Fools 1981 - Articles Page 2

On November 15, 1949, in Hollywood, California, an up-and-coming young actress met a handsome movie star for dinner -- a blind date that changed history.

On November 15, 1949, in Hollywood, California, an up-and-coming young actress met a handsome movie star for dinner -- a blind date that changed history.

BroadwayWorld is sad to report that legendary playwright Neil Simon has died at 91. 

Built in 1913 as the flagship for the big time vaudeville circuit run by E.F. Albee and Martin Beck, manager of the Western Vaudeville Managers Association, the Palace was the perfect showplace for the biggest of big time vaudeville during the last two decades of its existence.

On November 15, 1949, in Hollywood, California, an up-and-coming young actress met a handsome movie star for dinner -- a blind date that changed history.

Red Bull Theater (Jesse Berger, Founder and Artistic Director) Jim Bredeson, Managing Director) today announced the cast for their next mainstage production, the New York premiere of David Ives's The Metromaniacs, directed by Michael Kahn:Noah Averbach-Katz (The Bachelors - Williamstown Theater Festival, Othello =Dir. Pam MacKinnon); Christian Conn (RBT: The School for Scandal, Desire Under the Elms -Broadway, The Liar -CSC); Adam Green (RBT: The Witch of Edmonton,  two Helen Hayes nominations for Midsummer Night's Dream and the world premiere of The Liar - Shakespeare Theatre of DC); Peter Kybart (Broadway: Awake and Sing, The Diary of Anne Frank, Judgment at Nuremberg; Off-Broadway: Beckett-Albee, Andorra, Cymbeline); Adam LeFevre (Bway: Devil's Disciple; Our Country's Good; Summer & Smoke; Footloose; Mamma Mia; Guys and Dolls; Priscilla Queen of the Desert; The Liar - CSC, Marriage of Bette and Boo - Roundabout); Amelia Pedlow(RBT: 'Tis Pity She's a Whore; Pride and Prejudice - Primary Stages; The Liar, The Heir Apparent - CSC); and Dina Thomas (Tribes, Clever Little Lies  - Off-Broadway).

What is Coming and Leaving HULU in December. Please note titles and dates are subject to change.

This November, Feinstein's/54 Below, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond.

San Diego Repertory Theatre (San Diego REP) will present the world premiere of Associate Artistic Director Todd Salovey's newest play, 'The Dybbuk for Hannah and Sam's Wedding' as the third production of the theatre's 41st season. Written and directed by Salovey, the play is a one-man adaptation of the classic Jewish play 'The Dybbuk' by S. Ansky.

Shakespeare's Globe is delighted to announce Emma Rice's 2017 summer season, the Summer of Love, marking the 50th anniversary of the summer of 1967.

The Globe has announced that Emma Rice will be stepping down as Artistic Director in April 2018, two years after her tenure began. In a statement, CEO Neil Constable said: 'Emma's mould-breaking work has brought our theatre new and diverse audiences, won huge creative and critical acclaim, and achieved exceptionally strong box office returns. In breaking the mould, this latest season has generated productive debate concerning the purpose and theatrical practice of the Globe, in relation to the use of sound and lighting technology within our theatre spaces. Following much deliberation and discussion, the Globe Board has concluded that from April 2018, the theatre programming should be structured around 'shared light' productions without designed sound and light rigging, which characterised a large body of The Globe's work prior to Emma's appointment. 

San Diego Repertory Theatre (San Diego REP) will present the world premiere of Associate Artistic Director Todd Salovey's newest play, 'The Dybbuk for Hannah and Sam's Wedding' as the third production of the theatre's 41st season. Written and directed by Salovey, the play is a one-man adaptation of the classic Jewish play 'The Dybbuk' by S. Ansky.

Celebration Theatre at the Lex and Bruce W. Zisterer in association with Nicholas Caprio, Michael C. Kricfalusi, Todd Milliner and Jack Morrissey presents, under the artistic direction of Michael Matthews & Michael A. Shepperd, and thrilled to announce that their critically-acclaimed (LA Times Critic's Choice) Smash-Hit, West Coast premiere of THE BOY FROM OZ, music and lyrics by Peter Allen, book by Martin Sherman, original book by Nick Enright, choreography by Janet Roston, musical direction by Bryan Blaskie, produced by Andrew Carlberg and directed by Celebration Theatre co-artistic director Michael A. Shepperd is EXTENDING through SUNDAY, JULY 31 at the Celebration Theatre's new home, Celebration at the Lex Theatre, 6760 Lexington Ave. in Los Angeles.

Thrillpeddlers presents THE UNTAMED STAGE:, Weimar Berlin Kabarett, A New Musical by Scrumbly Koldewyn, running April 14 - May 28, 2016 (Thurs., Fri. & Sat. - 8:00 pm). Opening Night is set for Thurs., April 21, 2016 - 8:00 pm.

Celebration Theatre at the Lex in association with Nicholas Caprio, Michael C. Kricfalusi, Todd Milliner and Jack Morrissey presents, under the artistic direction of Michael Matthews & Michael A. Shepperd, the West Coast premiere of THE BOY FROM OZ, music and lyrics by Peter Allen, book by Martin Sherman, original book by Nick Enright, choreography by Janet Roston, musical direction by Bryan Blaskie, produced by Andrew Carlberg and directed by Celebration Theatre co-artistic director Michael A. Shepperd. THE BOY FROM OZ will begin previews on Friday, April 22 at 8pm; will open on Friday, April 29 at 8pm and perform through Sunday, June 19 at the Celebration Theatre's new home, Celebration at the Lex Theatre, 6760 Lexington Ave. in Los Angeles.

On Sunday, March 20, the third annual "Dreamer Dinner" will take place at the Skirball Cultural Center to benefit "I Have a Dream" Foundation Los Angeles' (IHADLA) ongoing efforts to provide educational support for local at-risk youth.

Thrillpeddlers presents THE UNTAMED STAGE:, Weimar Berlin Kabarett, A New Musical by Scrumbly Koldewyn, running April 14 - May 28, 2016 (Thurs., Fri. & Sat. - 8:00 pm). Opening Night is set for Thurs., April 21, 2016 - 8:00 pm.

With an astonishing recording career that now spans over seven decades, The Capitol Center for the Arts is excited to announce that music legend Kenny Rogers and special guest Linda Davis are bringing their Once Again It's Christmas Tour to Concord on Sunday, December 20th at 7:30pm.

Theater in Tennessee has never been busier nor has it been more diverse than what you'll find onstage this weekend throughout the Volunteer State. From frothy and fun summer musicals that are sure to make you think - like All Shook Up at Chaffin's Barn and A Chorus Line at Cumberland County Playhouse - to new plays from Shawn Whitsell (his latest, Songs For Our Sons, premieres at Darkhorse Theatre on Friday night) and emerging playwright Che Pieper (his new script based on the book The Man With the Light in His Window debuts at The Theater Bug this weekend)…the magic of live theater is all around you…even in this heat and humidity! So pull your seersucker suits and sundresses out of the closet, get all gussied up and make your way to the relative cool of a darkened theater for some midsummer magic!

After its sold-out 2014 run of Eugene Onegin last June in Toronto, the esteemed Vakhtangov Academic Theatre of Russia returns with a new theatrical spectacle for the international stage: Smile at Us, Oh Lord: an inspiring universal parable about the basic good in every human being. Directed by the company's noted Artistic Director Rimas Tuminas, Smile at Us, Oh Lord runs today, June 16 and tomorrow, June 17 for two shows only at the historic Elgin Theatre, presented by Show One Productions.

A play in 65 minutes, SUNSHINE is the story of a small-time stripper at Club Paradise, where women sit in isolated Plexiglas booths and talk dirty to their customers. Sunshine is the star of this place, with her name up in lights. And her unexpected encounter with disillusioned paramedic Nelson offers two lost souls a window to love and acceptance.

The gangbusters theatre company presents SUNSHINE, written by William Mastrosimone & directed by Corryn Cummins, produced by Dana Lyn Baron, and starring Mary Kelsey, Donnie Smith and Adam Garst. The show runs as part of the Hollywood Fringe Festival, playing June 7-28, 2015.

Following their triumphant, sold-out New York engagement last spring, the Vakhtangov State Academic Theatre of Russia returns with a new theatrical masterpiece Smile At Us, Oh Lord, based on the novels of Lithuanian-born Israeli writer Grigory Kanovich and directed by Rimas Tuminas (Eugene Onegin). Presented by The Cherry Orchard Festival Foundation (www.CherryOrchardFestival.org), Smile At Us, Oh Lord will play 4 performances at New York City Center (131 West 55th Street): Tonight, June 5th at 8pm, June 6th at 2pm and 8pm and June 7th at 2pm.

After its sold-out 2014 run of Eugene Onegin last June in Toronto, the esteemed Vakhtangov Academic Theatre of Russia returns with a new theatrical spectacle for the international stage: Smile at Us, Oh Lord: an inspiring universal parable about the basic good in every human being.

Today we are shining a spotlight on some rarely discussed and unusual connections between the world of William Shakespeare and theatrical pop culture at large. Given the wide breadth of material contained within the canon of the Bard, it is certainly no understatement to claim that the connections are virtually endless between many modern tropes, terms, themes and ideas that derive in his classic plays - whether they be tragedies, comedies, histories or latter plays - yet the intriguing aspects of many of the lesser-known theatrical connections between Shakespeare and modern theatre are illuminating and fascinating to unearth. Ranging from the influence of Shakespeare on some of our greatest musical theatre masters - Leonard Bernstein, Stephen Sondheim and William Finn included - through to the inspiration behind both Broadway's most lucrative production in history (THE LION KING) and the longest-running show in NYC to date (THE FANTASTICKS), the impact of Shakespeare on Broadway is impossible to accurately calculate - and, now, with the lovable and hilarious Shakespeare paean SOMETHING ROTTEN! poised to open later this month, the Bard is about to get a fresh jolt of electricity, buzz and excitement from the theatre community at large. Fear no more, indeed.