Come pursue the varieties of jazz experience at the National Jazz Museum in Harlem! From conversations and live performances to educational sessions and panel discussions, you're sure to have a ball and learn a lot too.
Big band sound transforms the Lincoln Theatre into a Duke Ellington jazz club as Arena Stage presents Duke Ellington's Sophisticated Ladies, choreographed by and starring Maurice Hines (Broadway's Sophisticated Ladies and Uptown... It's Hot!) with direction by Charles Randolph-Wright (Arena's Guys and Dolls and Blue).
Come pursue the varieties of jazz experience at the National Jazz Museum in Harlem! From conversations and live performances to educational sessions and panel discussions, you're sure to have a ball and learn a lot too.
Come pursue the varieties of jazz experience at the National Jazz Museum in Harlem! From conversations and live performances to educational sessions and panel discussions, you're sure to have a ball and learn a lot too.
Come pursue the varieties of jazz experience at the National Jazz Museum in Harlem! From conversations and live performances to educational sessions and panel discussions, you're sure to have a ball and learn a lot too.
Big band sound transforms the Lincoln Theatre into a Duke Ellington jazz club as Arena Stage presents Duke Ellington's Sophisticated Ladies, choreographed by and starring Maurice Hines (Broadway's Sophisticated Ladies and Uptown... It's Hot!) with direction by Charles Randolph-Wright (Arena's Guys and Dolls and Blue).
Come pursue the varieties of jazz experience at the National Jazz Museum in Harlem! From conversations and live performances to educational sessions and panel discussions, you're sure to have a ball and learn a lot too.
Big band sound transforms the Lincoln Theatre into a Duke Ellington jazz club as Arena Stage presents Duke Ellington's Sophisticated Ladies, choreographed by and starring Maurice Hines (Broadway's Sophisticated Ladies and Uptown... It's Hot!) with direction by Charles Randolph-Wright (Arena's Guys and Dolls and Blue).
Five incredible Latin Jazz legends will heat up the Blue Note stage at the Winter Latin Jazz Festival from January 19 to 31. The festival will start with jazz flutist Dave Valentin and conga legend Candido from Jan. 19 - 20. Trumpeter Arturo Sandoval and his Latin jazz group will finish up the week from Jan. 21 - 24. Argentinian saxophonist Gato Barbieri will play from Jan. 25 - 27, and percussionist Poncho Sanchez will finish up the festival from Jan. 28 - 31.
Five incredible Latin Jazz legends will heat up the Blue Note stage at the Winter Latin Jazz Festival from January 19 to 31. The festival will start with jazz flutist Dave Valentin and conga legend Candido from Jan. 19 - 20. Trumpeter Arturo Sandoval and his Latin jazz group will finish up the week from Jan. 21 - 24. Argentinian saxophonist Gato Barbieri will play from Jan. 25 - 27, and percussionist Poncho Sanchez will finish up the festival from Jan. 28 - 31.
The Broadway Boys, a collection of the hottest male voices currently working on the New York stage, will present a concert of Broadway and holiday favorites, on Sunday, December 20, 3 p.m., at Westport Country Playhouse.
The Broadway Boys, a collection of the hottest male voices currently working on the New York stage, will present a concert of Broadway and holiday favorites, on Sunday, December 20, 3 p.m., at Westport Country Playhouse.
Producers David Richenthal and Jack Viertel have announced that the critically-acclaimed New York City Center Encores! production of Finian?s Rainbow, will transfer to Broadway's St. James Theatre, 246 West 44 Street, beginning Thursday, October 8 at 8pm, with an opening set for Thursday, October 29 at 6:45pm.
Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*. *Denotes Member of AEA.
Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*.
Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*. *Denotes Member of AEA.
Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*.
Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*. *Denotes Member of AEA.
Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*.
Cheyenne Jackson will reprise his New York City Center Encores! role of Woody in the upcoming Broadway production of Finian's Rainbow.
Producers David Richenthal and Jack Viertel have announced that the critically-acclaimed New York City Center Encores! production of Finian?s Rainbow, will transfer to Broadway's St. James Theatre, 246 West 44 Street, beginning Thursday, October 8 at 8pm, with an opening set for Thursday, October 29 at 6:45pm.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Back in Pictures celebrates the songs that were originally written for the masterpieces of the Golden Age of Hollywood, featuring music from Casablanca, Easter Parade, A Star Is Born, Pennies From Heaven, Disney, Meet Me In St. Louis, Gentlemen Prefer Blonds, The Wizard of Oz and many more. Back in Pictures is showing at the Reprise Room, 245 West 54th Street, between Broadway and 8th Avenue, New York, from April 7, 2008 through January 5, 2009.
Back in Pictures celebrates the songs that were originally written for the masterpieces of the Golden Age of Hollywood, featuring music from Casablanca, Easter Parade, A Star Is Born, Pennies From Heaven, Disney, Meet Me In St. Louis, Gentlemen Prefer Blonds, The Wizard of Oz and many more. Back in Pictures is showing at the Reprise Room, 245 West 54th Street, between Broadway and 8th Avenue, New York, from April 7, 2008 through January 5, 2009.
| 1931 | Broadway |
Broadway |
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