Minnesota Opera announces its 2014–2015 season, which presents a world premiere, a company premiere, two masterpieces not seen at Minnesota Opera in nearly three decades and a new production of an operatic blockbuster. All five productions are new to Minnesota audiences.
Ghenady Meirson brings a condensed but not lacking production of Tchaikowsky's moody, Pushkin-inspired thriller to the AVA stage.
El Cid presents the best in live Americana, roots, and outlaw country music with its weekly Honky Tonk Hacienda Todays. Jazz Tuesdays-The Moonrise Club on Tuesdays and today January 30 and February 13 brings old time, hot jazz, western swing, and other acoustical iterations from the 20's and 30's to El Cid.
El Cid presents the best in live Americana, roots, and outlaw country music with its weekly Honky Tonk Hacienda Thursdays. Jazz Tuesdays-The Moonrise Club on Tuesdays and on Thursday January 30 and February 13 brings old time, hot jazz, western swing, and other acoustical iterations from the 20's and 30's to El Cid.
Ted Sod: What can you tell us about Sophie Treadwell's life and career as a playwright? like Mary Chase, she began as a journalist-correct?
For eight performances only, both Western Christmas tales come to life when the award-winning Equity professional East Lynne Theater Company presents 'Christmas with Harte and O. Henry.' The dates are Friday and Saturday, Nov. 29 and 30; Sunday, Dec. 8; Thursday through Saturday, Dec. 12, 13 and 14 at 8:00p.m., with special Saturday matinees at 2:00p.m. on Nov. 30 and Dec. 14.
The Barbican today announced a stellar program of events for spring and summer 2014, pushing the boundaries of all major art forms for its diverse audiences. This new program builds on the most successful year ever for the Barbican, with attendances for events at the Centre exceeding 1 million for the first time, an increase of 36% on 2011/12. In this Olympics year, box office receipts also rose 33%, and the Barbican's commercial income increased by 35%.
Some people, especially some cabaret reviewers and cabaret fans, might think it's lazy or a copout or both for a performer to keep recycling previous shows. But when the Café Carlyle comes a'callin' you: A) May not have enough time to create a totally new show or B) Want to pitch the big game with your best stuff or C) All of the above. Since I only started reviewing cabaret in late 2010, I missed the Laurie Beechman Theatre debut of Jennifer Sheehan's 2009 show You Made Me Love You: Celebrating 100 Years of the Great American Songbook, and missed it again when she brought it to the Metropolitan Room in 2010. So I, for one, am not complaining that she dusted off the critically praised set again (with the new slug 'Timeless Classics and New Treasures' from said Songbook show) for her debut last Saturday night at the prestigious Café Carlyle. Sheehan may have been booked for the room's new 10:45 late night series and not the prime time slot, but at least the Carlyle is giving opportunities to exciting young cabaret performers like Sheehan (and Marissa Mulder, who will make her debut at the room on November 7). With You Made Me Love You, Sheehan made everything old new again-at least for me.
Directed by Becki McDonald, who makes some excellent directing choices with her large cast of fifteen adult and children actors by combining brief oratory, traditional dialogue, and injecting cast members into the audience to DRAW viewers dead smack into the action. This created a theater experience that is equally educational, entertaining, and thought-provoking. Use of mixed media was also a component but the limitations of the performance space really hampered full immersion into the subject matter created by Robertson and Spencer in their script.
A Noise Within (ANW), the acclaimed classical repertory theatre company led by Producing Artistic Directors Geoff Elliott and Julia Rodriguez-Elliott, continues its 22nd season and the third season in its new Pasadena home with The Guardsman by Ferenc Molnar, translated by Frank Marcus, opening Saturday, October 5 and closing Sunday, November 30, 2013, with previews starting tonight, September 28.
Are you intrigued by the class and elegance of a different time? Are you perhaps a bit nostalgic for the 1940s like me? After performing in My Fair Lady (and watching the TV series Downton Abbey), I have developed a new interest in the 1910s-era in England, its style, and the manors of its citizens.
A Noise Within (ANW), the acclaimed classical repertory theatre company led by Producing Artistic Directors Geoff Elliott and Julia Rodriguez-Elliott, continues its 22nd season and the third season in its new Pasadena home with The Guardsman by Ferenc Molnar, translated by Frank Marcus, opening Saturday, October 5 and closing Sunday, November 30, 2013, with previews starting September 28.
A small Pennsylvania town is now a large gallery scene at the moment, in close range to Baltimore, Philly and DC, and not that far from New York -- and it's a prime location for your next 2 or 3 day weekend.
In 'The Past Is Still Ahead' by Sophia Romma, one of Russia's most ill-fated and controversial cult poets of the twentieth century, Marina Tsvetaeva, revisits the tumultuously tragic and sexy events of her life--just before she succumbs to 'suicide' at the hands of the Soviet Secret Police in 1941 while exiled in Siberia. The play will be presented by Midtown InterNational Theatre Festival tonight, July 23, 27 and 28 at The Jewel Box Theater, 312 W. 36th Street, 4th floor, NYC, directed by Francois Rochaix.
Berkeley Playhouse closes its fifth season with the Tony Award-winning musical THE WIZ. Kimberly Dooley(Lucky Duck, Seussical, The Musical, Once On This Island) directs and choreographs this soulful re-imagining of L. Frank Baum's family classicThe Wonderful Wizard of Oz, featuring a cast of 46. THE WIZ plays today, July 13 through August 25 (Press opening: July 13) at the Julia Morgan Theater in Berkeley.
In August, Bookworks hosts events with local and nationally-touring authors that will excite readers' mysterious and romantic sides and appeal to lovers-of books, pets, and music.
In 'The Past Is Still Ahead' by Sophia Romma, one of Russia's most ill-fated and controversial cult poets of the twentieth century, Marina Tsvetaeva, revisits the tumultuously tragic and sexy events of her life--just before she succumbs to 'suicide' at the hands of the Soviet Secret Police in 1941 while exiled in Siberia. The play will be presented by Midtown International Theatre Festival on July 23, 27 and 28 at The Jewel Box Theater, 312 W. 36th Street, 4th floor, NYC, directed by Francois Rochaix.
NYC Parks Commissioner Veronica M. White today joined Borough President Scott M. Stringer; Congressman Jerrold Nadler; Council Member Gale A. Brewer; Chair of Community Board 7's 59th Street Recreation Center Task Force, Mel Wymore; and niece of Gertrude Ederle, Mary Ederle Ward, for the much-anticipated reopening of the Gertrude Ederle Recreation Center.
Berkeley Playhouse closes its fifth season with the Tony Award-winning musical THE WIZ. Kimberly Dooley(Lucky Duck, Seussical, The Musical, Once On This Island) directs and choreographs this soulful re-imagining of L. Frank Baum's family classicThe Wonderful Wizard of Oz, featuring a cast of 46. THE WIZ plays July 13 through August 25 (Press opening: July 13) at the Julia Morgan Theater in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351.
On January 13, 1910, the first American public radio broadcast aired, featuring Enrico Caruso live from the stage of The Metropolitan Opera. On April 15, 1923 came the first commercial screening of a motion picture with sound-on-film. Although it was not the original intent of either, these events made the concept of "popular music" possible.
I recently attended a performance of La Bayadere. The dancing was excellent, but the music by Ludwig Minkus was excruciating. I realize that it has a jump, a bounce, danceable adagio notes, but after three hours of listening to it my head was spinning. I went home intending to wash Minkus out of both my hair and brain by listening to every note that Shostakovich and Prokofiev ever wrote. If I want to hear music, let's not settle for anything less than best and, many times, the brilliant.
The John F. Kennedy Center for the Performing Arts today announced Finn Wittrock as The Actor, Sarah Wayne Callies as The Actress, and Shuler Hensley as The Critic in the Kennedy Center production of The Guardsman in the Eisenhower Theater May 25 to June 23, 2013. Based on the 1910 comedy by Hungarian playwright Ferenc Molnar, The Guardsman features a new literal translation by Richard Nelson and is directed by Gregory Mosher. The press opening will take place on Thursday, May 30 at 7:30 p.m.
Below, check out quotables from NBC's Late Night with Jimmy Fallon February 11 - 15:
Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.
The Jewish Museum and the Film Society of Lincoln Center will present the 22nd annual New York Jewish Film Festival at the Film Society's Walter Reade Theater, Jan. 9-24, 2013. The festival's 45 features and shorts from 9 countries - 23 screening in their world, U.S. or New York premieres - provide a diverse global perspective on the Jewish experience. Many film screenings will be followed by filmmakers and special guests in onstage discussions.
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