Just So 1990 - Articles Page 9

Here are some of the highlighted events coming to QED from Dec. 11-17, including: flex your modeling knowledge with host Selena Copock at 1990's Supermodel Show: Quiz + Tribute (Dec. 11); fat-positive comedy with hosts Glo & Lo at Bertha's Big Fat Pool Party (Dec. 12)

I am often asked what my all time favorite Broadway musical is. I always reply A Chorus Line. I consider it to be a perfect musical in every way. The show's original director/choreographer Michael Bennett captured the heart and soul of the dancer so beautifully in what I consider to be his masterwork. Marvin Hamlisch's music and Edward Kleban's lyrics were and still are one of the most inventive theatre scores ever written. James Kirkwood and Nicholas Dante's book (based off of taped interviews of Broadway dancers conducted by Bennett) frame the songs to sheer perfection. Paul's monologue in the show is actually based on Dante's true story.

One of the great songwriters, performers, and all-around creative figures of late-20th-century, Prince Rogers Nelson, known to the world simply as Prince, told his story in song and on film. But when he died unexpectedly in April of 2016 at 57, he had just started a tantalizing project -- writing his memoirs -- and it appeared to have been lost with him. It was not.

'Oklahoma! Is and will always be my first love,' explained Brynna Horswell, who portrays Laurey in Charleston Light Opera Guild's (CLOG) upcoming production of the Rodgers and Hammerstein classic. 'It was the first musical I remember being exposed to as a very little girl. I grew up singing and dancing to those songs and dreamed that one day I'd be Shirley Jones with my own Gordon MacRae.'

One Performance Only! This Sunday, November 3, 2019! Long ago but not far away at all, there were many TV Variety Shows, Award Ceremonies, Music Centers and Theatre abounding with live Musical Performances, all with massive budgets; and dancers in this town, Los Angeles, made a darn good living, albeit having to work their asses off to do so, but it was a good and plentiful, fulfilling life. Besides myself, there was a plethora of working, professional dancers who ended up bonding together pretty easily, as a dancer's life is one of a nomad, or gypsy, going from one job to another, but in doing so, finding kindred spirits and lifelong connections. Jay Johnson, husband of one of these dancers and artistically gifted himself, was part of the artistic community, as was his wife, Sandi, and, typical with dancers, became close friends and comrades with other dancers, choreographers, and like-minded performers. As Jay was earning international fame as a ventriloquist, actor and comedian, and starring on the hit TV Series 'Soap,' us dancers were slaving away, happy to be able to make a living doing what we loved. Jay is best known for his role on ' Soap' as Chuck Campbell, a ventriloquist who believed his puppet Bob was real and demanded everyone treat Bob as human.

The tribute album is certainly not a new concept, as artists have raised their voices in celebration of iconic musicians and songwriters in all sorts of creative ways over the years. So conventional wisdom would suggest, there's no new way to approach this concept? Well what if you celebrated a 'sound” – more specifically, you celebrated the personal influence and impact of a 'vocal range' in a particular genre? If you contemplate the creation of a modern day tribute to the impact of 'deep male voices' of the past in 'romantic ballad' settings, one name should instantly stand out from the all the rest – The Prince of Sophisticated Soul himself, Will Downing.

Anyone who has undertaken a show by Stephen Sondheim knows that the music is seriously difficult, often including dissonant cords, tricky intervals, and overlapping lines. Assassins is no exception. Written by John Weidman and Sondheim, it was first produced at Playwrights Horizons in 1990 and hit Broadway in 2004. It was originally scheduled to play on Broadway in 2001, but was postponed due to the events of September 11, 2001. The story of those who assassinated or attempted to assassinate various Presidents throughout US history, Assassins combines quirky characters such as the Proprietor and Balladeer with historical characters such as Emma Goldman and John Wilkes Booth. It covers complex themes ranging from broken dreams to corruption to classism with dark humor. The show approaches these themes and the overarching theme of disillusionment with the American dream in a way that may make audiences feel uncomfortable as they are confronted with truths that are all too real about our country, our history, and human nature. Little Theatre of Mechanicsburg takes on Assassins now through November 3rd.

Cirque du Soleil marks its 30th anniversary in the UK with a celebratory exhibition from 19 September to 9 October with free entry at London's historical Royal Geographical Society (with IBG). Fans can immerse themselves in the story so far, understand the journey of Cirque du Soleil, from creation to the travelling circus today, hear the music, and take an up-close look at costumes, masks and more! A truly global company with shows that have visited more than sixty countries and using themes evoked from different cultures around the world, the Royal Geographical Society (with IBG) is the perfect venue for this exhibition celebrating 30 years in the UK alone.

'I do not feel compelled by reason to accept this theory of evolution, nor the periodic table of elements, nor the theory of global warming, nor the supposed crimes against the Jews attributed to one Rudolf Hitler.'  Bad Penny and Sincerity Forever are Mac Wellman plays originally staged in 1989 and 1990.  Absolutely nothing is dated or stale in his evisceration and condemnation of America and its 'littleness and stupidity and bitterness and rage and greed.'

It: Chapter Two is Muschietti's follow-up to 2017's critically acclaimed and massive worldwide box office hit 'IT,' which grossed over $700 million globally. Both redefining and transcending the genre, 'IT' became part of the cultural zeitgeist as well as the highest-grossing horror film of all time.

The Coral Springs Center for the Arts today announced that Georgia-based 1990's alternative rock band Collective Soul is brings its 25th anniversary tour to the Center next November. The state-of the-art performing arts center is located at 2855 Coral Springs Drive (33065).

The Australian Ballet is set to enchant audiences young and old with one of its most beloved ballets, Sir Peter Wright's The Nutcracker. The company will be presenting The Nutcracker at Arts Centre Melbourne from 17 to 28 September, Adelaide Festival Centre from 8 to 12 October and Sydney Opera House from 30 November to 18 December a?" just in time for Christmas.

Does everyone love Buddy Holly? The Brits certainly do. Alan Janes' BUDDY: THE BUDDY HOLLY STORY opened on the West End in London in 1989 and ran for eight years the first time, toured the United Kingdom over 25 years, and was revived for a year on the West End in 2007, so there's been massive love for the show there for three decades. It's been here, too, as BUDDY opened on Broadway in 1990 and has kept going around America since then as well.

As the final show of its 10th Anniversary Season, 3-D Theatricals is revisiting the hilarious SHREK - THE MUSICAL, the stage musical adaptation of the hit 2001 Dreamworks animated film, itself an adaptation of William Steig's 1990 novel. Witty, silly, and, at times, surprisingly full of heart, SHREK is a fun, madcap distraction we all need these days. The impressive, high-quality production continues at the gorgeous, state-of-the-art Cerritos Center for the Performing Arts through August 25, 2019.

Berkshire Theatre Group and Artistic Director/CEO Kate Maguire are excited to announce the 2019 fall season at The Colonial Theatre and The Garage. Tickets are now available for purchase by contacting the Colonial Ticket Office at 111 South Street, Pittsfield by calling 413-997-4444 or online at www.BerkshireTheatreGroup.org.

This fall, Craft Recordings will reissue three titles fromSocial Distortion's independent catalog on vinyl. Set for a September 27th release, the LPs include the band's 1983 debut, Mommy's Little Monster, their 2004 studio album, Sex, Love and Rock 'n' Roll, and 1995's Mainliner (Wreckage From the Past), which compiles early singles and rare B-sides. Celebrating their 40th anniversary this year, the enduring So-Cal punk icons just kicked off their extensive, two-month North American tour with Flogging Molly yesterday (8/13) in Dallas (full tour itinerary below).

ACM, CMA and CMT Award-winning artist Luke Combs will extend his massive sold out “Beer Never Broke My Heart Tour” with five new dates including a second show added atNashville's Bridgestone Arena on December 12 due to popular demand after the first show sold out in just six minutes.

Fat Wreck Chords and singer-songwriter Joey Cape, frontman of the long-standing punk bandLagwagon and member of Me First and the Gimme Gimmes, are pleased to present the full album stream of his brand new solo album titled Let Me Know When You Give Up (pre-order). Out this Friday, July 5, and streaming early in its entirety via Kerrang!, Let Me Know When You Give Up is, conceptually, about giving up a losing fight. Even more so, it's about quality of life and abstaining from the madness that encircles our daily lives.

In the latest North American touring production of what continues to be one of Broadway's laudable theatrical staples, FIDDLER ON THE ROOF's amiable patriarch Tevye is now being played by Israeli-born actor Yehezkel Lazarov, who gives the iconic role a fresh, less geriatric delivery that still shines with old-world charm, nuanced depth, and a down-to-earth, relatable persona. Lazarov--who leads this touring non-Equity iteration of the Bartlett Sher-directed 2015 Broadway revival--provides just one of the many reasons to reacquaint yourself with this enduring stage classic, now finishing up its limited engagement at Segerstrom Center for the Arts through May 19, 2019. Sill lively and emotionally poignant--and quite relevant and timely to see through the lens of the uneasy times we live in--the stage musical offers a safe, if slightly sanitized view into the lives of poor Jewish families in turn-of-the-century Russia where the looming assault of pogroms are about to threaten their very lives and existence.

Just Off Broadway's (JOB) delightful production of Neil Simon's RUMORS includes exactly what we all need right now - an evening full of plenty of laughs. From the setup to the final pay off, this cast brings the chuckles (and a few guffaws) to a decades old script, that still holds up today. The story begins, how every great story should, with a party. In this instance, it's in a fancy house in New York, circa 1990. However, from the start, things seem a little off. The man of the house, may have tried to end his life, and the woman of the house is missing. Also, all of their closest friends are gathered for their anniversary party. From then on, things go spectacularly awry. Basically, it has all the makings of a fabulous farce.

Fat Wreck Chords and singer-songwriter Joey Cape, frontman of the long-standing punk bandLagwagon and member of Me First and the Gimme Gimmes, are pleased to announce his brand new solo album titled Let Me Know When You Give Up (pre-order). Out on Friday,July 5, Let Me Know When You Give Up is, conceptually, about giving up a losing fight. Even more so, it's about quality of life and abstaining from the madness that encircles our daily lives. 

'Everybody's got the right to be happy!' So sings the 'Proprietor,' the barker who entices us into the murderous sideshow of a bizarre carnival. The main attraction? Assassins and would-be assassins of US presidents are ready to sing you their stories if you'll come on in to the shooting gallery.

Co-founded by Vincent Dowling and H. Newman Marsh in 1990 with the belief that every town should have a professional theatre, Chester Theatre Company (formerly The Miniature Theatre of Chester) prepares to celebrate its landmark 30th Season with four works, each a New England Premiere.

Way back in those days of yesteryear, the early 1990's, Jeffrey Katzenberg was celebrating his success. He had almost single-handedly guided the Walt Disney animation studio back to glory after decades of reduced returns, and he had the bright idea to try to do the same to the live-action movie musical.

Summer 1993 was an eventful year for this reviewer. I had just graduated from High School and was preparing for the next chapter in my life - college in Athens, Georgia. Like so many young people before me and so many after, it was a time in between, one that was both thrilling and completely terrifying. But it was also the beginning of a journey of self-discovery and an opportunity to redefine who I was and who I would be as a newly minted adult. So, it was particularly poignant to see the newest production from TheaterWorks (performed at the Wadsworth due to their current remodel), the musical GIRLFRIEND, with a book by Todd Almond and music by 90's rocker, Matthew Sweet.