As You Like It Revival 1930 - Articles Page 16

You may need to remind yourself to mind your manners when Theatre Raleigh presents God of Carnage. The show opens tonight, June 19th and runs through Sunday, June 30th at Kennedy Theater at the Duke Energy Center.

You may need to remind yourself to mind your manners when Theatre Raleigh presents God of Carnage. The show opens on Wednesday, June 19th and runs through Sunday, June 30th at Kennedy Theater at the Duke Energy Center.

Ars Nova announces the lineup for its 6th Annual ANT Fest. This year's festival of All New Talent runs from today, June 3 - 29, featuring fresh new work from some of New York's most exciting emerging artists. From trapeze thrillers to hip-hop basketball musicals, 2013's ANT Fest heats up Ars Nova this summer with four weeks of comedy, music, theater and a fusion of all three you won't see anywhere else.

This week's School in the Spolight is the Drama Depatment at Vasser College in Poughkeepsie, NY! Scroll below for a historical look at the department, see what's upcoming in their production season and view photos from past shows!

Marc Robin's re-choreographed and re-imagined A Chorus Line is Michael Bennett for a new age, and theatrical dance fans will not feel 'Nothing' when they watch it.

All Night Strut! A Jumpin' Jivin' Jam opened at the Omaha Community Playhouse this past weekend and is running through March 30th, 2013 and is ready to take you back in time for a music and dance extravaganza. The cast of All Night Strut! A Jumpin' Jivin' Jam is made up of four phenomenal vocalists, a fantastic band and an ensemble of incredible dancers who also sing. This cast is by far one of the greatest that I have seen at the Playhouse, they harmonize well, they stay together and they have a great chemistry.

Puppets and live performers enact an enigmatic tale of early World War II in 'King Executioner,' the newest creation of Czechoslovak-American Marionette Theatre written and directed by Vit Horejš. The play is loosely based on 'When you are a King, You will be an Executioner' ('A Jak Krolem a Jak Katem Bedzies,' 1968) by the Polish magical realist novelist Tadeusz Nowak (1930-1991). Theater for the New City will present the world premiere of the work March 21 to April 7. Get a first look at the production in the photos below!

At last year's Manhattan Association of Cabarets and Clubs (MAC) Awards, two of the big winners were T. Oliver Reid (photo left) for Male Debut and Eric Michael Gillett for Major Artist, Male (and both could very likely be MAC nominees again this year). Almost a year later, two of New York cabaret's leading men performed new shows one night apart at 54 Below; Reid on February 6 with Drop Me Off in Harlem, and Gillett the next night with Careless Rhapsody: An Evening Dedicated to the Lyrics of Lorenz Hart. Ironically, what the shows had in common--besides being a fairly good fit of material to singer--was that the majority of their sets featured songs written in the 1930s but in very different styles. With Reid it was the jazz, swing and blues of Harlem; with Gillette it was the romantic Broadway musical sensibility of Hart's lyrics (paired with the timeless melodies of Richard Rodgers). While neither Reid's 'Harlem,' nor Gillett's 'Hart' were stirring or spectacular shows, they were both solid and entertaining enough that both could be nominated for BroadwayWorld.com Awards in 2013.

With less than twenty-four hours until the Ensemble Theatre opened the Regional Premiere of KNOCK ME A KISS, I got to have a brief conversation about the play with its playwright, Charles Smith. During our conversation we discussed the play, which introduces audiences to Yolande Du Bois, daughter of W.E.B. Du Bois. It exposes the audience to the hardships she faced and endured in search of her own happiness.

It's been nearly 70 years since legendary guitarist Django Reinhardt first fused together a mixture of gypsy guitar with the jazz of his day. Drawing inspiration from the renowned Quintette du Hot Club de France of the 1930's lead by Reinhardt and violinist Stéphane Grappelli, The Hot Club Of Detroit is an ensemble jazz band that creates a sound that harkens back to those gypsy jazz greats with a modern spin

With her tribute show to the music of Harold Arlen and Duke Allington, 'When Harry Met The Duke' is Rosemary Loar's creative foray back into the caressing arms of the Great American Songbook. If you consider that the contemporary cabaret scene in New York is 30 years on (since the opening of Don't Tell Mama in 1982 and the start of MAC in 1983), there have been likely been thousands of cabaret shows with GAS themes and the interesting new ideas may be down to a precious few. And Loar, who has been performing cabaret shows during that same time frame, has managed to come up with yet another variation and her erudite and accessibly sophisticated show goes down like a delicious vodka martini topped with a skewer of blue cheese stuffed olives.

It's been nearly 70 years since legendary guitarist Django Reinhardt first fused together a mixture of gypsy guitar with the jazz of his day. Drawing inspiration from the renowned Quintette du Hot Club de France of the 1930's lead by Reinhardt and violinist Stéphane Grappelli, The Hot Club Of Detroit is an ensemble jazz band that creates a sound that harkens back to those gypsy jazz greats with a modern spin

For musical theatre lovers Down Under, 2012 gave us much to sing and dance about. We watched new musicals struggle to find their footing, a 60-year old classic make its triumphant return, and premiered blockbuster hits straight from the West End. In a year where we were spoilt for choice, it took much deliberation for this Broadway baby to narrow it down to a top five for 2012!

Happy New Year, all! To kick off this brand new year, BroadwayWorld looks ahead at all the upcoming productions slated to take the Broadway stage in 2013!

The Film Society of Lincoln Center announced that it will present 15 films in their original 70mm glory, featuring a mix of beloved classics and rarely screened gems, all at the Walter Reade Theater - one of the last remaining cinemas in the country equipped to screen 70mm prints.

The holidays will be here before you know it and The Bushnell is the place to celebrate the season! The holiday spirit continues to shine brightly with a full range of festive holiday programming and more to celebrate.

The Film Society of Lincoln Center announced today that it will present 15 films in their original 70mm glory, featuring a mix of beloved classics and rarely screened gems, all at the Walter Reade Theater - one of the last remaining cinemas in the country equipped to screen 70mm prints.

There may have been 40 cabaret performers strutting their stuff this past week at the 23rd New York Cabaret Convention at the Rose Theater at Lincoln Center, but the true star of the three-night extravaganza (October 17-19) was the late Donald Smith, the cabaret impresario and guru to the genre's luminaries, who died this past March at 79. Sponsored by the Mabel Mercer Foundation, which Smith founded in 1985, this year's Convention featured numerous homages to Smith from the performers, many of whom had their career's supported and advanced with the help of the colorful and beloved cabaret producer and promoter. Early in Wednesday's Gala Opening Night show, the 'first lady of the American keyboard' Barbara Carroll called her friend Donald Smith 'the quintessential New Yorker,' and when Mark Nadler closed night one with George and Ira Gershwin's 'Our Love Is Here to Stay,' he said, 'Everybody who cares about the myths of these songs are in this room tonight.' Well, it was clear that anyone who cared about Donald Smith was at the Rose Theater for at least one of the three shows.

According to a feature about the new UK arena touring production of Jesus Christ Superstar in the Sydney Morning Herald, Andrew Lloyd Webber reveals he would like to collaborate with Stephen Sondheim.

There is a rare kind of production where each element is so in synch, so finely tuned that this particular production eclipses other casts, other interpretations, and goes on to be considered a defining moment in the history of that show, and indeed of musical theatre itself. The current Australian production of the Rodgers & Hammerstein classic SOUTH PACIFIC is that rare and beautiful kind.

North Coast Repertory Theatre presents a San Diego premiere of The Underpants, adapted by Steve Martin and written by Carl Sternheim. The show begins previews tonight, September 5th through 7th and continues September 8 through 30, 2012.

CABARET at Merry-Go-Round Playhouse offers a sexy, depressing look at love and despair. This sizzling production offers an experience unlike any other as the sultry casts invties you to the Cabaret.

North Coast Repertory Theatre presents a San Diego premiere of The Underpants, adapted by Steve Martin and written by Carl Sternheim. The show begins previews September 5-7 and continues September 8 through October 7, 2012.

The Equity professional East Lynne Theater Company has announced that it has received a $1,500 grant from the prestigious Puffin Foundation to help fund two performances of '“Emma Goldman: My Life.' In 2008, ELTC received funding from this foundation to take its 'Paul Robeson Through His Words and Music' to Saint James Presbyterian Church in Harlem.

Geva Theatre Center's 40th Anniversary Season gets off to a stellar start with You Can't Take It With You by Moss Hart and George S. Kaufman, directed by Mark Cuddy.