This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.
AMERICAN EXPERIENCE returns in January 2016 with a new lineup of films that explore more of the fascinating characters and epic stories that have shaped our nation's past and present.
Over the course of 30 years, Harlem Stage has become one of the nation's leading arts organizations, achieving this distinction by commissioning, developing, producing and presenting innovative works by visionary artists of color. Their Fall 2015 season offers a variety of events, including free neighborhood concerts and ticketed headlining events, as well as lectures and roundtable discussions that advance deeper engagement with Harlem Stage's audience. All will take place in the state-of-the art flexible performance space, the Harlem Stage Gatehouse.
The second program of the Royal Ballet of England's return to New York City after an 11-year hiatus – and the first appearance of the company at the Koch Theatre in Lincoln Center – was an ambitious but not entirely successful presentation of works by British choreographers. The greatest failing was not onstage but in the Playbill. No notes at all were included to help the audience appreciate the ballets and the music in a historical context. While I applaud the company as well as the presenting Joyce Theater Foundation for eschewing the standard story ballets in favor of repertory fare, I am at a loss to figure out why the dancegoers were not given any information other than titles, credits, and casting. On the afternoon of June 27th when I was there, I overheard many people during pauses and intermissions commenting that a little assistance in comprehending the inspiration and intent of the choreographers would have been appreciated.
The OBIE Award-winning Theater:Village festival, which is presented by Axis Theatre, Cherry Lane Theatre, New Ohio Theatre, and Rattlestick Playwrights Theater, returns for its second year, today, September 4 - October 5.
The OBIE Award-winning Theater:Village festival, which is presented by Axis Theatre, Cherry Lane Theatre, New Ohio Theatre, and Rattlestick Playwrights Theater, returns for its second year, September 4 - October 5. Following last year's The Hill Town Plays, which presented five works by the playwright Lucy Thurber, this year's festival, titled E Pluribus, will feature four new plays celebrating the diversity of America.
The Film Society of Lincoln Center announced Edgar G. Ulmer: Back From The Margins, a spotlight on the near-forgotten émigré filmmaker, taking place January 10, 11, 17 and 18.
For the sixth consecutive year, the Philharmonic and its Global Sponsor, Credit Suisse - whose partnership began at the start of the 2007 season - will offer a Free Dress Rehearsal of the Opening Night concert Wednesday, September 19, 2012, at 9:45 a.m.
Pittsburgh CLO will present Fiddler on the Roof, July 13-22 at the Benedum Center. This classic tale is filled with 'memorable music, rousing dances and a touch of human wisdom.'
Nigel Redden, Director of Lincoln Center Festival, announced the Festival's line-up, which runs from tonight, July 5 through August 5, 2012. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.
Grab a seat under the pines for "The Pines of Rome," the North Carolina Symphony's musical toast to the natural world. The concert takes place at Cary's Booth Amphitheatre tonight, June 9, at 7:30 p.m. Children 12 and under are free on the lawn.
Grab a seat under the pines for "The Pines of Rome," the North Carolina Symphony's musical toast to the natural world. The concert takes place at Cary's Booth Amphitheatre on Saturday, June 9, at 7:30 p.m. Children 12 and under are free on the lawn.
The Endangered Species Project's May reading will be Juno and the Paycock by Sean O'Casey. The play was last performed professionally in Seattle at the Bathhouse Theatre in 1985, and through the kind auspices of the Seattle Public Theatre, Juno returns to the Bathhouse there via ESP's May 21 reading, tonight.
The Endangered Species Project's May reading will be Juno and the Paycock by Sean O'Casey. The play was last performed professionally in Seattle at the Bathhouse Theatre in 1985, and through the kind auspices of the Seattle Public Theatre, Juno returns to the Bathhouse there via ESP's May 21 reading.
The 39th annual edition of the Chicago area's Bach Week Festival, where Baroque music lovers luxuriate in diverse works of Johann Sebastian Bach, will present a signature blend of solo, concerto, orchestral, and choral performances in concerts tonight April 27, May 4, and May 6 in Evanston.
The 39th annual edition of the Chicago area's Bach Week Festival, where Baroque music lovers luxuriate in diverse works of Johann Sebastian Bach, will present a signature blend of solo, concerto, orchestral, and choral performances in concerts April 27, May 4, and May 6 in Evanston.
Nigel Redden, Director of Lincoln Center Festival, today announced the Festival's line-up, which runs from July 5 through August 5, 2012. Single tickets go on sale on April 2. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.
Following our New Writing at the Finborough Theatre Season which saw eight premieres of new plays, as well as the Finborough winning its seventh Pearson Bursary Award for Dawn King's Foxfinder, our ReDiscoveries2012 Season is devoted to the parallel strand of our artistic policy, rediscovered drama and music theatre with work from the 1890s to the 1980s.
Music From Japan and its Artistic Director, Naoyuki Miura, are thrilled to announce Festival 2011: a weekend of events in New York City's Baruch Performing Arts Center (Feb 12 & 13, 2011), and a concert at the Smithsonian in Washington, DC (Feb 16).
Music From Japan and its Artistic Director, Naoyuki Miura, are thrilled to announce Festival 2011: a weekend of events in New York City's Baruch Performing Arts Center (Feb 12 & 13, 2011), and a concert at the Smithsonian in Washington, DC (Feb 16).
On May 23, Yangtze Repertory Theatre of America (www.yangtze-rep-theatre.org) will end its run of 'Laughing in the Wind: A Cautionary Tale in Martial Arts,' based on a novel by Jin Yong, China's most popular writer of the Martial Arts (Wuxia) genre, and arguably the most widely read author in the Chinese speaking world.
From April 30 to May 23, Yangtze Repertory Theatre of America (www.yangtze-rep-theatre.org) will present 'Laughing in the Wind: A Cautionary Tale in Martial Arts,' based on a novel by Jin Yong, China's most popular writer of the Martial Arts (Wuxia) genre, and arguably the most widely read author in the Chinese speaking world.
From April 30 to May 23, Yangtze Repertory Theatre of America (www.yangtze-rep-theatre.org) will present 'Laughing in the Wind: A Cautionary Tale in Martial Arts,' based on a novel by Jin Yong, China's most popular writer of the Martial Arts (Wuxia) genre, and arguably the most widely read author in the Chinese speaking world.
The Flea Theater presents Jeremy Bloom's production of LA BOHEME (SPOKEN), based on La bohème by Giacomo Puccini, adapted by Brian Rady, conceived and directed by Jeremy Bloom. LA BOHEME (SPOKEN) will play a 1-week limited engagement at The Flea Theater (41 White Street, New York, NY 10013). Performances begin Wednesday, March 10th through Saturday, March 13th.
RUNT OF THE LITTER Closes Feb. 21 at Civic Center's Temple Theater.
| 1924 | Broadway |
Broadway |
Videos
