So Much for So Much 1914 - Articles Page 3

Equality California, the nation’s largest statewide LGBTQ+ civil rights organization, announced today that it will host its first-ever statewide “Golden State Equality Awards” virtual celebration on Sunday, September 13.

This month, BroadwayWorld will profile arts organizations selected for NEA funding to let them express, in their own words, what the award means to their organization and how the funding will not only enable them to plan and execute new productions and community programs, but help them recover from financial losses sustained in the Covid-19 pandemic.

San Diego Opera has announced its 2020-2021 season, after the premature ending of the Company's previous season this winter in response to the global coronavirus pandemic.

Hideki Noda's powerfully dynamic, physically demanding, utterly engaging and thoroughly entertaining works have been seen across the world's stage and now he returns to one of the most significant homes of the underground theatre movement in NYC -- The Ellen Stewart Theater at La MaMa -- in One Green Bottle, playing from February 29-March 8th. The three-person gender-swapping show puts an absurdist spin on the current self-driven, self-obsessed 'selfie' society. One Green Bottle is unmissable, uproariously hysterical and absolutely delightful with depth that lingers long after the last 'one green bottle should accidentally fall...' as the song goes.

This Month, FEINSTEIN'S/54 BELOW will present some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

VHRP LIVE! is reacquainting New York City with the music of composer Victor Herbert. To date, the company has restored 13 full productions and 5 concerts consisting solely of this composer's music.

The Kansas City Chamber Orchestra is pleased to announce their 33rd Season will continue on Wednesday, February 12th in the Stephen B. Metzler Hall at The Folly Theater, downtown Kansas City, Missouri. The magnificent Folly will be the perfect atmosphere for the Valentine program entitled a?oeEnchanted Strings,a?? featuring guest conductor Carolyn Watson with the baton. 

Alabama Shakespeare Festival presents All Is Calm: The Christmas Truce of 1914 by Peter Rothstein, with vocal arrangements by Erick Lichte and Timothy C. Takach, on the Octagon Stage December 7 - 29, 2019. Directed by Melissa Rain Anderson, this dramatic retelling weaves together firsthand accounts of World War I soldiers with patriotic tunes, trench songs, and Christmas carols.

In 2020, Adelaide Writers' Week the second from Director Jo Dyer, contemplates one of the few things that incontrovertibly unites us all: Being Human. Running from Saturday 29 February to Thursday 5 March as part of the 60th anniversary Adelaide Festival, Adelaide Writers' Week will explore how humans engage with each other, with technology, and with the natural world. 

The Tank will present the World Premiere of In Blue, written and directed by Ran Xia

Found Stages is changing the theatrical landscape of Atlanta. Inspired by such groundbreaking productions as NYC's Sleep No More, Found Stages' Frankenstein's Funeral offers Atlanta audiences a one-of-a-kind immersive, site-specific experience without the cost of a flight or hotel.

Full casting has been announced for the opening production of Artemisia's season a?" THE SUFFRAGE PLAYS - an evening of three one-act comedies from the Suffrage Theatre, a vital element of the British Women's Suffrage Movement.

The 30th anniversary season of the Bard Music Festival a?" an exploration of a?oeKorngold and His Worlda?? a?" opens this Friday, August 9, with Weekend One: Korngold and Vienna. The first of the weekend's six themed concerts, Program One: a?oeErich Wolfgang Korngold: From Viennese Prodigy to Hollywood Master,a?? offers a broad overview of the composer's multi-faceted career.

ArtsEmerson, Boston's leading presenter of contemporary world theatre, proudly announces its 10th Anniversary Season featuring five new commissioned works and five reprises from six different countries. The 2019/20 season continues ArtsEmerson's commitment to international work and to contemporary artistic forms including circus, mixed media, music theatre and first person narrative all from diverse perspectives. The landmark anniversary season will feature the world premiere of Detroit Red (produced by ArtsEmerson and written by Will Power) which uplifts Malcolm X's under-examined, life-shaping experiences as a young man who called Boston home. It will also feature the U.S. Premiere of Plata Quemada (TEATROCINEMA), the gritty true story of Argentina's most daring bank heist.

At the elegant Soroya Theatre in Northridge, CA, Martha Graham's Dance Company, under Artistic Director Janet Eilber's seasoned guidance, performed a most incredible group of works.  Some were originally created approximately 80 years ago, by Martha Graham, a true icon in the Dance world.  The EVE Project, as this evening, March 2nd, 2019 was entitled, gave us a wide variety of themes within a theme, that being Women and their significance, their power, their passion and their strength.  It was polished to perfection, and each piece carried many meanings and concepts and was just so beautifully performed and articulated. The Martha Graham Dance Company is the oldest contemporary dance company in the United States, founded in 1926.  Since it's inception it has explored and encompassed political and humanitarian issues, as well as affairs of the heart and human interactions, while creating a prolific dance technique that is unequaled in it's scope.  Graham created a total of 181 ballets during her long career, and is recognized as a primal artistic force of the 20th century, being named in 1998 as 'Dancer of the Century' in Time magazine, and labeled one of the female 'Icons of the Century' by People Magazine.

The Cincinnati Symphony Orchestra (CSO) and Music Director Louis Langree announced details of the much-anticipated 125th Anniversary Season beginning in September at Music Hall. The 2019-20 season welcomes acclaimed guest artists including Renee Fleming, Anne-Sophie Mutter, Artist-in-Residence Guy Braunstein and Grammy winner Isabel Leonard, among others. The season includes performances of Beethoven's legendary Akademie program, a fully staged production of Ravel's opera, L'Enfant et les sortileges, seven CSO commissions, five world premieres, three U.S. premieres, as well as an experimental new concert series titled CSO Proof. The 125th Anniversary Season marks the launch of new initiatives both on and off the stage that build on the CSO's legacy. Leading up to the season, the Orchestra presents CSO Look Around, a first-of-its-kind event celebrating community, diversity, and inclusivity on August 3.

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

With a terrific cast, led by the humorous Israeli TV and film star, Yehezkel Lazarov, this production made me think, made me ask newer and more interesting questions, and, oh, those gloriously memorable songs, the humor, the love stories. For me, Fiddler on the Roof remains perched firmly at the top.

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

Shortly after midnight, on Christmas Day of 1914, a German soldier whose name is now lost to history committed what might be the most subversive act in all of modern warfare.  He walked, unarmed, out of the front line trenches and into the middle of No Man's Land, faced the enemy British soldiers before him and, in his native tongue, began singing 'Silent Night.'

Can a musical drama set on a grim WW I battlefield make an audience feel good? Those working on the San Diego Opera's staging of All Is Calm: the Christmas Truce of 1914 are certain it can. The work tells the true story of the spontaneous unofficial truce between WWI enemies who left their trenches and entered the no-man's land between them to join in a celebration of the Christmas holidays. Peter Rothstein wrote the drama for his Minneapolis-based company Theatre Latte Da, and based it on material from the period, the most important of which is the verbatim text of letters and war journals written by soldiers who participated in the truce.  The cast sings many songs popular during the war and a few traditional Christmas carols. All were arranged by Erick Lichte and Timothy C. Takach, and are sung a cappella in the English, German and French languages of the soldiers. Vanessa Dinning has taken on the challenge of coaching in nearly 20 different dialects.

FIDDLER ON THE ROOF is a wonderful show about joy amidst harsh circumstances, the importance of family and community. It's also about Tradition! It's nice to see familiar things updated but not bastardized. The cast is consistently wonderful with harmonious singing and excellent dancing throughout the show, with visually striking staging of sequences that don't technically qualify as dances.

One hundred years after the armistice of The Great War, it is still crucial to honor the memory of all who fought to create a better world for the future. Washington National Opera's production of Silent Night, which opened on Saturday night at the Kennedy Center, is a glorious celebration of the brave soldiers who have risked their lives for their countries. The production is weakened by some questionable staging choices but serves as a suitable showcase for opera's rising stars.

Selladoor Worldwide has announced the launch of Selladoor Creation - a brand new platform for new writers to showcase and develop their work with the backing of one of the UK's leading theatre producers. With this new company, Selladoor will continue to support diverse and challenging work from talented artists, and bring innovative new work to the national and international stage, making it accessible for all audiences.

As this year of 2018 draws to a close, a century since the end of the First World War, The Bach Choir of London will sing a 'Thank You' concert in support of the British Legion's 'Thank You' movement of Remembrance and Freedom at the Royal Festival Hall on November 8th.