Goodman Artistic Director Robert Falls, acclaimed Canadian director Jennifer Tarver and celebrated star Brian Dennehy team up again for a Broadway-bound double bill, Hughie/Krapp's Last Tape; January 16- February 21, 2010 in the Goodman's Albert Ivar Theatre. Tickets are $25 – $83 and go on sale Friday, November 13 at GoodmanTheatre.org.
Alumnae Theatre Productions will stage Noel Coward's comedy of manners, 'Hay Fever' at the Alumnae Theatre's main stage from January 15 to 30.
Alumnae Theatre Productions will stage Noel Coward's comedy of manners, 'Hay Fever' at the Alumnae Theatre's main stage from January 15 to 30.
Goodman Artistic Director Robert Falls, acclaimed Canadian director Jennifer Tarver and celebrated star Brian Dennehy team up again for a Broadway-bound double bill, Hughie/Krapp's Last Tape; January 16- February 21, 2010 in the Goodman's Albert Ivar Theatre. Tickets are $25 - $83 and go on sale Friday, November 13 at GoodmanTheatre.org.
Goodman Theatre is proud to announce the Krapp's Last Tape Artists Talk as part of the new 2010 Series connecting theater audiences with the artists who bring productions to life at the Goodman.
Jean-Baptiste Molière is on top of the world - at the centre of Louis XIV's court, author of countless popular hits, and in love with a woman half his age. But what the audiences see as sparkling satire, the authorities see as dangerous and subversive. As soon as he takes a wrong step, his fall from grace is assured.
Jean-Baptiste Molière is on top of the world - at the centre of Louis XIV's court, author of countless popular hits, and in love with a woman half his age. But what the audiences see as sparkling satire, the authorities see as dangerous and subversive. As soon as he takes a wrong step, his fall from grace is assured.
Writers' Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce the run of Oh Coward!, words and music by Noël Coward, devised by Roderick Cook.
Writers' Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce the run of Oh Coward!, words and music by Noël Coward, devised by Roderick Cook.
Writers' Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce the run of Oh Coward!, words and music by Noël Coward, devised by Roderick Cook.
Goodman Artistic Director Robert Falls, acclaimed Canadian director Jennifer Tarver and celebrated star Brian Dennehy team up again for a Broadway-bound double bill, Hughie/Krapp's Last Tape; January 16- February 21, 2010 in the Goodman's Albert Ivar Theatre. Tickets are $25 – $83 and go on sale Friday, November 13 at GoodmanTheatre.org.
Jean-Baptiste Molière is on top of the world - at the centre of Louis XIV's court, author of countless popular hits, and in love with a woman half his age. But what the audiences see as sparkling satire, the authorities see as dangerous and subversive. As soon as he takes a wrong step, his fall from grace is assured.
Writers' Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce the run of Oh Coward!, words and music by Noël Coward, devised by Roderick Cook.
The producers of Blithe Spirit are pleased to announce the show will play The Shubert Theatre (225 West 44th Street). Rehearsals are scheduled to begin Monday, January 26, 2009 with the first performance on Thursday, February 26, 2009.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Love! Rivalry! Politics! Pacific Lyric Association presents Luisa Fernanda, the last of the great Spanish zarzuelas by Federico Moreno Torroba. Four fully-staged performances of the complete libretto by Federico Romero and Guillermo Fernandez Shaw will take place at the 1000-seat Ricardo Montalban Theatre in Hollywood, February 19-21. Traveling from Spain to conduct the orchestra is the son of the composer, Federico Moreno-Torroba Larregla. Performances will be in Spanish with English supertitles.
A zarzuela (pronounced zar zway' la) is a Spanish musical that blends the brilliance of Broadway with the passion of opera. The art form had its inception near Madrid in the 1640s. Legend says the name originates from a pavilion overgrown with blackberry bushes (zarzas) in a remote section of the city's El Prado Park, where actors gathered to present plays and entertain King Philip IV. Influenced over the centuries by Italian and French musical styles, but retaining a distinct personality, zarzuelas flourished as a popular entertainment in the 1920s and '30s.
'Unlike opera, zarzuelas are a form of populist entertainment,' explains Pacific Lyric Association artistic director, Madrid-born Carlos Oliva. 'The role of the story and dialogue is equally important to that of the singing and music - it's an early form of musical theater. It is paramount that the performers be strong actors as well as singers.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Love! Rivalry! Politics! Pacific Lyric Association presents Luisa Fernanda, the last of the great Spanish zarzuelas by Federico Moreno Torroba. Four fully-staged performances of the complete libretto by Federico Romero and Guillermo Fernandez Shaw will take place at the 1000-seat Ricardo Montalban Theatre in Hollywood, February 19-21. Traveling from Spain to conduct the orchestra is the son of the composer, Federico Moreno-Torroba Larregla. Performances will be in Spanish with English supertitles.
A zarzuela (pronounced zar zway' la) is a Spanish musical that blends the brilliance of Broadway with the passion of opera. The art form had its inception near Madrid in the 1640s. Legend says the name originates from a pavilion overgrown with blackberry bushes (zarzas) in a remote section of the city's El Prado Park, where actors gathered to present plays and entertain King Philip IV. Influenced over the centuries by Italian and French musical styles, but retaining a distinct personality, zarzuelas flourished as a popular entertainment in the 1920s and '30s.
'Unlike opera, zarzuelas are a form of populist entertainment,' explains Pacific Lyric Association artistic director, Madrid-born Carlos Oliva. 'The role of the story and dialogue is equally important to that of the singing and music - it's an early form of musical theater. It is paramount that the performers be strong actors as well as singers.'
Academy Award-winners Geoffrey Rush (Shine) and Susan Sarandon (Dead Man Walking) will star in Eugene Ionesco's EXIT THE KING. This production marks Rush's Broadway debut. Translated by Neil Armfield and Geoffrey Rush and directed by Neil Armfield, EXIT THE KING will begin performances Saturday, March 7, 2009 at the Barrymore Theatre (243 West 47th Street) and open on Thursday, March 26, 2009. This limited engagement will run for 14 weeks only, through Sunday, June 14, 2009.
The producers of the upcoming Broadway revival of Noel Coward's Blithe Spirit are pleased to welcome Tony-nominated actress Deborah Rush in the role of Mrs. Bradman, reuniting her with her Noises Off! director, two-time Tony Award winner Michael Blakemore.
Resonance Ensemble begins 2008-09 season with two plays inspired by Shakespeare's Julius Caesar: the World Premiere of Christopher Boal's 23 KNIVES and Bernard Shaw's CAESAR AND CLEOPATRA beginning January 11, opening January 18, 2009 at Theatre Row's CLURMAN THEATRE
The producers of Blithe Spirit are pleased to announce the show will play The Shubert Theatre (225 West 44th Street). Rehearsals are scheduled to begin Monday, January 26, 2009 with the first performance on Thursday, February 26, 2009.
'Caesar and Cleopatra' by George Bernard Shaw will be performed Monday, September 22 at 7pm at The Players, located at 16 Gramercy Park South (20th St. east of Park Avenue). 'Caesar and Cleopatra' will be performed Mondays at 7 pm. These performances are open to the public. Tickets are now on sale for $20; call 212.352.3101 or visit Projectshaw.com.
'Caesar and Cleopatra' by George Bernard Shaw will be performed Monday, September 22 at 7pm at The Players, located at 16 Gramercy Park South (20th St. east of Park Avenue). 'Caesar and Cleopatra' will be performed Mondays at 7 pm. These performances are open to the public. Tickets are now on sale for $20; call 212.352.3101 or visit Projectshaw.com.
The Donmar Warehouse will present Piaf by Pam Gems. The cast will feature Shane Attwooll, Phillip Browne, Lorraine Bruce, Luke Evans, Michael Hadley, Katherine Kingsley, Leon Lopez, Stuart Neal, Elena Roger, Steve John Shepher. The director is Jamie Lloyd with set design by Soutra Gilmour, lighting design by Neil Austin, sound design by Christopher Shutt and original composition by Ben and Max Ringham. Nigel Lilley is the musical director. The show will run from August 8th - September 20th with an official opening on Wednesday August 13th .
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