From Broadway debuts to stage veterans, this season is swarming with big screen stars. Below, BroadwayWorld brings you the backstory on this year's film-to-stage transplants. Scroll down to learn more, and be sure to let us who you're most excited to see on the Great White Way, plus which actors you'd like to make the leap!
From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.
Uptown Players, a professional theater group located in the Uptown area of Dallas, has announced its 2015 season at the Kalita Humphreys Theater complex, which will feature the regional premiere of the 2013 Tony Award nominated play, The Nance, the professional area premiere of the 2011 Tony nominated musical Catch Me If You Can, the 2014 Tony award winning musical, Hedwig and the Angry Inch, plus a new play entitled Harbor, which just completed a successful off-broadway run. Uptown Players will also present its annual fundraising performance, this year entitled Christmas Our Way, which will be held in December 2014. Uptown Players will present Gilligan's Fire Island, another world premiere parody from the creator of Re-Designing Women and The Facts of Life this spring in the Rose Room Theater at S4.
This summer, it's 'almost like being in love!' Goodman Theatre produces the first large-scale, professional revival of Brigadoon -- Alan Jay Lerner and Frederick's Loewe's legendary musical of Broadway's Golden Age -- in more than three decades. Under director/choreographer Rachel Rockwell, a company of 28 actors, dancers and singers breathe new life into the enchanting tale of an 18th century Scottish village that appears every century for one day only -- and the complications that arise when it's discovered by two 20th century Americans. With adapter Brian Hill, Rockwell revisits the libretto for this production, while music director Roberta Duchak and an orchestra of 13 use new orchestrations to enhance Loewe's lilting score.
This summer, it's "almost like being in love!" Goodman Theatre produces the first large-scale, professional revival of Brigadoon -- Alan Jay Lerner and Frederick's Loewe's legendary musical of Broadway's Golden Age -- in more than three decades. Under director/choreographer Rachel Rockwell, a company of 28 actors, dancers and singers breathe new life into the enchanting tale of an 18th century Scottish village that appears every century for one day only -- and the complications that arise when it's discovered by two 20th century Americans. With adapter Brian Hill, Rockwell revisits the libretto for this production, while music director Roberta Duchak and an orchestra of 13 use new orchestrations to enhance Loewe's lilting score.
In Richie's Fantastic Five: Kurosawa, Mizoguchi, Ozu, Yanagimachi & Kore-eda, Japan Society's Film Program honors Richie's legacy, presenting five timeless classics and hard-to-see gems over five months in glorious 35mm presentations. Curated by Hirano, a former Japan Society Film Program Director, the series highlights five seminal Japanese directors, who first became known throughout the world through Richie's work. Co-presented with The Japan Foundation, the series launches with Akira Kurosawa's High and Low (October 18); continuing with Kenji Mizoguchi's The Life of Oharu(November 16); Yasujiro Ozu's Equinox Flower (December 12), screening on Ozu's birthday and the 50th anniversary of his death; Mitsuo Yanagimachi's Himatsuri (January 24), unavailable on DVD; and Hirokazu Kore-eda's After Life (February 19), marking the one-year anniversary of Richie's death.
Music soars in Mary Zimmerman stage adaptation of "The Jungle Book" entering its final week at the Huntington Theatre Company in Boston, but this new theatrical version based on the Kipling and Disney classics is ultimately unfulfilling, needing more depth and heart.
In Richie's Fantastic Five: Kurosawa, Mizoguchi, Ozu, Yanagimachi & Kore-eda, Japan Society's Film Program honors Richie's legacy, presenting five timeless classics and hard-to-see gems over five months in glorious 35mm presentations. Curated by Hirano, a former Japan Society Film Program Director, the series highlights five seminal Japanese directors, who first became known throughout the world through Richie's work. Co-presented with The Japan Foundation, the series launches with Akira Kurosawa's High and Low (October 18); continuing with Kenji Mizoguchi's The Life of Oharu(November 16); Yasujiro Ozu's Equinox Flower (December 12), screening on Ozu's birthday and the 50th anniversary of his death; Mitsuo Yanagimachi's Himatsuri (January 24), unavailable on DVD; and Hirokazu Kore-eda's After Life (February 19), marking the one-year anniversary of Richie's death.
The Film Society of Lincoln Center announced today the full schedule and complete lineup for the upcoming film series, Jean-Luc Godard - The Spirit of the Forms.
Tony Award-winning director Mary Zimmerman brings her unique vision to the world premiere stage adaptation of 'The Jungle Book' now at the Huntington Theatre Company of Boston through October 13
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'The Jungle Book' opens, Audra and Sondheim visit, Stephen Wallem's St. Louis 'Shrek,' Make Music Chicago, 'The Land Of Smiles,' the Auditorium's cabaret series, Idina in Aurora and more!
Today we are talking to an iconic Tony Award-winning star who made her name as a teenager singing on TV variety shows - THE LAWRENCE WELK SHOW and SING ALONG WITH MITCH included - and then went on to a multimedia career in film and theatre, conquering Broadway with her Tony-winning turn in the Jule Styne/Arthur Laurents musical HALLELUJAH, BABY! in 1967 and returning to the stage in the subsequent decades in a host of Broadway productions, such as BLUES IN THE NIGHT, JERRY'S GIRLS, ANYTHING GOES, August Wilson's KING HEDLEY II and her celebrated Muzzy in THOROUGHLY MODERN MILLIE - a role she reprises in the new Muny production of the Tony Award-winning Best Musical beginning this week - the one and only Leslie Uggams. Taking a thorough look back at her career thus far, Uggams opens up about her many successes and how she has endured for fifty years in show business and shares recollections of many of her most noted co-stars and collaborators, all the way up to the recent 2012 Encores! PIPE DREAM. Additionally, Uggams comments on her film and TV appearances over the years, speaking about her work in INHERIT THE WIND, TWO WEEKS IN ANOTHER TOWN, ROOTS and beyond. Plus, she shares her candid opinions on GLEE, SMASH, Broadway then versus now, future plans for her Lena Horne solo show and thoughts on other roles she would enjoy pursuing - and much, much more!
Tribute artist Peter Mac happens to be one terrific actor/singer who does his very best work in a dress. In our interview, he talks about how it all started, the characters he honors and his gig at the Gardenia over the next year. Like Charles Pierce and Jim Bailey before him Peter Mac is keeping the art of creating impressions alive and vibrant.
In so many ways, Trying - Joanna McClellan Glass' richly drawn portrait of the relationship between a patrician American jurist and his Canadian prairie-born secretary - is full of surprising moments, the various and disparate elements of fine drama woven together beautifully to tell a genuinely moving story. Who could have ever guessed that a two-person play, steeped in history though it may be, could prove so compellingly and resolutely fascinating?
The Museum of Modern Art and the Film Society of Lincoln Center announced the full lineup today for the 40th edition of New Directors/New Films (March 23 - April 3).
Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.
Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.
Japan Society's spring Globus Film Series Mad, Bad... & Dangerous to Know: Three Untamed Beauties of Japanese Cinema celebrates some of the most radical portrayals of Japanese women in film history by three iconic actresses. From March 31 through April 18, the 13-film series unfolds in three parts over three weeks: Ayako Wakao: Passion Made Flesh, Meiko Kaji: A Mad, Bad Unholy Easter Weekend; and Mariko Okada: The Discreet Charm of the Adulteress. General admission to each screening is $11/$7 Japan Society members, students & seniors. Tickets to the March 31 opening screening, Tattoo (Irezumi) are $15/$10 Japan Society members, students & seniors, and include entry to the DRESSED TO KILL! after party.
Japan Society's spring Globus Film Series Mad, Bad... & Dangerous to Know: Three Untamed Beauties of Japanese Cinema celebrates some of the most radical portrayals of Japanese women in film history by three iconic actresses. From March 31 through April 18, the 13-film series unfolds in three parts over three weeks: Ayako Wakao: Passion Made Flesh, Meiko Kaji: A Mad, Bad Unholy Easter Weekend; and Mariko Okada: The Discreet Charm of the Adulteress. General admission to each screening is $11/$7 Japan Society members, students & seniors. Tickets to the March 31 opening screening, Tattoo (Irezumi) are $15/$10 Japan Society members, students & seniors, and include entry to the DRESSED TO KILL! after party.
Talk about a makeover. Just over one year ago, Diane Paulus was merely a freelance director with a hit on her hands. Now, that hit - Hair - is a Tony Award winning musical, and she a Tony-nominated director, newly appointed Artistic Director of one of the most prestigious regional theaters in the country (A.R.T. in Boston), and soon to be triple tasking on productions on Broadway, in London, and at her theater in Boston. Did I mention she's also a mother of two?
Magic Theatre, San Francisco's premiere home for new plays, announces its 2009-2010 season of 4 new plays, including 3 world premieres.
Actress, director, producer, teacher, and activist, Olympia Dukakis shares her thoughts on her career, politics, and her upcoming stint as 'Rose,' her one-woman show coming to Boston January 16.
The Roundabout's new production of Kurt Weill and Bertolt Brecht's The Threepenny Opera might well have been the most shocking and innovative theatre event of the 1967-68 Broadway season
The Tony winner talks about creating the greatest role of his distinguished career, Judge Francis Biddle in 'Trying,' now at the Promenade Theatre.
Joanna McClelland Glass reflects on her year with a former U.S. Attorney General
| 1967 | Off-Broadway |
Off-Broadway |
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