Pelleas and Melisande 00/00/0000 - Articles Page 2

On January 28, 2021, Los Angeles Opera streamed a newly filmed version of Roxie Perkins and Ellen Reid’s Pulitzer Prize-winning opera  p r i s m. An operatic tapestry, p r i s m tells of the psychological dreams, desires and struggles of Bibi, a sexual assault survivor.

Following a rigorous audition process, Victorian Opera has announced baritone Stephen Marsh as the first recipient of the Michael Stubbs and Malcom Roberts Opera Prize. The $50,000 opera prize was announced as part of Victorian Opera’s 15th anniversary celebrations in October and attracted high-calibre candidates from across Australia.

the exquisite voice, dramatic stage presence and winning personality of this Grammy-nominated artist have garnered kudos throughout the opera world

Los Angeles Opera always has interesting items online that help opera lovers keep up with their favorite art. Since the cancellation of Claude Debussy's Pelléas et Mélisande, Music Director James Conlon has written a blog telling readers why it needs to be played and heard by audiences everywhere. The blog also gives us a clip from David McVicar's production at Scottish Opera. Theirs is the production that was to come to us in LA. 

LA Opera's production of Debussy's Pelléas and Mélisande, which was to have been presented May 2 through 23, has been cancelled as part of the effort to curb the spread of the novel coronavirus. Additionally, a concert performance of Handel's Rodelinda that was to have been performed on May 8 has also been cancelled.

Cypriot Pianist Orestis Magou along with his South-African duo violin partner Jeffrey Armstrong present a program with music from the late 19th and 20th century at Technopolis 20, on Wednesday, 25th of September, at 8pm. 

Pélleas et Mélisande last night was hands down the best thing the Met has done this season. No arias, no duets, no trios, no choruses, just ravishing melodies bathed in some of the most complex web-like, ethereal harmonies.

Watch in the video below as Paul Appleby, as Pelléas, and Isabel Leonard, as Mélisande, sing an excerpt from Act IV in the final dress rehearsal. Production: Sir Jonathan Miller. Conductor: Yannick Nézet-Séguin.

Yannick Nézet-Séguin, the Met's Jeanette Lerman-Neubauer Music Director, conducts five performance of Pelléas et Mélisande, Debussy's mysterious meditation on love and betrayal, January 15–31, 2019. The classic production by Sir Jonathan Miller returns to the Met for the first time since the 2010–11 season, and the cast features three young Met stars at the heart of a passionate love triangle: Isabel Leonard as Mélisande, Paul Appleby as Pelléas, and Kyle Ketelsen as Golaud. Ferruccio Furlanetto sings the role of Arkel and Marie-Nicole Lemieux makes her Met debut as Geneviève. Derrick Inouye conducts the January 31 performance.

Stefan Herheim, one of Europe's most exciting directors, makes his company debut with Glyndebourne's first new production of Pelleas in nearly 20 years. Check out production photos below!

Stefan Herheim, one of Europe's most exciting directors, makes his company debut with Glyndebourne's first new production of Pelléas in nearly 20 years.

Italo Montemezzi's L'AMORE DEI TRE RE, which played four performances at City Opera's Rose Theate this weekend, was greeted as a masterpiece when it premiered at La Scala in 1913 proved popular for years at the Met. Today, I'm not sure that even Anna Netrebko and Jonas Kaufmann as the lovers could keep it afloat.

Allan Clayton's performance as Hamlet is riveting.

This spring Cutting Ball Theater welcomes the return of Founding Artistic Director Rob Melrose to direct Shakespeare's neglected classic, TIMON OF ATHENS, the final play of the Theater's 2017-18 Season. In the title role of Timon, Brennan Pickman-Thoon leads a cast that includes Ed Berkeley, Maria Ascension Leigh, Adam Niemann, Doug Nolan, Radhika Rao, David Sinaiko, John Steele Jr. and Courtney Walsh. Timon of Athens opens in previews on March 30 and runs through April 29. The press opening will take place Thursday, April 5 at 7 p.m. Opening night follows April 6 at 8 p.m. Tickets are $15 - $45, and may be purchased online at cuttingball.com/productions/timon-of-athens or by phone at 415-525-1205.

Red Bull Theater (Jesse Berger, Artistic Director | Jim Bredeson, Managing Director) today announced the cast for their next REVELATION READING, Moliere's Don Juan, adapted & directed by Stephen Wadsworth: Mary Bacon, Gilbert Cruz, Francesca Faridany, Adam Green, Adam Greer, Allen Tedder, Adam Stein, Mary Testa, and Raphael Nash Thompson, on Monday February 12th at 7:30 PM at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson Streets). Stephen Wadsworth's version of Don Juan was commissioned by the Seattle Repertory Theatre and the McCarter Theatre and has recently been published by Smith and Kraus.

In the Claude Debussy year of 2018, the centenary of his death, Opera Vlaanderen has chosen an exceptional artistic team for this prestigious, new production of Debussy's only completed opera, Pelleas et Melisande.

Cutting Ball Theater's 2017-18 Season continues next year with THE CUTTING BALL VARIETY PACK, a two-week festival featuring four short, fully staged experimental works, readings of two brand new plays by New York-based playwrights, and more. The Variety Pack runs February 2 13, 2018. Single event tickets are $15; a festival pass with admission to any three events is a bargain at $30; and all tickets include a complimentary drink. Tickets may be purchased online at cuttingball.com or by phone at 415-525-1205.

The Cincinnati Symphony Orchestra (CSO) and Music Director Louis Langree have announced details of the final installment of a three-year exploration of Maurice Maeterlinck's 1893 symbolist play, Pelleas et Melisande, a collaboration with director, production designer and visual artist James Darrah.

The Cincinnati Symphony Orchestra (CSO) and Music Director Louis Langree have announced details of the final installment of a three-year exploration of Maurice Maeterlinck's 1893 symbolist play, Pelleas et Melisande, a collaboration with director, production designer and visual artist James Darrah.

As part of Japan Society's Fall 2017-Winter 2018 Performing Arts Season, the Society presents the North American premiere of Left-Right-Left, directed and choreographed by Luca Veggetti.

City Parks Foundation is thrilled to announce a new commissioned, site-specific work debuting at the historic Swedish Cottage Marionette Theatre in Central Park this October.

As part of Japan Society's Fall 2017-Winter 2018 Performing Arts Season, the Society presents the North American premiere of Left-Right-Left, directed and choreographed by Luca Veggetti.

A founding resident company of The Kimmel Center for the Performing Arts, The Chamber Orchestra of Philadelphia (COP) announces its 2017-2018 Season. From September 2017 through May 2018, the Chamber Orchestra will perform six programs as part of its subscription series. All six concert pairs will be performed in the Kimmel Center's intimate Perelman Theater.

A founding resident company of The Kimmel Center for the Performing Arts, The Chamber Orchestra of Philadelphia (COP) announces the inaugural year of a new annual season-long partnership with the Annenberg Center for the Performing Arts. Beginning in the 2017/2018 season, The Chamber Orchestra of Philadelphia will be orchestra-in-residence at the Annenberg Center.