Between Us 2004 - Articles Page 20

Pace University has announced the 2012 / 2013 season of Pace Presents, hosted at The Michael Schimmel Center for The Arts located at 3 Spruce Street between Park Row and Gold Street in downtown Manhattan. Pace Presents is a world-class performing arts and culture series with an emphasis on music superstars from around the globe, charismatic and crowd-pleasing dance performances, spectacular theatre and contemporary cabaret. The Pace Presents season begins on September 22 with Gypsy brass superstars Fanfare Ciocarlia and culminates on April 20 with Jazz's living treasure, Hugh Masekela.

The new musical Foreverman, with book, music, and lyrics by Brett M. Boles, will be presented as an official selection of the New York Musical Theatre Festival's (NYMF's) 2012 Next Link Project, beginning performances tonight, July 20 and running through Sunday, July 28, at the PTC Performance Space, 555 West 42 Street (between Tenth and Eleventh Avenues).

The new musical Foreverman, with book, music, and lyrics by Brett M. Boles, will be presented as an official selection of the New York Musical Theatre Festival's (NYMF's) 2012 Next Link Project, beginning performances Friday, July 20 and running through Sunday, July 28, at the PTC Performance Space, 555 West 42 Street (between Tenth and Eleventh Avenues).

David Eden Productions has announced initial details of a major US tour, presenting on September 21 and 22, 2012 the American premiere engagement of the Theatre de la Ville-Paris production of Rhinoceros, by Eugene Ionesco, directed by Emmanuel Demarcy-Mota, in Los Angeles at Center for the Art of Performance at UCLA (CAP UCLA), with subsequent presentations to follow in Berkeley at Cal Performances on September 27, 28, and 29 (matinee), and in Ann Arbor at University Musical Society (UMS) on October 11, 12, and 13.

Katie Fabel (BELLE OF BELFAST, THE SHAUGHRAUN) will fill for actress Mia Moreland for the final two performances of Mind the Gap Theatre's US premiere of Georgia Fitch's ADRENALIN…HEART, on Saturday, May 19 at 8:00pm and Sunday, May 20 at 3:00pm at Space on White (81 White Street, between Broadway and Lafayette) in Manhattan.

Due to a sudden family emergency of one of the actors, performances this weekend of Mind the Gap Theatre's production of Georgia Fitch's ADRENALIN…HEART are canceled, the company expects to resume performances on Thursday, May 10th at Space on White (81 White Street, between Broadway and Lafayette) it has been announced by Mind the Gap Artistic Director Paula D'Alessandris.

Mind the Gap Theatre presents the US premiere of Georgia Fitch's ADRENALIN…HEART, which premiered at the Bush Theatre in London.ADRENALIN…HEART celebrates its official press opening tonight April 28 at Space on White (81 White Street, between Broadway and Lafayette) in Manhattan.

Mind the Gap Theatre presents the US premiere of Georgia Fitch's ADRENALIN…HEART, which premiered at the Bush Theatre in London. Previews of ADRENALIN…HEART begin tonight, April 26 prior to an official press opening of April 28 at Space on White (81 White Street, between Broadway and Lafayette) in Manhattan.

To celebrate Immigrant Heritage Week 2012 (established in 2004 by Mayor Michael R. Bloomberg), IASNY will be having its annual showcase event 'New York with an Accent' at the storied Nuyorican Poets Café in the East Village.

The McCallum Theatre presents the Cirque Mechanics' critically acclaimed BOOM TOWN April 5-7. Cirque Mechanics was founded in 2004 and quickly established itself as a premiere American circus. With its unique approach to performance, inspiring storytelling and innovative mechanical staging it has been hailed as "the greatest contribution to the American circus since Cirque du Soleil". I had the chance to sit down with Chris Lashua, the troupe's founder and Creative Director, to chat about all things Cirque. Here are a few highlights from that conversation:

On the heels of making their US performance debut while on tour with Nickelodeon's Big Time Rush, One Direction, who are already an international pop sensation, has been confirmed to perform at Nickelodeon's 25th Annual KIDS' CHOICE AWARDS on Saturday, March 31st at 8:00 p.m. ET.

Mind the Gap Theatre will present the US premiere of Georgia Fitch's ADRENALIN…HEART, which was called "fast-paced" and "engaging" by The Guardian when it premiered at the Bush Theatre in London.

Mind the Gap Theatre presents the US premiere of Georgia Fitch's ADRENALIN…HEART, which premiered at the Bush Theatre in London. Previews of ADRENALIN…HEART begin April 26 prior to an official press opening of April 28 at Space on White (81 White Street, between Broadway and Lafayette) in Manhattan.

The David Rubenstein Atrium at Lincoln Center is located at Broadway between 62nd and 63rd Streets. For more information, including an updated calendar of performances and programs at the Atrium, visit LincolnCenter.org/Atrium.

The Highline Ballroom has announced upcoming shows for March 12th through April 12th. All shows will take place at the Highline Ballroom at 431 West 16th Street between 9th Avenue and 10th Avenue. Tickets may be purchased through Ticketweb, online at ticketweb.com or at the Highline Box Office from noon until doors close at 866-468-7619.

On the heels of making their US performance debut while on tour with Nickelodeon's Big Time Rush, One Direction, who are already an international pop sensation, has been confirmed to perform at Nickelodeon's 25th Annual KIDS' CHOICE AWARDS on Saturday, March 31st at 8:00 p.m. ET.

Three U.S. comedians of South Asian ancestry are heading to India for a 7-city tour in January, by invitation of the U.S. Department of State, as part of a goodwill program to promote better relations among diverse countries and religious faiths.

Three U.S. comedians of South Asian ancestry are heading to India for a 7-city tour in January, by invitation of the U.S. Department of State, as part of a goodwill program to promote better relations among diverse countries and religious faiths.

Three U.S. comedians of South Asian ancestry are heading to India for a 7-city tour in January, by invitation of the U.S. Department of State, as part of a goodwill program to promote better relations among diverse countries and religious faiths.

Performance Space 122 is set to present the New York debut of Chicago performance collective Every house has a door in the New York premiere of Let us think of these things always.

Today we are analyzing all aspects of last night's spectacular special presentation of the 25th anniversary of THE PHANTOM OF THE OPERA live from the Royal Albert Hall. This unprecedented full performance of the world's most successful entertainment staged specifically for this event was simulcast live to hundreds of theaters around the world, with Fathom proving yet again - LES MISERABLES, Sondheim's COMPANY and the Shakespeare's Globe Series, among many others, coming before - that they are the pioneers of perhaps the most exciting Broadway-related entertainment entity of the twenty-first century - live HD filming of theatrical enterprises. Over the course of the three hours of the complete musical as it has been performed on Broadway and the West End and around the world for twenty-five years, as well as a phantastic reception and encore featuring Andrew Lloyd Webber, Michael Crawford, Sarah Brightman, Cameron MackIntosh and four famous Phantoms - Toronto's Colm Wilkinson, the West End's John Owen Jones, Australia's Anthony Warlow and the new incoming West End title player Peter Joback - PHANTOM 25 is the theatre event of the year. Yes, PHANTOM 25 may very well be the most exciting and engrossing live show ever filmed and the presentation was exceedingly superb in technical aspects - and, now, the mind boggles at how utterly brilliant and breathtaking the forthcoming Blu-ray will be based on last night's performance (November in the UK, February in the US). Capturing the comedy in an enjoyable and surprising manner while still containing the menace and horror that gives it a distinct bite in the musical theatre realm (from the original director of SWEENEY TODD, Harold Prince, no less), and, most of all, arousing the most passionate and carnal of emotions in any willing and ready viewer. And so much more. PHANTOM 25 is now the crowning jewel of the show's legacy - the mask on the eponymous master magician and musician's face that somehow manages to make him truly, finally complete.

The New York Musical Theatre Festival (NYMF) has announced a full slate of musical productions, a developmental reading series and special events for their eighth annual festival. This year's Festival will begin September 26th and continue through October 16th.

Carte Blanche, Norway's award-winning National Company of Contemporary Dance, makes its U.S. full company debut in a program of compelling works by Batsheva Dance Company house choreographer Sharon Eyal at Jacob's Pillow Dance Festival June 29-July 3.

50 of America's top young theatre artists are coming to London as part of The Old Vic's 2011 TS Eliot US/UK Exchange programme and presenting seven new short plays on The Old Vic stage.

Today marks the last episode review of the second season of Fox's hit musical dramedy series GLEE and I'm sure that many will agree with me that last night's show was as good a Season Two send-off as could have possibly been expected from Ryan Murphy, Brad Falchuk, Ian Brennan and company given what has gone on this year so far. Besides the sights and sounds of the dramatic NYC wrap-up, the Broadway babies amongst the gleeks were treated to the extended returns of fan favorite Jonathan Groff and new cast member Cheyenne Jackson, in addition to a characteristically fabulous cameo by Broadway legend Patti LuPone - and the grand return of international singing sensation - as well as a participant in this column; in addition to Mr. Groff, yesterday (and, coming up: Mr. Jackson) - the big-voiced-diva known as Charice. While original songs dominated the episode, we were also treated to a mash-up of Madonna's 'I Love New York' and the Leonard Bernstein/Betty Comden/Adolph Green ON THE TOWN anthem 'New York, New York' (and a sample of the Kander & Ebb version elsewhere in the episode, 'for good' measure), in addition to one of the musical highlights of not only this episode, but all of Season Two - a song which was incidentally premiered in this very column on BroadwayWorld last week: Lea Michele and Chris Colfer putting their own spin on the WICKED curtain song 'For Good' on the very stage of the Gershwin Theater where the Broadway smash plays eight times a week - and has since 2004 - right where fellow GLEE guest stars Kristin Chenoweth and Idina Menzel first sang it. While the musical quotient on GLEE is always appreciably entertaining - with few exceptions - this season has been significantly more expansive and varied in its storytelling style, so the question of the season undoubtedly is: was it all wrapped up satisfactorily? Well, we'll just have to stack it all up side-by-side-by-side-by-side and see, now, won't we? But, one thing is crystal clear: GLEE in NYC was all it was cracked up - and built up - to be. The big pay-off. Finally. Or, make that more to the point: finale.