Here's Love Tour 1964 - Articles Page 19

After the success of Brief Encounter in the West End and on Broadway, Kneehigh's new adaptation of Jacques Demy and Michel Legrand's The Umbrellas of Cherbourg will arrive at the Gielgud Theatre following a limited run at Curve, Leicester.

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

After the success of Brief Encounter in the West End and on Broadway, Kneehigh's new adaptation of Jacques Demy and Michel Legrand's The Umbrellas of Cherbourg will arrive at the Gielgud Theatre following a limited run at Curve, Leicester. The Umbrellas of Cherbourg will begin previews on 5 March, with press night on 22 March and is booking until 1 October 2011. Directed by Emma Rice, with lyrics translated by Sheldon Harnick, designs by Lez Brotherston, lighting by Malcolm Rippeth, sound by Simon Baker and musical supervision by Nigel Lilley, The Umbrellas of Cherbourg will be produced in the West End by Daniel Sparrow and Mike Walsh Productions, Curve Leicester and City Lights International in association with Be Yu Productions.

On January 3, 2011, Cabaret's original Sally Bowles, Jill Haworth passed away at age 65 of what was reported to be natural causes. In celebration of her life, Michael Gregg Michaud composed the following tribute to the late star. Michaud was a good friend of the actress and author of the biography of Sal Mineo, who was Haworth's lover for many years.

Michael Wilson, director of the upcoming The Milk Train Doesn't Stop Here Anymore, sits down with Roundabout's resident dramaturg, Ted Sod, to discuss this much-anticipated production.

2010 was a year filled with all sorts of exciting BroadwayWorld interviews - here's some of this year's highlights!

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

B.B. King Blues Club & Grill is located at 237 West 42nd Street (between 7th and 8th Avenues) New York, NY 10036 Tickets may be purchased via Ticketmaster - www.ticketmaster.com / 1-800-745-3000 or at the B.B. King's Box Office: 10:30am - Midnight ($2 per ticket service charge)

'The Killing of Sister George' shocked and delighted audiences in London in 1964 and then again in 1966 on Broadway as one of the first plays about a lesbian couple. It was subsequently made into a film 'The Killing of Sister George' in 1968 and Beryl Reid was nominated for an Academy Award for her portayal of Sister George. Many people compare this play to the movie 'Whatever Happenned to Baby Jane' and say George makes Baby Jane Look Sane.

The new Christmas musical has special meaning for Timothy, who's in his second show this year directed by Casey Nicholaw.

Legendary stage, film and television star Dick Van Dyke brings Step In Time! A Musical Memoir to the Audrey Skirball Kenis Theatre @ the Geffen Playhouse opening December 16. He has much to say in our interview about his career and the people he's worked with.

Christmas is officially in the air at the Center for Puppetry Arts and with the holiday season's pending arrival comes the Center's upcoming holiday show, Rudolph the Red-Nosed Reindeer™. Faithfully adapted and directed by the Center's Artistic Director, Jon Ludwig, the production is the first of its kind and is officially licensed through Character Arts LLC. Based on the beloved 1964 stop-motion animated special, Rudolph the Red-Nosed Reindeer™ provides the audience with the opportunity to experience the timeless tale of Rudolph and his misfit friends in a whole new way: live on stage! I recently had the privilege of talking with Jon about his career in puppetry (and with the Center) and this exciting new holiday production.

B.B. King Blues Club & Grill is located at 237 West 42nd Street (between 7th and 8th Avenues) New York, NY 10036

During the 2010-2011 and 2011-2012 seasons, 33 U.S. opera companies both large and small and from coast to coast will perform works - including nine world premieres - by American composers, announced OPERA America, the national service organization for opera.

Roundabout Theatre Company (Todd Haimes, Artistic Director) in association with David Pugh & Dafydd Rogers and Cineworld has announced the full Broadway company for Kneehigh Theatre's production of Noël Coward's Brief Encounter, adapted and directed by Emma Rice.

When putting together an entertaining revival of a beloved musical theater entity such as HELLO, DOLLY! it helps to have a fresh perspective of such a familiar show, yet still have enough reverence to produce a work that honors its source material. With absolute certainty, 3D Theatricals' production of the Jerry Herman classic achieves this goal with great sincerity, providing the audience with a thoroughly splendid, fun, and engaging new show. Thanks to its adorable premise that's been brought to life by an outstanding ensemble cast-wonderfully led by Broadway vet Ruth Williamson in the title role-HELLO, DOLLY! will no doubt continue to please its audiences at the OC Pavilion Theatre in Santa Ana through to its final performance on August 1. The songs are well-sung, the dancing is exceptional, and the comedy is beguiling.

'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice.

'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice. Mozart's music proves it; God had broken their pact. Salieri now makes a terrible new vow: to block God on earth and teach Him a lesson, using Mozart as the means to that end.

Paulette Haupt, Artistic Director of the Eugene O'Neill Theater Center's National Music Theater Conference, today announced directors for music theater selections previously announced

Jacob's Pillow announces its 2010 full season calendar, including more than 200 free performances, talks, photography exhibits, tours, and events. Free event highlights include the Blake's Barn exhibit Lois Greenfield: Imagined Moments, featuring Greenfield's signature dance photography, and 'Let's Dance!' a new community event on July 4 with free dance classes and workshops for teens and adults. PillowTalks, held Thursdays at 5pm and Saturdays at 4pm, include Virginia Johnson, recently named Artistic Director of Dance Theatre of Harlem (June 24), choreographer/director Bill T. Jones (July 22), and the return of Pulitzer Prize winner Jules Feiffer (July 31). Inside/Out performance highlights include the all-female hip-hop group Decadancetheatre (July 7), the dancers of The School at Jacob's Pillow's first ever Tap Program (July 10), alumnus of The School at Jacob's Pillow and Artistic Director of his own ensemble, Avi Scher (July 23), and ¡Flamenco Revolución! (August 27).

Broadway legend Carol Channing is fond of telling the story about a group of Russian diplomats who came to see the original production of Hello, Dolly! in 1964. Although they spoke virtually no English, they sat through the show and visited with the star in her dressing room afterwards. Talking through an interpreter, they told her that they loved the musical because it was filled with so much optimism. Although they couldn't understand the lyrics, the ebullience of Jerry Herman's music allowed them to experience and enjoy what producer David Merrick touted as 'the world's happiest musical'.

'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice.

Today, we are taking a listen to ANYONE CAN WHISTLE and COMPANY, two of the most genre-bending and revolutionary musicals of the latter twentieth century, both boasting Sondheim's strongest songs of the sixties. These recordings contain some of the most legendary and illustrious Broadway casts of all time and include the names Angela Lansbury, Lee Remick, Bernadette Peters, Elaine Stritch, Raul Esparza, Dean Jones, Larry Kert and Jane Krakowski, just to name a few...

The Eugene O'Neill Theater Center announced today that seven plays will be developed at the 2010 National Playwrights Conference under the leadership of artistic director Wendy C. Goldberg. The selected playwrights will spend the month of July at the O'Neill's Waterford, Connecticut campus developing and presenting staged readings of their work during the NPC's 46th season. Box office and online ticket sales open Wednesday, June 9; advance ticket sales will be available to O'Neill Members beginning Monday, May 17.

Goblins, ghouls and ghosts of the 1980s haunt SCR's latest world premiere, Doctor Cerberus, which makes its debut April 11 - May 2 on the Julianne Argyros Stage.