Power Plays 1998 - Articles Page 6

Power and romance from acclaimed young Romanian pianist Alexandra Dariescu in Rachmaninov's Second Piano Concerto.

When I was first approached by Giles Foden to adapt his 1998 novel for the stage, I was unsure how to respond. I'd seen Kevin MacDonald's fine movie version in 2006 and wondered what a theatrical version could add to it. So I went back to Giles's novel and found myself gripped by his account of Ugandan history and the complexity of Idi Amin Dada, its nightmarishly charismatic President from 1971 to 1979. Giles constructed Nicholas Garrigan, Amin's physician, out of a number of real prototypes, ranging from rogue diplomats to mercenaries. What gripped me from the outset was the core psychological drama exploring friendship, charisma and denial in the face of atrocity. 

Alan Paul directs and demonstrates the power of live theater.

The critics went to the cabaret, old chum! Cabaret at the Ivoryton Playhouse plays through this Sunday, September 1. Hear what the critics had to say about this production.

COAL MINE THEATRE kicks off its powerhouse Season Six with a tremendous modern Scottish classic. A slight departure from its regular programming, the world-renowned KNIVES IN HENS by David Harrower takes the audience on a sensual journey into the world of a young woman grappling to find her freedom and power through language.

A review of the original 1998 production of Diana Son's Stop Kiss refers to the play as a 'small treasure' - not intended as a slight, but I think in reference to the beautifully, movingly simple nature of the script. I would use the same phrase to describe the New Mexico Actor's Lab production (currently running at Teatro Paraguas) - the play is full of small, gorgeous moments that are masterfully directed and acted, creating a lovely and impactful evening of theatre.

In their new production of Diana Son's 1998 Off-Broadway play 'Stop Kiss,' theatrical producers Positive Space, MusicArtes, and New Voice Company (NVC) are encouraging Filipino theatergoers to take a stand against discrimination and celebrate love, in whatever form.

In their new production of Diana Son's 1998 Off-Broadway play "Stop Kiss," theatrical producers Positive Space, MusicArtes, and New Voice Company (NVC) are encouraging Filipino theatergoers to take a stand against discrimination and celebrate love, in whatever form.

For its seventh year of offering plays by contemporary Irish playwrights to Portland audiences, Corrib Theatre announces a three-show season: Eclipsed by Patricia Burke Brogan, James X by Gerard Mannix Flynn, and Kissing the Witch by Emma Donoghue. All three 2019-20 productions will be held at New Expressive Works, 810 SE Belmont St., Portland.

From June 12 to 22, Playwrights' Workshop Montr al (PWM), in partnership with the Cole Foundation, and with the support of donations made in memory of the great Canadian theatre artist, Bill Glassco, will host the 16th edition of the Glassco Translation Residency. Unique in the country, the retreat which takes place in the historic Fletcher Cottage, in breathtaking Tadoussac, Qu bec, gives translators time, space, and dramaturgical support to translate a play. The translators and playwrights are paired for ten days under the same magical roof to discuss and explore the universe of the play as it is being translated.

Theater Resources Unlimited (TRU) announces three winning plays for the The 2019 TRU Voices New Plays Reading Series: Passing Parades by Fengar Gael, The New Galileos by Amy Berryman, and Three Months with Pook by Jack Feldstein on Mondays, June 17- July 22, 2019 at 7pm at The Soho Playhouse, 15 Vandam Street, NYC

Playwright, librettist, scriptwriter and outspoken LGBTQ activist Terrence McNally has long believed in the power of the arts to transform society and make a difference. The new documentary American Masters - Terrence McNally: Every Act of Life, premiering nationwide Friday, June 14 at 9 p.m. on PBS (check local listings),pbs.org/americanmasters and the PBS Video app in honor of LGBT Pride Month, lifts the curtain on the life, career and inspirations of the complicated and brilliant Emmy- and four-time Tony Award-winning writer.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

Fountain Hills Theater publicly announced their 2019-20 Season on Feb. 16th at Broadway in the Hills. There are a total of 15 knockout titles, including 10 musicals and 5 plays for its Mainstage, Mainstage Too! and Youth Theaters. For tickets, and Season Tickets, please call the Box Office at 480-837-9661 x3 or email play@fhtaz.org.

Before she wrote "Frankenstein' at the age of 19, Mary (Godwin) Shelley ran off to France with her lover, Romantic poet Percy Shelley, and her stepsister, Claire Clairmont, seeking a new life of lierte, egalite, and fraternite. With the idealism of youth, they thought they could build a new world based on the sublimity of Nature, the power of art, and the freedom of the individual. The year is 1814, and this courageous, brilliant threesome begins their adventure…'

As his production of Richard Hawley and Chris Bush's Standing at the Sky's Edge opens in the Crucible, Artistic Director of Sheffield Theatres, Robert Hastie, announces programming for 2019.

Music Director Ivan Fischer returns with the Budapest Festival Orchestra this April performing music by Bartok along with traditional Hungarian songs. On Friday, April 5 at 8:00 p.m. the orchestra plays the suite from The Miraculous Mandarin; Concerto for Orchestra; and selections from Twenty-Seven Two- and Three-Part Choruses featuring Hungary's Cantemus Choir, under the direction of Choir Master Denes Szabo. A pre-concert talk begins at 7:00 p.m. with Peter Laki, Visiting Associate Professor, Bard College.

Pigeon keepers are an interesting and unique, albeit diminishing, subset of humans, and within that group is a subset, presumably small, of people who identify with the birds. Taking it one step further, Birdy, the protagonist in Naomi Wallace's adaptation of William Wharton's novel BIRDY, identifies, not with, but as a bird. Strange as it sounds, it may be the most sane response to an insane world in this drama that toggles back and forth between a pre-World War II Philadelphia suburb and an Army hospital in post-war Kentucky. It is a war story that plays out on the battlefield of an intense, intimate friendship, where the psychological wounds are more damaging and enduring than the physical ones. Steve Maler's skillful direction unleashes a dazzling palette of colorful performances, each actor contributing a broad brush stroke to the communal masterpiece.

Listening to ragtime means embracing music with patience and consideration, allowing the melodies to overwhelm you with the emotion of their story. To get a sense of this experience, one only has to see Music Theatre of Denton's production of RAGTIME.

The League of Professional Theatre Women (Kelli Lynn Harrison and Catherine Porter, Co-Presidents), an organization which has been leading the gender parity conversation and championing women in the professional theatre for over 35 years, will present the 2019 Theatre Women Awards at The Sheen Center for Thought & Culture (18 Bleecker Street, New York, NY 10012) on Monday, March 25 at 7pm (doors open at 6:30pm). For more information on the 2019 TheatreWomen Awards, and to purchase tickets, please visit www.theatrewomen.org.

The Castillo Theatre (Dan Friedman, artistic director; John Rankin, associate managing director) has scheduled two talk backs in-conjunction with its current production of Fred Newman's Billie, Malcolm & Yusuf, directed by award-winning director, Gabrielle Kurlander. The production commemorates the 30th anniversary of Yusuf Hawkins' murder in 1989. The Castillo Theatre is located at 543 West 42nd Street.  Performances Billie, Malcolm & YusufThe Castillo Theatre (Dan Friedman, artistic director; John Rankin, associate managing director) has scheduled two talk backs in-conjunction with its current production of Fred Newman's continues through March 17, Fridays and Saturdays at 7:30 p.m., Sundays at 2:00 p.m.

Theatre enthusiasts packed the Mountain View Center for the Performing Arts last night to hear Founding Artistic Director Robert Kelley and Executive Director Phil Santora of TheatreWorks Silicon Valley reveal the lineup for the company's 50th season, which launches this summer. Kelley's 50th and final season as Artistic Director of TheatreWorks Silicon Valley includes triumphant returns of TheatreWorks favorites, bold premieres developed at the company's annual New Works Festival, and celebrated works from the nation's leading playwrights.

The League of Professional Theatre Women (Kelli Lynn Harrison and Catherine Porter, Co-Presidents), an organization which has been leading the gender parity conversation and championing women in the professional theatre for over 35 years, will present the 2019 Theatre Women Awards at The Sheen Center for Thought & Culture (18 Bleecker Street, New York, NY 10012) on Monday, March 25 at 7pm (doors open at 6:30pm). For more information on the 2019 Theatre Women Awards, and to purchase tickets, please visit www.theatrewomen.org. 

The Castillo Theatre (Dan Friedman, artistic director; John Rankin, associate managing director) is proud to announce that it will produce a revival of the 1991 play by Fred Newman, Billie, Malcolm & Yusuf, to commemorate the 30th anniversary of Yusuf Hawkins' murder in 1989.  Billie, Malcolm & Yusuf will be directed by award-winning director, Gabrielle Kurlander.  The production includes blues and rap music. The Castillo Theatre is located at 543 West 42nd Street in Manhattan. Performances are between February 15 and March 17, Fridays and Saturdays at 7:30 p.m., Sundays at 2:00 p.m.

2018 was an amazing year for theatre in Santa Fe and Albuquerque, and if the proposed seasons for area theatres are any indication, 2019 is going to be a great one, too. From classic plays to super contemporary ones, and of course, a decent amount of musicals, this year has a lot for theatregoers to look forward to. Here are some productions I'm particularly excited about in the coming months.