Tamzin Outhwaite is joined by Mark Umbers in the West End transfer of the Tony Award-winning musical, Sweet Charity. Matthew White's production of Sweet Charity, which completed its sell-out run at the Menier Chocolate Factory last month, will open at the Theatre Royal Haymarket on 23 April 2010 with press night on 4 May and is currently booking until 8 January 2011.
World Village/harmonia mundi proudly announces the release of vocalist Catherine Russell's Inside This Heart Of Mine on April 13, 2010. Her third album for the label, Inside This Heart Of Mine is a collection of 13 songs -- tied together by the special place these songs hold inside the heart of Catherine Russell.
Come pursue the varieties of jazz experience at the National Jazz Museum in Harlem! From conversations and live performances to educational sessions and panel discussions, you're sure to have a ball and learn a lot too.
Matthew White is to direct Tamzin Outhwaite as Charity Hope Valentine in the Tony Award-winning musical Sweet Charity at the Menier Chocolate Factory. Sweet Charity previews from 21 November with press night on 02 December, and runs until 07 March 2010. The box office opens for general public bookings at noon on Thursday 17 September. With book by Neil Simon, music by Cy Coleman and lyrics by Dorothy Fields, choreography is by Stephen Mear, set design by Tim Shortall, costume design by Matthew Wright, musical supervision and direction by Nigel Lilley, orchestrations by Chris Walker, lighting by David Howe and sound design by Gareth Owen.
RFK: The Journey to Justice is a commission led by the University of Notre Dame's DeBartolo Performing Arts Center and co-commissioned by the Clarice Smith Performing Arts Center at the University of Maryland, Stanford Lively Arts at Stanford University, and the Modlin Center for the Arts at the University of Richmond. Additional funds provided by the Susan Raab Simonson Commissioning Project.
The Off-Broadway League, the official trade organization for Off-Broadway theatres, producers and productions, is proud to highlight its member shows for the upcoming Fall 2009 season in the vibrant diverse landscape of Off-Broadway theatre.
A.C.T. Young Conservatory proudly presents Bright Young People: The Words and Music of Noël Coward, a brilliant, buoyant tribute to one of the greatest theater artists of all time. This world premiere revue showcases everything you love about Noël Coward-the songs, the wit, the style-with scenes and music from his greatest hits, such as The Vortex, Design for Living, and Hay Fever, as well as lesser known gems, some of which haven't been produced since the 1920s.
The John F. Kennedy Center for the Performing Arts today announced casting for its production of RAGTIME in the Eisenhower Theater April 18 - May 10, 2009. Based on a 1975 novel by E.L. Doctorow, the production features book by Terrence McNally, music by Stephen Flaherty and lyrics by Lynn Ahrens, and will be directed and choreographed by Marcia Milgrom Dodge. The musical is part of the Kennedy Center's Broadway: The Third Generation, a series celebrating the current generation of Broadway musical composers. The official press night will take place on Saturday, April 25, 2009 at 7:30 p.m.
A.C.T. Young Conservatory proudly presents Bright Young People: The Words and Music of Noël Coward, a brilliant, buoyant tribute to one of the greatest theater artists of all time. This world premiere revue showcases everything you love about Noël Coward-the songs, the wit, the style-with scenes and music from his greatest hits, such as The Vortex, Design for Living, and Hay Fever, as well as lesser known gems, some of which haven't been produced since the 1920s.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
The John F. Kennedy Center for the Performing Arts today announced casting for its production of RAGTIME in the Eisenhower Theater April 18 - May 10, 2009. Based on a 1975 novel by E.L. Doctorow, the production features book by Terrence McNally, music by Stephen Flaherty and lyrics by Lynn Ahrens, and will be directed and choreographed by Marcia Milgrom Dodge. The musical is part of the Kennedy Center's Broadway: The Third Generation, a series celebrating the current generation of Broadway musical composers. The official press night will take place on Saturday, April 25, 2009 at 7:30 p.m.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Back in Pictures celebrates the songs that were originally written for the masterpieces of the Golden Age of Hollywood, featuring music from Casablanca, Easter Parade, A Star Is Born, Pennies From Heaven, Disney, Meet Me In St. Louis, Gentlemen Prefer Blonds, The Wizard of Oz and many more. Back in Pictures is showing at the Reprise Room, 245 West 54th Street, between Broadway and 8th Avenue, New York, from April 7, 2008 through January 5, 2009.
Back in Pictures celebrates the songs that were originally written for the masterpieces of the Golden Age of Hollywood, featuring music from Casablanca, Easter Parade, A Star Is Born, Pennies From Heaven, Disney, Meet Me In St. Louis, Gentlemen Prefer Blonds, The Wizard of Oz and many more. Back in Pictures is showing at the Reprise Room, 245 West 54th Street, between Broadway and 8th Avenue, New York, from April 7, 2008 through January 5, 2009.
New York Theatre Workshop (NYTW) announced that due to critical acclaim and sold-out houses 'The Sound and The Fury (April Seventh, 1928'), will extend its run through Sunday, June 1, at NYTW.
New York Theatre Workshop (NYTW) Artistic Director James C. Nicola and Acting Managing Director Fred Walker have announced that The Sound and The Fury (April Seventh, 1928), based on part one of the novel by William Faulkner, created by Elevator Repair Service (ERS), and directed by John Collins, will begin performances Tuesday, April 15, at NYTW, 79 East 4th Street, between Second Avenue and Bowery. Opening night is scheduled for Tuesday, April 29 at 7:00pm. The production will run through May 18.
Concerts and cabarets keep Broadway music alive for other generations to enjoy and share, but the Siegel concerts do a bit more.
The New York Festival of Song celebrates showtunes by American composers from musicals that premiered in London
Scott Siegel takes us back in time once more to experience the Broadway musicals of 1963.
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