventh season (his second programmed as solo Artistic Director) at Sydney Theatre Company in 2015 include many of Australia's top theatrical talents: Cate Blanchett, Jacqueline McKenzie, Robyn Nevin, Susie Porter, Richard Roxburgh, Geoffrey Rush, Helen Thomson, Hugo Weaving, Ursula Yovich and many more in a program boasting directors such as Neil Armfield, Leticia Ca?ceres, Richard Cottrell, John Crowley, Pamela Rabe and STC's Andrew Upton, Sarah Goodes and Kip Williams.

Shakespeare & Company's Dennis Krausnick, a founder and also Director of Training, steps into the title role of Julius Caesar for a brief run beginning July 15 through August 2. Nigel Gore, who has been playing Caesar since it opened several weeks ago, takes a short-term leave from the show after this weekend's performance on Sunday July 13-Gore will be back in the role Saturday, August 9. Krausnick was last seen on stage in the Playhouse in 2012's King Lear in the title role. See Krausnick's bio and photo links below.

Idealism, ambition, conspiracy, honor, greed, betrayal and the lust for power-echoes of our own modern politics-are all on tap in Shakespeare's potent and bloody Julius Caesar. Last performed at the Company in 1993, Founding Artistic Director Tina Packer delivers audiences her 'bare-Bard' production of Caesar, marking its final leg of a three city tour-Orlando, Florida, Prague in the Czech Republic, and now at home in Lenox, with Shakespeare & Company. With 7 actors playing multiple roles this poetry-filled psychological and political thriller follows the conspiracy and assassination of the omnipotent Roman leader, and the consequences that ensue from his brutal murder. Performances run in the Elayne P. Bernstein Theatre today, June 27 - August 30.Press Opening is Friday, July 4 at 8:00pm.

Idealism, ambition, conspiracy, honor, greed, betrayal and the lust for power-echoes of our own modern politics-are all on tap in Shakespeare's potent and bloody Julius Caesar. Last performed at the Company in 1993, Founding Artistic Director Tina Packer delivers audiences her 'bare-Bard' production of Caesar, marking its final leg of a three city tour-Orlando, Florida, Prague in the Czech Republic, and now at home in Lenox, with Shakespeare & Company. With 7 actors playing multiple roles this poetry-filled psychological and political thriller follows the conspiracy and assassination of the omnipotent Roman leader, and the consequences that ensue from his brutal murder. Performances run in the Elayne P. Bernstein Theatre June 27 - August 30.Press Opening is Friday, July 4 at 8:00pm.

Initial casting for Arthur Miller's The Crucible is announced. Richard Armitage, Anna Madeley and Samantha Colley are to play John Proctor, Elizabeth Proctor and Abigail Williams in Ya?l Farber's new production at The Old Vic, with previews from Tuesday 24 June. The cast also includes Sarah Niles, Rebecca Saire and Zara White, with further cast to be announced.

The Old Vic today announced its programme for Summer/Autumn 2014. The CQS Space, The Old Vic in the round, will be home to the whole season of productions, continuing after Other Desert Cities which opens this month. The plays will be performed in the round, a transformation of The Old Vic's auditorium first seen for the award-winning 2008 production of The Norman Conquests. The season of productions is supported for the fourth consecutive year by Bank of America Merrill Lynch.

Following the critical success of last fall's production of Die Fledermaus, Sarasota Opera will open its 2014 Winter Festival Season today, February 8, 2014 marking the company's 55th consecutive season of bringing grand opera to the Florida gulf coast.

Following the critical success of last fall's production of Die Fledermaus, Sarasota Opera will open it's 2014 Winter Festival Season on Saturday, February 8, 2014 marking the company's 55th consecutive season of bringing grand opera to the Florida gulf coast. Season highlights include the return of some of Sarasota Opera's most acclaimed productions, the Sarasota Opera premiere of Verdi's Jérusalem as part of the ongoing Verdi Cycle, and the debut of new concerts as part of the Sarasota Opera Concert Series.