The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.
Set in French Guiana, a region where on Christmas Eve the temperature has graciously dropped to 104 degrees, three amiable convicts are employed as roofers above the Ducotel's general store. The roof winds up being the least of the family's troubles.
Crystal Field and Theater for the New City (TNC) will present a varied schedule 'Scratch Night' performance program, which offers the opportunity for artists to present work in progress to an audience for one night. Scratch Night started in the United Kingdom in 2000 as a way to show work in progress in an evolution of performances. At TNC, we will put our own spin on the idea to best serve our own theatre community and New York area audiences.
Crystal Field and Theater for the New City (TNC) will present a varied schedule 'Scratch Night' performance program, which offers the opportunity for artists to present work in progress to an audience for one night. Scratch Night started in the United Kingdom in 2000 as a way to show work in progress in an evolution of performances. At TNC, we will put our own spin on the idea to best serve our own theatre community and New York area audiences.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
TheatreWorks, the nationally-acclaimed theatre of Silicon Valley, is proud to present the regional premiere of TWENTIETH CENTURY by Ben Hecht-Charles MacArthur, based on a play by Charles Bruce Milholland in a new adaptation by Ken Ludwig. Broadway and Hollywood collide in this classic screwball comedy set in the 1930s, in which a rapidly declining Broadway impresario looks to revive his sagging career. Using mistaken identity, chicanery, and catastrophe, he attempts to coax his unforgiving former flame (now a mercurial silver screen starlet) into starring in his next stage production while aboard a train roaring across the U.S.
TheatreWorks, the nationally-acclaimed theatre of Silicon Valley, is proud to present the regional premiere of TWENTIETH CENTURY by Ben Hecht-Charles MacArthur, based on a play by Charles Bruce Milholland in a new adaptation by Ken Ludwig. Broadway and Hollywood collide in this classic screwball comedy set in the 1930s, in which a rapidly declining Broadway impresario looks to revive his sagging career. Using mistaken identity, chicanery, and catastrophe, he attempts to coax his unforgiving former flame (now a mercurial silver screen starlet) into starring in his next stage production while aboard a train roaring across the U.S.
The Actors' Fund Benefit took place on September 26, 2005 and BroadwayWorld was there to cover the after-party!
On September 20th the press got a sneak preview of the Actor's Fund Benefit Concert of 'On The Twentieth Century' starring Marin Mazzie, Douglas Sills, Christopher Sieber, Brad Oscar, Brooks Ashmanskas, Jo Anne Worley and a slew of others!
Kathleen Turner ('The Graduate,' '...Virginia Woolf') and Robert Cuccioli
('Jekyll & Hyde') have just been added to the roster of stars appearing in
ON THE TWENTIETH CENTURY, presented by The Actors' Fund of America as its
Fifth Annual Broadway Benefit Concert.
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