Dixie Longate is coming back to Omaha. Get ready to cough your teeth into your hand and buy some plastic crap from this top-selling Tupperware dealer!
Today, Beowulf Boritt speaks exclusively to BWW about the challenges and triumphs of designing an actual river on stage in the beautiful and haunting production of Therese Raquin.
Building on the pioneering work of composer Robert Ashley, who believed that the America of his time was a culture of TV, the fun and fearless composer collective Experiments in Opera presents VIDEO OPERAS, a collection of five premieres created specifically for the video screen (no live performers or musicians).
Mosaic bills Leila Buck's solo show as "a probing portrait of a cosmopolitan Lebanese matriarch as remembered by her Lebanese-American granddaughter who attempts to piece together her beloved Teta's story." Ms. Buck and her director Shana Gold were gracious enough to answer a few of my questions over email about the impetus for the show, the development process, and expectations for this highly anticipated production.
Know Theatre of Cincinnati wants you take a chance by picking a show, any show, at the 13th Annual Cincinnati Fringe Festival, running May 31-June 11, 2016. With 12 days full of of opportunities to catch 50 live productions, Visual Fringe art projects, musical guests, and the nightly Fringe Bar Series at Know Theatre (Fringe Headquarters), you'll find yourself lucky to have more to experience at Fringe this year than ever before.
Building on the pioneering work of composer Robert Ashley, who believed that the America of his time was a culture of TV, the fun and fearless composer collective Experiments in Opera presents VIDEO OPERAS, a collection of five premieres created specifically for the video screen (no live performers or musicians).
The full cast is announced today for the first ever large-scale stage production of Evelyn Waugh's classic novel Brideshead Revisited, adapted by Bryony Lavery, touring this spring and summer in the 50th anniversary year of Waugh's death.
The Almeida Theatre announces the cast for the world premiere of Boy, a new play by Leo Butler, directed by Sacha Wares. The cast is Mohammad Amiri, Osmain Baig, Ruby Bridle, Emilio Doorgasingh, Terina Drayton, Aeran Fitzgerald, Frankie Fox, Ellie Mai Gallagher, Bayleigh Gray, Zainab Hasan, Duramaney Kamara, Asiatu Koroma, Wendy Kweh, Lev Litvinov, Georgie Lord, Angel Loren, Teann McDonnell, Eugenie-Alexia Mulumba, Sarah Niles, Demi Papaminas, Imogen Roberts, Abdul Salis, Morgane Tapia,Peter Temple and Matthew Wellard. Boy will run at the Almeida Theatre from 5 April until 28 May, with a Press Night on 12 April.
Lorin Latarro talks about her choreography in the new Broadway musical, WAITRESS.
Broadwayworld.com's 'Master Mixologist' is Sheldon Wiley, Brand Ambassador for CÎROC.
This week, I sat down with Janelle Lutz backstage at The Firehouse Theatre, moments before she took the stage for her second (and final) dress rehearsal for THOROUGHLY MODERN MILLIE, which runs February 18th through March 6th. Lutz (pronounced 'loots,' although she doesn't correct those that rhyme her name with klutz) shared her affection for Julie Andrews' portrayal of the role in the 1967 movie, and admitted some intimidation in following in Sutton Foster's Broadway shoes. As we talked about her exciting stage opportunities around DFW, I couldn't help but observe how one of DFW's largest stage personalities is also one of the most sincere, humble performers I've had the chance to speak with. Upon the end of our conversation, when I gave Ms. Lutz the opportunity to add anything I may have overlooked, she thought for a moment and responded: 'I'd just like to say thank you to the Dallas theatre community. This is my family; they've taken huge chances on me.'
There's no doubt “Grease” will be the word of the nation tonight, as millions of people worldwide tune into FOX for the legendary GREASE: LIVE musical broadcast.
As previous broadcasts have shown us, everyone loves to live-tweet the big show, and Broadway's best and brightest are certainly no exception! (In most cases, perhaps, they're even more likely to tweet!)
What do you think of when someone says 'Grease'? The movie? The most recent revival? The original Chicago production? Whichever one, chances are hand-jives, summer lovin' and Sandy's iconic 'bad girl' outfit are a few things that come to mind. Grease and it's beloved Pink Ladies and T-Birds (or Burger Palace Boys, as they were originally called!) have had a long journey from Chicago to Fox's upcoming production of Grease: Live, that will air tonight, Sunday, January 31st!
Sacha Wares will be returning to Almeida Theatre to direct the world premiere of Leo Butler's new play Boy, after her directorial success with the critically acclaimed production, Game, by Mike Bartlett, in 2015. Boy will run at the Almeida Theatre from 5 April until 28 May 2016, with press night on 12 April 2016. Director Sacha Wares is joined by a formidable creative team, including two powerhouse contemporary designers, Miriam Buether for set design (Wild Swans, Sucker Punch, My Child, Generations), who worked with Sacha on Game at the Almeida in 2015, and Ultz for costume (Jerusalem, Hobson's Choice, Fallout, Pied Pier), who will be collaborating with Miriam, on design, for the very first time. Further creative credits include movement by Leon Baugh, lighting by Jack Knowles and sound by Gareth Fry.
California Musical Theatre and BroadwayWorld bring you the 2016 lineup for Sacramento Music Circus at the Wells Fargo Pavilion, the 66th season for the venerable institution. The season includes four shows that have never been produced at Music Circus: The smash hit musical comedy Legally Blonde, based on the hilarious film starring Reese Witherspoon; the family favorite Seussical, a journey through the witty and whimsical world of Dr. Seuss; Nice Work If You Can Get It, the song-and-dance spectacular filled with the music of George and Ira Gershwin; and The Hunchback of Notre Dame, a brand new musical exploring the dark themes of the epic novel while featuring the beautiful music of the animated Disney film. The 2016 Music Circus season will also feature two shows that are all-time patron favorites, the irresistible musical theatre gem Hello, Dolly! and the Tony-winning Kander and Ebb classic Cabaret.
Mosaic Theater Company of DC announces the return of the critically acclaimed VOICES FROM A CHANGING MIDDLE EAST FESTIVAL, an expansive exhibition of some of the finest Israeli, Arab and American artists from across the country and around the world. The five offerings included in the 2015-16 Festival, which runs from today, January 6-May 1, 2016, grapple with issues of peace and conflict in a divided Middle East.
Mosaic Theater Company of DC announces the return of the critically acclaimed VOICES FROM A CHANGING MIDDLE EAST FESTIVAL, an expansive exhibition of some of the finest Israeli, Arab and American artists from across the country and around the world. The five offerings included in the 2015-16 Festival, which runs from January 6-May 1, 2016, grapple with issues of peace and conflict in a divided Middle East.
Can YOU feel a brand new day? We're gearing up to ease on down the road with powerhouse newcomer Shanice Williams and the rest of the gang from Oz, when THE WIZ LIVE! premieres Thursday, December 3, at 8pm on NBC.
Of course, as was the case in 2013's THE SOUND OF MUSIC LIVE! and last year's PETER PAN LIVE!, the cast is certainly not short on big-name talent — and most come with Broadway or theatrical credits, no less. As if you didn't already know, be sure to look out for Queen Latifah (of 2002's CHICAGO and 2007's HAIRSPRAY), Elijah Kelley (also of 2007's HAIRSPRAY), Uzo Aduba (of CORAM BOY and 2011's GODSPELL), and David Alan Grier (2012's PORGY AND BESS).
Today, McLane speaks exclusively to BWW about the magic behind the journey of these beloved characters, as they ease on down the road and onto our TV screens!
Ballet Memphis, under the artistic direction of Dorothy Gunther Pugh, will return to New York City's Joyce Theater (175 Eighth Avenue) for the first time since 2007 for a limited run this October. Performances begin Tuesday,October27th and run through Sunday, November 1st.
There's the definite feeling of autumn in the air that makes you want to gut a pumpkin or at least have a pumpkin spice latte, chances are you are definitely going to need a sweater in the early morning hours, and it's past the perfect time for you to pick out a Halloween costume. Luckily, theater companies are well into their new seasons and there's plenty of shows to entertain you while you take time off from berating yourself for wearing that same tricked-out Star Wars costume you wore the past fwo-and-one-half years.
· In 2016 the Royal Court Theatre celebrates its 60th birthday by looking towards the future. The new season includes six world premieres, five UK and worldwide collaborations, one European premiere, a major collaboration with LIFT, a partnership with Picturehouse Cinemas, the return of Open Court and ongoing work in Tottenham and Pimlico.
San Francisco Opera today announced cast changes for the Company's new production of Gaetano Donizetti's Lucia di Lammermoor, presented October 8–28, 2015, and for Mozart's The Magic Flute, presented October 20–November 20, at the War Memorial Opera House.
Anthony Warlow is back on Broadway. Just last month the Broadway and Australian stage vet stepped into the roles of 'Charles Frohman' and 'Captain Hook' in Finding Neverland. Warlow will remain captain of the pirate ship until September 13, when Kelsey Grammer returns to the production.
Warlow has forged an enviable reputation over the span of his career, on the operatic and commercial theatre stage. Blessed with a thrilling voice and a gift for mimicry, he has successfully inhabited an extraordinary diversity of roles from high opera to musical comedy, and his versatility has enthralled Australian audiences ever since his 1981 debut with the Australian opera at the age of 19. Making the most coveted role in music theatre (The Phantom of the Opera '1990 & 2007-2009) his own, set the seal on Anthony's status as the country's premier stage performer.
With another month left at the Lunt Fontanne Theatre, Warlow recently checked in with BroadwayWorld about how he got the part, why he loves the role, and so much more!
Today, BroadwayWorld kicks off a brand new interview series titled HOW I GOT THE JOB shining a special solo spotlight on a performer in which they share candid recollections and revisit the point at which they became involved with a particular project on their resume, whether it be stage piece, film or TV project...
To kick off the series, we are talking to an internationally recognized stage and screen star CELEBRATED for her iconic originating role in the popular stage musical and subsequent feature film adaptation of Alan Menken and Howard Ashman's LITTLE SHOP OF HORRORS, the fiercely idiosyncratic Ellen Greene. Opening up about her experiences in landing that unforgettable part, Greene also previews what audiences can expect from her return to the stage as art of the hotly anticipated Encores! Off-Center mounting of the musical co-starring Jake Gyllenhaal at City Center later this week. Additionally, Greene reflects on some of her other standout appearances over the years, such as the acclaimed 1976 New York Shakespeare Festival production of THE THREEPENNY OPERA and David Rabe's IN THE BOOM BOOM ROOM at the Public Theater, not to mention the legendary cult musical RACHAEL LILY ROSENBLOOM (AND DON'T YOU EVER FORGET IT), plus her notable ongoing collaboration with TV mastermind Bryan Fuller on HEROES, PUSHING DAISIES and HANNIBAL and much more.
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