In London this past season, there was one show that everyone was talking about. The Young Vic production of A VIEW FROM THE BRIDGE premiered in April 2014 to ecstatic reviews and instantly sold out its initial engagement. The production subsequently transferred to London's West End for another completely sold-out run. It won the 2015 Olivier Awards for Best Revival, Best Actor and Best Director. It was named the top theater pick of the year by The Evening Standard, The Guardian and The Independent. The Times called it "one of the great theatrical productions of the decade."
The Financial Times called it "superb, searing and triumphant." Time Out wrote, "To say visionary director Ivo van Hove's production is the best show in London is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the stage."
The visionary director, Olivier winner Ivo van Hove, will be making his Broadway debut. The stellar cast will be led by Mark Strong (The Imitation Game; Tinker, Tailor, Soldier, Spy), who won the Olivier Award for his portrayal of Eddie Carbone in Miller's dark and passionate classic drama set on the Brooklyn waterfront.
The white-hot director Ivo van Hove is not the first to embrace the passionate smolder behind Arthur Miller's 1955 play of forbidden passion in Italian-American Brooklyn...But it is hard to recall another staged production -- beyond this exquisitely profound Broadway import from London's Young Vic Theatre Company starring Mark Strong, Nicola Walker and Phoebe Fox -- that has depicted with such complexity and intensity what Eddie and his niece actually had together, before his infuriatingly effeminate usurper Rodolpho arrives, illegally, from the motherland...this is the very rare production that matches the complexity of the text, with its mixed-messaged collision of the cerebral and the sensual, a dichotomy at the heart of everything Miller ever wrote...Van Hove's brilliance is multifaceted, but much rests on his ability to focus the mind and soul on a work's tiny moments.
In a bright stroke, the director dreams up a wordless prologue. Eddie and coworker Alfieri (Michael Gould) wash up after a day on the docks. But the point of the drama is that nobody comes out clean. 'Whatever happened,' says Bea, 'we all done it.' Van Hove sees to it that everyone's dripping in guilt.
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