Two actors in top form capture the spirit of Rudolf Nureyev and Jamie Wyeth in a wonderfully intimate production that needs to be seen during its brief run.
The Douglas Morrisson Theatre continues its 35th Season with the musical CANDIDE, Royal National Theatre Version, with music by Leonard Bernstein, book adapted from Voltaire by Hugh Wheeler, in a new version by John Caird; and lyrics by Richard Wilbur, additional lyrics by Stephen Sondheim, John Latouche, Lillian Hellman, Dorothy Parker and Leonard Bernstein. Featuring Leonard Bernstein's soaring score and lyrics from some of the wittiest writers of all time, this rollicking musical satire chronicles the lives and loves of Candide, a simple soul whose glass is always half-full.
Hottest Articles on BroadwayWorld.com from this weekend Sunday, August 3, 2014 - Sunday, August 3, 2014.
DC Broadwayworld.com recently sat down with the co-directors of 2ndStage's Carrie: The Musical, Keith Alan Baker and Jacob Janssen, to discuss their vision for this production.
Hilda Morales was born in N.Y. City, and grew up in Puerto Rico. Her early training was with Ana Garcia of the Ballet San Juan. At 14 years of age, Ms. Morales received a Ford Foundation Scholarship to study at George Balanchine's School of American Ballet. She danced as a principal dancer with the Pennsylvania Ballet, soloist with American Ballet Theatre, artist-in-residence with the Colorado Ballet and guest appearances with Les Grands Ballets Canadiens, Albuquerque Ballet and Jacksonville Ballet. During her dancing career, Ms. Morales performed in full-length classic ballets as well as works by George Balanchine, Jerome Robbins, Agnes de Mille, Antony Tudor, John Butler, Alvin Ailey, and Jose Limon. Ms. Morales was featured in the movie The Turning Point, in the role of Sandra, directed by Herbert Ross. She guest teaches and is on the faculty of the Central Pennsylvania summer programs, and joined The Hartt School faculty in 1998.
On April 3, Newnan Theatre Company again steps boldly into risky territory by staging Stephen Dolginoff's "Thrill Me," a musical drama that tells the true story of Nathan Leopold and Richard Loeb, who murdered a teenaged boy in 1924.
Turner Classic Movies (TCM) has added an exciting roster of screen legends and beloved titles to the 2014 TCM Classic Film Festival,
Yoshi's San Francisco announces updated calendar for club and restaurant through February 9, plus new shows through April 2014.
Yoshi's San Francisco announces updated calendar for club and restaurant through February 2, plus new shows through April 2014. Details below!
Theatre Rhinoceros presents the Bay Area Premiere of the Stephen Sondheim Musical ROAD SHOW, featuring Music and Lyrics by Stephen Sondheim and Book by John Weidman, and running today, January 2 - 19, 2014.
Theatre Rhinoceros presents the Bay Area Premiere of the Stephen Sondheim Musical ROAD SHOW, featuring Music and Lyrics by Stephen Sondheim and Book by John Weidman, and running January 2 - 19, 2014
As Houston's leading performing arts presenter, Society for the Performing Arts (SPA) has announced its 2013-2014 season filled with music, dance and family entertainment from the world's best artists and companies.
Back in 1974, Pierre Bensusan was cutting his teeth as a performer on the folk scene in Paris and other cities in France when one of his idols, banjo great Bill Keith, offered him his first official paying gig ever touring Western Europe with his bluegrass band.
Lifeline Theatre Artistic Director Dorothy Milne and the artistic ensemble announce their 2013-2014, season of Big Stories, Up Close. In its award-winning and audience-acclaimed style, Lifeline's thirty-first season will feature six unforgettable books brought to life: sprawling, classic stories as well as thrilling contemporary titles, as Lifeline retains its reputation for fresh, imaginative interpretations of beloved favorites and embraces the challenges of new, thought-provoking works. Additionally, Lifeline Theatre will produce the seventeenth annual Fillet of Solo Festival and the Georgette Heyer Reading Series.
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'Jungle Book' reviews, 'Oklahoma!' on the radio, Broadway In Chicago's Park preview, 'Hedwig' and 'Rooms' rock, Team StarKid is back, community theater in Glenview, a children's musical in Mundelein, plus the 'Summer Birthday Showtune Blowout' July 10th!
During the curtain speech of the company's recently closed drama 'Dancing at Lughnasa' (read our BWW Atlanta review), Stage Door Players Artistic Director Robert Egizio announced the plays and musicals that will comprise the company's 40th Anniversary Season. The well-balanced slate of shows features comedies, dramas, musicals, and two regional premieres.
Lifeline Theatre Artistic Director Dorothy Milne and the artistic ensemble announce their 2013-2014, season of Big Stories, Up Close. In its award-winning and audience-acclaimed style, Lifeline's thirty-first season will feature six unforgettable books brought to life: sprawling, classic stories as well as thrilling contemporary titles, as Lifeline retains its reputation for fresh, imaginative interpretations of beloved favorites and embraces the challenges of new, thought-provoking works. Additionally, Lifeline Theatre will produce the seventeenth annual Fillet of Solo Festival and the Georgette Heyer Reading Series.
As Houston's leading performing arts presenter, Society for the Performing Arts (SPA) is pleased to announce its 2013-2014 season filled with music, dance and family entertainment from the world's best artists and companies.
In 1966 the Hallmark Hall of Fame presented a television adaptation of Tom Jones and Harvey Schmidt's Off Broadway musical THE FANTASTICKS. Ricardo Montalban appeared as El Gallo and Bert Lahr and Stanley Holloway were the two fathers. The young lovers were played by Broadway's favorite ingenue, Susan Watson, and a clean-cut young man named John Davidson who had made a strong impression on Broadway audiences as Lahr's son in the musical FOXY.
In an absolutely uncannily coincidental occurrence last night, the Valentine's Day episode of GLEE included among its song-stack the all-time most memorable Whitney Houston ballad of all time, originally sung by Dolly Parton in 1974 but made famous by Houston on the soundtrack of the 1992 film THE BODYGUARD, in which she also starred, "I Will Always Love You". While this episode was filmed weeks ago - long before Houston's sudden passing, of course - the fact that this was the moment GLEE finally tackled one of the biggest songs ever - a single that originally stayed atop the chart for more than 3 months - comes as a definite shock and surprise; and, also, somehow, a fitting tribute. The tasteful "We Will Always Love You" card at the end of the program dedicated the episode to Houston's memory, in a last minute addition to the long-wrapped show by the powers-that-be. It hit just the right chord - as did the effervescently enjoyable if slight episode. Amber Riley wrought the high emotion out of the Houston barn-burner in a manner that surely would do the gospel singer of Whitney's own roots more than merely proud and the overall show was a sure success as far as knockout musical numbers go. As for the rest of the "Heart" Valentine's show, we were treated to a number of well-played guest appearances, such as Rachel's two dads, essayed all-too-deliciously by Jeff Goldblum and Brian Stokes Mitchell, in addition to THE GLEE PROJECT winner Samuel Larsen's much ballyhooed debut on the show. Former TGP finalist and Season Three GLEE featured player Damian McGinty also got more focus than usual, as did Amber Riley, who emerged as the star of this particular episode. Courtesy of a lively and raucous "Love Shack", Darren Criss made his welcome return after a few episodes out. The rest of the songs added to the overall candy-coated allure of the sweet and sugary confection of a show. No, "Heart" was not an episode that will linger forever in the memory like some in GLEE's past, but the music made the night - and, in the case of "I Will Always Love You", made it really pack a punch when we needed it. It most closely resembled the wedding episode from last season, I thought - which is certainly a compliment. Plus, "Heart" featured the return of Karofsky - in gorilla suit, no less - and many dramatic twists for the gleeks we have all come to know and love. And, just how adorable is Sugar Motta?!
The songbook of Jerry Leiber (1933-2011) and Mike Stoller (1933- ) is a natural for jukebox musical treatment, because it encompasses such variety that it requires little by way of setting to stay interesting. You don't need a plot, you don't need performers to talk or act, all you need is a band, some choreography and costumes, and some great singer/dancers, and you're there.
The Harris Theater for Music and Dance today announced its full Harris Theater Presents 2011-2012 season, offering Chicago audiences a ground-breaking collection of innovative, culturally diverse programming by the world's finest musicians and dance companies, as well as Harris' signature collaborations with Chicago's leading dance and music institutions.
People's Light & Theatre presents the Philadelphia premiere of Horton Foote's Dividing the Estate. It runs May 11 - June 5, 2011 on the Main Stage. Artistic Director Abigail Adams directs. People's Light & T
Highline Ballroom is located at 431 West 16th Street between 9th Avenue and 10th Avenue.
People's Light & Theatre presents the Philadelphia premiere of Horton Foote's Dividing the Estate. It runs May 11 - June 5, 2011 on the Main Stage. Artistic Director Abigail Adams directs. People's Light & T
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