What is the true meaning of justice? That is the question posed to audiences in A Time to Kill, the world premiere and first stage adaptation of a novel by John Grisham. By special arrangement with Daryl Roth and adapted for the stage by Tony Award winner Rupert Holmes (The Mystery of Edwin Drood), A Time to Kill brings the heat of the Deep South to Arena Stage at the Mead Center for American Theater. Directed by Ethan McSweeny (Broadway's Gore Vidal's 'The Best Man'), A Time to Kill runs May 6-June 19, 2011 in the Kreeger Theater.
Arena Stage at the Mead Center for American Theater will produce the first in-the-round staging of Ruined, the 2009 Pulitzer Prize winner for drama by Arena Stage Project Resident Lynn Nottage and directed by Resident Playwright Charles Randolph-Wright (Director of Arena Stage's Duke Ellington's Sophisticated Ladies). Ruined is the stirring tale of Mama Nadi, a mother figure loosely based on Bertolt Brecht's Mother Courage and Her Children, who provides refuge for women affected by civil war ravaging the Democratic Republic of Congo. The production features an expanded company with cast members playing live music and additional ensemble roles featuring University of Maryland students. Ruined runs April 22-June 5, 2011 in the Fichandler Stage.
A Noise Within (ANW), the acclaimed classical repertory theatre company, presents Noel Coward's timeless comedic gem Blithe Spirit, directed by Damaso Rodriguez, which opens Saturday, October 9 and closes Friday, December 17, 2010 (previews begin Saturday, October 2).
I recently had the opportunity to lead the original Tony-winning star of MISS SAIGON - as well as the voice of the animated heroines of Disney classics ALADDIN and MULAN - in a look back at her astounding career, covering everything from MISS SAIGON to her new forthcoming original musical ALLEGIANCE co-starring George Takei: Ms. Lea Salonga. In speaking with the iconic boundary-breaking Broadway leading lady, we also touched upon all things LES MIZ - everything from LES MISERABLES onstage, the 10th Anniversary Dream Cast to, now: the 25th Anniversary 02 Concert Experience! Don't miss Lea alongside stage veterans Norm Lewis, Ramin Karimloo and pop superstar Nick Jonas in the truly spectacular concert presentation of the world's most beloved musical as it is released in movie theaters for one night only on November 17th in anticipation of its worldwide release on DVD and Blu-Ray early next year! Plus, in this exclusive conversation, Lea shares her thoughts on GLEE and her wish to duet with new GLEE cast member Charice, plus memories of the concert event of the past century, HEY! MR. PRODUCER, and much, much more!
A Noise Within (ANW), the acclaimed classical repertory theatre company, presents Noel Coward's timeless comedic gem Blithe Spirit, directed by Damaso Rodriguez, which opens Saturday, October 9 and closes Friday, December 17, 2010 (previews begin Saturday, October 2).
Ginger Rogers danced her way into our hearts in the arms of Fred Astaire, setting the gold standard for grace and elegance on the silver screen. In her surprising true-life story, we follow her from the vaudeville stage at the age of 15 through her ascension to Hollywood goddess. BACKWARDS IN HIGH HEELS tells the story of this legendary dancer, singer and actress through the music of some of the 20th century's greatest composers and with plenty of dance numbers worthy of the Hollywood icon. BACKWARDS IN HIGH HEELS plays in Tucson at the Temple of Music and Art from September 10 through October 2. It continues its run in Phoenix at the Herberger Theater Center from October 7 through October 24. The Tucson media sponsors for the 2010-2011 season are Tucson Lifestyle, KGUN9 and MIX-FM. Arizona Theatre Company's season sponsors are I. Michael and Beth Kasser.
A Noise Within (ANW), the acclaimed classical repertory theatre company, presents Noel Coward's timeless comedic gem Blithe Spirit, directed by Damaso Rodriguez, which opens Saturday, October 9 and closes Friday, December 17, 2010 (previews begin Saturday, October 2).
Ginger Rogers danced her way into our hearts in the arms of Fred Astaire, setting the gold standard for grace and elegance on the silver screen. In her surprising true-life story, we follow her from the vaudeville stage at the age of 15 through her ascension to Hollywood goddess. BACKWARDS IN HIGH HEELS tells the story of this legendary dancer, singer and actress through the music of some of the 20th century's greatest composers and with plenty of dance numbers worthy of the Hollywood icon. BACKWARDS IN HIGH HEELS plays in Tucson at the Temple of Music and Art from September 10 through October 2. It continues its run in Phoenix at the Herberger Theater Center from October 7 through October 24. The Tucson media sponsors for the 2010-2011 season are Tucson Lifestyle, KGUN9 and MIX-FM. Arizona Theatre Company's season sponsors are I. Michael and Beth Kasser.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
Heaven Can Wait by Harry Segall runs April 16 - May 30, 2010 with performances: Fridays & Saturdays at 8 p.m. and Sundays at 3 p.m. Heaven Can Wait' is produced by special arrangement with Dramatists Play Service, Inc.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
The Collegiate Chorale presents George F. Handel's Israel in Egypt on Wednesday, May 12, 2010 at 8pm at the Skirball Center for the Performing Arts, New York University, 566 LaGuardia Place (at Washington Square South), NYC.
The Collegiate Chorale presents George F. Handel's Israel in Egypt on Wednesday, May 12, 2010 at 8pm at the Skirball Center for the Performing Arts, New York University, 566 LaGuardia Place (at Washington Square South), NYC.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
Heaven Can Wait by Harry Segall runs April 16 - May 30, 2010 with performances: Fridays & Saturdays at 8 p.m. and Sundays at 3 p.m. Heaven Can Wait' is produced by special arrangement with Dramatists Play Service, Inc.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
Heaven Can Wait by Harry Segall runs April 16 - May 30, 2010 with performances: Fridays & Saturdays at 8 p.m. and Sundays at 3 p.m. Heaven Can Wait' is produced by special arrangement with Dramatists Play Service, Inc.
Heaven Can Wait by Harry Segall runs April 16 - May 30, 2010 with performances: Fridays & Saturdays at 8 p.m. and Sundays at 3 p.m. Heaven Can Wait' is produced by special arrangement with Dramatists Play Service, Inc.
Rubicon Theatre Company continues its 2009-2010 Season with the Central Coast Premiere of a timely drama about a fascinating and enigmatic figure in American history. TRYING, which opens March 13 and runs through April 4th (with low-priced previews March 11 and 12), is a poignant, poetic and powerful story about a relationship between Francis Biddle, Attorney General under Roosevelt and Chief Judge at the Nuremburg trials; and Sarah, a tenacious 25-year-old woman from the Canadian plains, one of a string of secretaries Biddle's wife has hired to help him put his affairs in order at the end of his long an illustrious career. Biddle, 81, is in poor health, proud and cantankerous as he begins to confront his own mortality. Sarah, however, is also headstrong, and from her early life on the prairie has developed a strength and wisdom beyond her years. Despite the difference in ideologies and age, the two forge a friendship. The play is autobiographical in nature and is written by Joanna McClelland Glass, who worked for Biddle in the late 60s.
Rubicon Theatre Company continues its 2009-2010 Season with the Central Coast Premiere of a timely drama about a fascinating and enigmatic figure in American history. TRYING, which opens March 13 and runs through April 4th (with low-priced previews March 11 and 12), is a poignant, poetic and powerful story about a relationship between Francis Biddle, Attorney General under Roosevelt and Chief Judge at the Nuremburg trials; and Sarah, a tenacious 25-year-old woman from the Canadian plains, one of a string of secretaries Biddle's wife has hired to help him put his affairs in order at the end of his long an illustrious career. Biddle, 81, is in poor health, proud and cantankerous as he begins to confront his own mortality. Sarah, however, is also headstrong, and from her early life on the prairie has developed a strength and wisdom beyond her years. Despite the difference in ideologies and age, the two forge a friendship. The play is autobiographical in nature and is written by Joanna McClelland Glass, who worked for Biddle in the late 60s.
In January, hit nude literary salon Naked Girls Reading is throwing a nationwide book release party for the publication of burlesque-infused pulp murder mystery 'The Corpse Wore Pasties' by Jonny Porkpie.
In January, hit nude literary salon Naked Girls Reading is throwing a nationwide book release party for the publication of burlesque-infused pulp murder mystery 'The Corpse Wore Pasties' by Jonny Porkpie.
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