Inspired by a true story, the play follows the trail of a young black con man, Paul, who insinuates himself into the lives of a wealthy New York couple, Ouisa and Flan Kittredge, saying he knows their son at college.
Producer Stuart Thompson announced that John Guare's critically acclaimed play Six Degrees of Separation will return to Broadway in a revival starring seven-time Emmy Award winner Allison Janney ("Mom," The Girl on the Train) as Ouisa and Tony Award winner John Benjamin Hickey (The Normal Heart, "Manhattan") as Flan.
Trip Cullman (Significant Other, Punk Rock) will direct the production, which is set to open at the Barrymore Theatre in April 2017 and will run for 15 weeks only.
Even softened slightly as it is in this production, the play's brutal message to sophisticates, whether at the end of Reagan's era or the start of Trump's, comes through. We still do not know anyone but ourselves - and ourselves not too well, either. The idea that there are 'six degrees of separation' between any two people, which in Guare's formulation became a global catchphrase, is not merely a humanistic piety about interconnectedness; it's also a warning. Those six degrees are unbridgeable if you live on an island.
The play's most significant painting, a Kandinsky, hangs over all the action-and what does its centrality finally tell us? Perhaps, for one, that this a play about the perversity of worth: of the works of art that Ouisa and Flan are so engaged in dealing with, and-in contrast-of a human life, Paul's, which they show a terrible incomprehension about. Well, it's worth a lot of money, and its deeper significance, as Paul signals to Ouisa, is one of interpretation; the two great knots-material and psychological--of the play on one canvas. In the end, Paul, whatever has happened to him, has the power of that knowledge. Which may not be worth much, but it's something.
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