A Grand Night for Singing 1993 - Articles Page 5

Comedian/actress/jazz musician Lea DeLaria will be performing the Los Angeles premiere of LEA DeLARIA: HOUSE OF DAVID, her jazz-inspired David Bowie cabaret show to benefit Grand Performances' 30th Anniversary on September 17, 2016. Lea has been entertaining since the early 1980s, either performing stand-up, singing jazz, acting in film and TV, or gracing the Broadway stage.

In Muriel's Wedding The Musical, Muriel Heslop is back! And this time she's singing.

Court Theatre, under the leadership of Artistic Director Charles Newell and Executive Director Stephen J. Albert, presents the World Premiere of Man in the Ring by Michael Cristofer, directed by Artistic Director Charles Newell.

Broadway In Chicago, Stageworks Media and TROIKA Entertainment have just announced casting for the upcoming National Touring production of CHEERS LIVE ON STAGE.

Feinstein's/54 Below, Broadway's Supper Club, presents 'The No Rules Show' hosted by Joshua Morgan on June 25, 2016 at 11:30. Join Broadway's Joshua Morgan (L?es Mis)?at fabulous Feinstein's/54 Below for an evening that's 50% talkshow, 25% cabaret, 20% sketch comedy, and 5% WTF.

Maine State Music Theatre continues its impressive 2016 lineup of shows with two performances on June 20, 2016, of A Grand Night for Singing, a musical revue conceived by Walter Bobbie to showcase the glorious songs of Richard Rodgers and Oscar Hammerstein II. Directed and choreographed by Curt Dale Clark with tap choreography by Raymond Marc Dumont, the revue features a sixteen-member cast of young professionals drawn from the intern company and local Maine performers, who turn in a performance that offers not only grand singing and dancing, but also speaks to the huge reservoirs of talent that MSMT is proud to possess. The original 1993 twenty-seven song revue skillfully weaves together a wide range of Rodgers and Hammerstein's works in arrangements by Fred Wells (and lovely orchestrations by Michael Gibson and Jonathan Tunick) from both their smash hits like Oklahoma, Carousel, South Pacific, The Sound of Music, The King and I, and Cinderella, as well as gems from lesser-known shows like Allegro, State Fair, Flower Drum Song, and Pipe Dream. Patrick Fanning serves as MSMT's Music Director, conducting the wealth of melodic material with elan, delicious detail, and nuance and eliciting from the young cast lyrical and idiomatic renditions of beloved sings such as 'We Kiss in a Shadow,' 'Maria,' 'If I Loved You,' and 'This Nearly Was Mine' or upbeat numbers like 'Honey Bun' and 'Oh, What a Beautiful Morning!' The dynamically staged and imaginatively choreographed production by MSMT's Artistic Director Curt Dale Clark - with a dazzling, intricate tap number created by Raymond Marc Dumont for 'Kansas City' - is brimming with class, warmth, and humor. Clark inspires the cast to bring to their music and vignettes an infectious and embracing energy, an eloquence of emotion spiced with mischievous moments. His pacing is brisk, and he effectively builds a lively sense of character and communication among the cast members, who share their enthusiasm with the public, even interacting on several occasions with the audience in the house. By retooling the contexts of many of the songs, he is able to add a contemporary and universal touch to their appeal. Most of all, he helps these young artists find and share the timeless heart in this treasure trove of American musical theatre. Using the bare bones of the Ghost set makes for a minimal but attractive decor. The characterful casual and subsequently elegantly formal costumes by Travis S. Grant are carefully chosen for their complementary pastel hues; the kinetic lighting by Heather Reynolds and a well-balanced sound design by Nate Dickson contribute to making this revue offers a feast for eyes and ears. Working seamlessly as an ensemble, the youthful cast gives their all both in the big production numbers and in focused solos, amply illustrating the meaning of the musical theatre term 'triple threat.' They sing beautifully; they dance with technical aplomb, and they act with irresistible charm. Moreover, each and every one of them knows how to interpret a song - to make it more than a lyrical moment. Each has several occasions to shine, and Clark and Dumont have skillfully mined their individual strengths. Among the many highlights are a perky rendition of 'Surrey with the Fringe on Top' (Eric Berry-Sandelin, Katie Whittemore, Cameron Wright, Rachel Grindle, Hugh Cipparone, Berkley Jones), inspired vocal interpretations of 'If I Loved You (Jennifer Kennedy), 'It Might As Well Be Spring' (Berkely Jones)'This Nearly Was Mine,'(Matthew LaBerge), a smoldering account of 'Maria' (Alex Drost), a romantic 'We Kiss in a Shadow' (Giovanni DiGabrieli), a winsome 'All At Once' (Marty Lauter, Cipparone), and a single verse in 'Love Look Away' to bring tears to the eyes (Lauter), a feisty 'Stepsisters' Lament,' (Ali Sarnacchiaro, Haley Ostir, Megan Flynn), a spirited 'I Can't Say No' (Molly Keane-Dreyer, Kennedy), and a witty 'The Gentleman Is A Dope' (Alex Drost, Kyle Laing, Ostir, DiGabrieli, Lauter). The numerous ensemble numbers are enhanced by the strong camaraderie and chemistry among the players, making for some memorable comic and romantic moments such as the women's septet in sunny 'Wash That Man' and the men's octet in a plaintive 'Love Look Away.' The choreography is expressive, lyrical, and catchy by turns - ranging from ballet and modern to jazz and tap - with such numbers as the sweeping polka of 'Shall We Dance?' or the dueling tap in 'Kansas City' garnering special attention. Special mention to Berkely Jones, Marty Lauter, and Kyle Laing for their dance solos and impressive technique. To spend an evening with these magnificent Rodgers and Hammerstein classics makes it impossible not to take away a renewed appreciation for their geniuses and a love of their legacy. But A Grand Night for Singing does something else as well. It proves to be one more piece of evidence that MSMT is truly, as its catchphrase promises, 'Bringing Broadway to Brunswick.' Photos courtesy of MSMT, Roger S.Duncan, potographer Evita which begins on June 29 - July 16 at the Pickard Theater, 1 Bath Rd., Brunswick, ME, on Monday, June 20 at 2:00 p.m. and 7:30 p.m. For tickets call box office at 207-725-8769 or visit online at www.msmt.org

Ehrenkranz Artistic Director Jane Moss today announced the schedule for Lincoln Center's seventh White Light Festival, running from October 16 through November 16, 2016. The international multidisciplinary festival, which takes its name from a quotation by the Estonian composer Arvo Part, is an annual exploration of the power of art to illuminate our interior and communal lives. 'I could compare my music to white light which contains all colors. Only a prism can divide the colors and make them appear; this prism could be the spirit of the listener.' - Arvo Part

This June, FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

Twenty-four high school students* from across the Greater Kansas City Metro area have been chosen as semifinalists for the 2016 KC SuperStar, a high school singing competition.

shares new life into Roberts & Hammerstein tunes

Birdland Jazz Club has announced its lineup for May 9-May 15, featuring BossaBrasil, David DeJesus, the Birdland Big Band, and more.

On the heels of yet another sold-out performance at Ambassador Auditorium, the Pasadena Symphony brings you Mozart's Symphony No. 40 tonight, March 19 with both matinee and evening performances.

Music Director Marin Alsop and the Baltimore Symphony Orchestra (BSO) have announced the Orchestra's 2016-2017 season, its tenth season under the direction of Maestra Alsop.

On the heels of yet another sold-out performance at Ambassador Auditorium, the Pasadena Symphony brings you Mozart's Symphony No. 40 on Saturday, March 19 with both matinee and evening performances.

We have a feeling Broadway fans are going to love the 2016 Boston Pops season, running May 6-June 18, under the direction of conductor Keith Lockhart. Featuring classic Boston Pops programming, including film scores of the silver screen, ballads from Broadway and the great American Songbook, classic rock anthems, and a Gospel Night spectacular, along with an impressive lineup of Boston Pops debuts, new programs that spotlight the best of the worlds of dance and puppetry, and the return of last year's audience favorite -- Pops On Demand: You Choose the Tunes -- the lineup features a slew of Broadway talent, including Sutton Foster, Mandy Patinkin, and Marin Mazzie & Jason Danieley.

Foxwoods Resort Casino, the Northeast's premier hotel, gaming, shopping and entertainment destination, is hosting a star-studded lineup of entertainment acts this December. Foxwoods' wide selection of entertainment choices includes concerts from Grammy winners, stand-up by comedy's biggest stars and the hottest magic show in the northeast. The top-of-the-line acoustics and dazzling lighting at both the Grand Theater and the Fox Theater take the entertainment experience to new heights. Guests at Foxwoods Resort Casino will find everything they can dream of and more!

The Dallas Black Dance Theatre will present the company premiere of Margo Sappington's Step Out Of Love on November 6, 7 and 8, 2015 at the Dee and Charles Wyly Theatre in Dallas, Texas.

The Dallas Black Dance Theatre will present the company premiere of Margo Sappington's Step Out Of Love on November 6, 7 and 8, 2015 at the Dee and Charles Wyly Theatre in Dallas, Texas.

The Coral Springs Center for the Arts is launching a star-packed 2015-2016 season next month with an exciting, diverse, audience-wowing array of hit shows, comic legends and musical superstars, according to Kevin Barrett, the Center's General Manager. 

The Coral Springs Center for the Arts is launching a star-packed 2015-2016 season next month with an exciting, diverse, audience-wowing array of hit shows, comic legends and musical superstars, according to Kevin Barrett, the Center's General Manager. 

Stephen Sondheim's A LITTLE NIGHT MUSIC elegantly opened the Irish Classical Theatre's 25th season.

Live From Lincoln Center's telecast of SWEENEY TODD: THE DEMON BARBER OF FLEET STREET has won the Creative Arts Emmy Award for Outstanding Special Class Program. Therefore, six-time Tony Award-winner McDonald, is now just an Oscar Award away from the coveted 'EGOT' distinction.

Broadway husband and wife Will Swenson and Audra McDonald recently filmed themselves singing a seemingly random duet- the theme song from the hit '70s show LAVERNE AND SHIRLEY. Check out the fun a capella performance, made for Broadway Sleepout, below!

Join one-of-a-kind mother, Rose, and her two talented daughters as they search for fame in Pittsburgh CLO's production of GYPSY, tonight, July 10, through July 19 at the Benedum Center. This entertaining musical is complete with memorable performances, mother-daughter struggles and the hardships of show business life, all while set during the infamous vaudeville era.

Join one-of-a-kind mother, Rose, and her two talented daughters as they search for fame in Pittsburgh CLO's production of GYPSY, July 10-19 at the Benedum Center. This entertaining musical is complete with memorable performances, mother-daughter struggles and the hardships of show business life, all while set during the infamous vaudeville era.