'Where are my pipers, where are my pipers?' Polly asks. 'What are pipers?' her mommy and daddy reply.
Nine stories in 60 minutes? Is is possible that someone could really feel satisfied by such short pieces? As it turns out, they can.
LEGAL TENDER goes through a series of scenes, all beginning with the phrase, “One dollar”. This common thread creates a straightforward connection, but also highlights the very different ways people value one hundred cents.
There's something about playwright Jeffrey Hatcher's writing style that I can connect with. Maybe it's the fact that he peppers his dialog with so many references to 1960's era television fare that I can't help but be drawn back to my own childhood. Sure, I spent a lot of time outdoors, but there were certain prime hours of the day when the re-runs on the local independent channels were not to be missed (not by me,anyway). Now, I never wanted to or had the desire to ever attend a manners class, but as we can see by the way most humans behave these days, maybe it wouldn't be a bad thing if everyone did. Max & Louie Productions has put together a wonderful staging of Hatcher's MRS. MANNERLY, which takes a humorous look at a that point in our past when etiquette somehow became antiquated, and it's a superbly performed and directed presentation that shouldn't be missed.
There's something about playwright Jeffrey Hatcher's writing style that I can connect with. Maybe it's the fact that he peppers his dialog with so many references to 1960's era television fare that I can't help but be drawn back to my own childhood. Sure, I spent a lot of time outdoors, but there were certain prime hours of the day when the re-runs on the local independent channels were not to be missed (not by me,anyway). Now, I never wanted to or had the desire to ever attend a manners class, but as we can see by the way most humans behave these days, maybe it wouldn't be a bad thing if everyone did. Max & Louie Productions has put together a wonderful staging of Hatcher's MRS. MANNERLY, which takes a humorous look at a that point in our past when etiquette somehow became antiquated, and it's a superbly performed and directed presentation that shouldn't be missed.
Today we are talking to a versatile stage and screen actress who has scored in a number of unique roles on Broadway and around the country in addition to making a recent mark with her work on the Broadway-themed web series IT COULD BE WORSE - the passionate and compelling Alison Fraser. Discussing her vast resume and some of her most fondly remembered performances to date, Fraser opens up about her remarkable career thus far - including her work originating parts in IN TROUSERS, MARCH OF THE FALSETTOS, THE SECRET GARDEN, ROMANCE/ROMANCE, GUNMETAL BLUES, THE DIVINE SISTER and more - and looks ahead to her most recent projects, current, upcoming and beyond. Most importantly, Fraser details the finer points of LOVE THERAPY, the new Wendy Beckett play she stars in Off-Broadway and outlines her continuing collaboration onstage with the playwright, having previously starred in CHARITY CASE, as well as what we can expect from the realistic new drama, opening April 29. Additionally, Fraser sheds some light on her recent work in the world premiere of the Tennessee Williams play IN MASKS OUTRAGEOUS AND AUSTERE and how that led to her new solo revue, THE TENNESSEE WILLIAMS SONGBOOK. Plus, memories of appearing in GYPSY on Broadway with Patti LuPone and working with Arthur Laurents on that as well as his own final play, cameoing on SMASH, reflections on her memorable musical partnerships with husband Rusty Magee and noted FALSETTOS songwriter William Finn, as well as thoughts on the contemporary theatre scene and her various theatre-related web projects, favorite recent shows and much, much more!
Tennessee Williams' Cat on a Hot Tin Roof, starring Scarlett Johansson as Maggie, Ciarán Hinds as Big Daddy, Benjamin Walker as Brick and Debra Monk as Big Mama, directed by Rob Ashford, will begin tonight, January 17, and will play a limited engagement through March 30, 2013 at the Richard Rodgers Theatre (226 West 46th Street). Let's see what the critics had to say...
Check out the recently released commercial for the show below and meet the cast with videos of them from past productions and roles!
Tony Award-winner Scarlett Johansson returns to Broadway to star as Maggie, with Ciaran Hinds as Big Daddy, Benjamin Walker as Brick and Tony and Emmy Award-winner Debra Monk as Big Mama in Tennessee Williams' Pulitzer Prize-winning classic CAT ON A HOT TIN ROOF. Directed by Tony and Emmy Award-winner Rob Ashford, CAT ON A HOT TIN ROOF will begin preview performances Tuesday, December 18 at the Richard Rodgers Theatre (226 West 46th Street). Opening night is Thursday, January 17.
SARTA Announces Calls for Auditions for various upcoming productions.
Could Jesse Eisenberg's ASUNCION, now playing at the Cherry Lane Theater, be our modern-day 'Odd Couple'? Like that classic Neil Simon comedy, ASUNCION tells the story of two mismatched male roommates attempting to co-exist in a small city apartment.
OPEN STAGE OF HARRISBURG will hold two different CASTING CALLS for Tracy Letts' AUGUST: OSAGE COUNTY and THE DIARY OF ANNE FRANK. Please see audition dates and character breakdown information below. Both auditions will be held at Open Stage of Harrisburg, 223 Walnut Street, on the street level of the Walnut Street Garage in downtown Harrisburg. A stipend will be paid. Both auditions are by appointment only.
OPEN STAGE OF HARRISBURG will hold two different CASTING CALLS for Tracy Letts' AUGUST: OSAGE COUNTY and THE DIARY OF ANNE FRANK. Please see audition dates and character breakdown information below. Both auditions will be held at Open Stage of Harrisburg, 223 Walnut Street, on the street level of the Walnut Street Garage in downtown Harrisburg. A stipend will be paid. Both auditions are by appointment only.
OPEN STAGE OF HARRISBURG will hold two different CASTING CALLS for Tracy Letts' AUGUST: OSAGE COUNTY and THE DIARY OF ANNE FRANK. Please see audition dates and character breakdown information below. Both auditions will be held at Open Stage of Harrisburg, 223 Walnut Street, on the street level of the Walnut Street Garage in downtown Harrisburg. A stipend will be paid. Both auditions are by appointment only.
For many years the theater community wondered why Tony Award wining actress Patti LuPone had never been cast as Mama Rose in the various revivals of the legendary musical GYPSY...Finally, the part and the actress were brought together at Ravinia's Music Festival and the results surpassed expectations
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