Based on Nielsen's overnight ratings, ESPN's two BCS Bowls on New Year's Day - the Rose Bowl Game presented by VIZIO and the Tostitos Fiesta Bowl - saw an 11 percent increase in combined average audience
SEATTLE, WA-Pacific Northwest Ballet's 2013-2014 season continues with the perfect Valentine and a happily-ever-after experience for all ages, Ronald Hynd's The Sleeping Beauty. From fairies that really fly to the Prince's wakening kiss and an imperial wedding celebration, each moment of The Sleeping Beauty faithfully portrays the beloved fairy tale with grand storytelling, Tchaikovsky's beloved score, magnificent sets and costumes, and over 30 leading roles. Long regarded as the ideal classical ballet, The Sleeping Beauty's fairytale world was crafted to mirror the splendor of the Imperial Czars, its first patrons. Although this production is as discernibly English as its choreographer, the ballet remains true to Marius Petipa's 1890 original and each act - from the evil fairy Carabosse's flying entrance in the Prologue to the Rose Adagio's spectacular balances to Act III's celebrated Bluebird pas de deux - offers rich opportunities for dancers to demonstrate technique and artistry, and take star-turns. Ultimately, however, the pivotal brilliance of Beauty rests with Princess Aurora; she must captivate as a teenager, inspire a Prince's love as a vision, and awaken a queen, all while mastering some of the most technically grueling choreography in classical ballet's cannon - a genuine mark of distinction for a great ballerina. The Sleeping Beauty runs for nine performances only, January 31 to February 9, 2014 at Seattle Center's Marion Oliver McCaw Hall, 321 Mercer Street. Tickets may be purchased by calling the PNB Box Office at 206.441.2424, online at pnb.org, or in person at 301 Mercer Street.
To commemorate the centennial of the opera's 1913 U.S. premiere at the Met, Strauss's Der Rosenkavalier returns for a series of performances conducted by Edward Gardner and featuring a cast of international singers making company debuts and role debuts. Viennese soprano Martina Serafin sings her first Met performances of one of her signature roles, the Marschallin. Alice Coote, who currently stars as Detective Anne Strawson in the North American premiere of Nico Muhly's Two Boys, sings the trouser role of the Marschallin's young lover, Octavian, while Mojca Erdmann makes her company role debut as Sophie, the innocent young woman who comes between the two. Peter Rose reprises his acclaimed interpretation of the Marschallin's oafish cousin, Baron Ochs; Hans-Joachim Ketelsen sings Sophie's protective father, Faninal; and Eric Cutler returns to the role of the Italian Singer. On December 3, German mezzo-soprano Daniela Sindram will make her Met debut as Octavian, a role she will also sing on December 7 and 10. On December 13, French mezzo-soprano Géraldine Chauvet will sing her first company performance of Octavian. At the December 3 performance, two graduates of the Met's Lindemann Young Artist Development Program will sing principal roles: Erin Morley as Sophie and Mario Chang as the Italian Singer.
The Museum of Modern Art presents The Berlin School: Films from the Berliner Schule, a film series that examines the first major movement within German cinema since the fall of the Berlin Wall in 1989, from today, November 20 to December 6, 2013, in the Roy and Niuta Titus Theaters.
To commemorate the centennial of the opera's 1913 U.S. premiere at the Met, Strauss's Der Rosenkavalier returns for a series of performances conducted by Edward Gardner and featuring a cast of international singers making company debuts and role debuts. Viennese soprano Martina Serafin sings her first Met performances of one of her signature roles, the Marschallin. Alice Coote, who currently stars as Detective Anne Strawson in the North American premiere of Nico Muhly's Two Boys, sings the trouser role of the Marschallin's young lover, Octavian, while Mojca Erdmann makes her company role debut as Sophie, the innocent young woman who comes between the two. Peter Rose reprises his acclaimed interpretation of the Marschallin's oafish cousin, Baron Ochs; Hans-Joachim Ketelsen sings Sophie's protective father, Faninal; and Eric Cutler returns to the role of the Italian Singer. On December 3, German mezzo-soprano Daniela Sindram will make her Met debut as Octavian, a role she will also sing on December 7 and 10. On December 13, French mezzo-soprano Géraldine Chauvet will sing her first company performance of Octavian. At the December 3 performance, two graduates of the Met's Lindemann Young Artist Development Program will sing principal roles: Erin Morley as Sophie and Mario Chang as the Italian Singer.
Ehrenkranz Artistic Director Jane Moss today announced the roster for Lincoln Center's fourth multidisciplinary White Light Festival, today October 24 through November 23, 2013.
Tickets to the first national tour of "Evita" at The Smith Center on sale now and plays inside Reynolds Hall Nov. 26 to Dec. 1. Tickets begin at $26 and are on sale now at The Smith Center Box Office, located at 361 Symphony Park Avenue, by phone at 702-749-2000 or808-326-6868 (TTY) and online at www.TheSmithCenter.com. For preferred seating and special rates for groups of 10 or more, contact 702-749-2348.
Tarragon Theatre will present the Toronto premiere of award-winning Canadian playwright Joan MacLeod's newest play, The Valley, directed by the theatre's Artistic Director, Richard Rose.
Tony Award winner and Broadway star Patti LuPone returns to Carnegie Hall on Thursday, November 7 at 7:30 p.m. in Stern Auditorium / Perelman Stage, presenting her solo show, Far Away Places-a travelogue of styles and stories that traces the actress's wanderlust with songs from the likes of Kurt Weill, Cole Porter, and Edith Piaf, conceived and directed by Scott Wittman, and with music direction and arrangements by Joseph Thalken.
The Museum of Modern Art presents The Berlin School: Films from the Berliner Schule, a film series that examines the first major movement within German cinema since the fall of the Berlin Wall in 1989, from November 20 to December 6, 2013, in the Roy and Niuta Titus Theaters.
'I Never Promised You a Rose Garden' had its world premiere at Miners Alley Playhouse in 2004 and they once again present this award winning production by Colorado playwright Walter L. Newton. Get a sneak peek at the show in the video below!
'I Never Promised You a Rose Garden' had its world premiere at Miners Alley Playhouse in 2004 and they once again present this award winning production by Colorado playwright Walter L. Newton. BroadwayWorld has a first look at the show in the photos below!
Megan Mullally is a two-time Emmy-winning star of TV's Will & Grace, and recent star of Broadway's Young Frankenstein. On August 28 & 29 she returns to Provincetown by popular demand - for two shows only - after her sold-out Art House debut last summer. Patti LuPone won her second Tony Award for Best Actress in a Musical, as well Drama Desk and Outer Critics Circle Awards, for her performance as Rose in the most recent Broadway production of Gypsy, and created the title role in Evita on Broadway with her now legendary performance, for which she won her first Tony and Drama Desk Awards. On August 31 and September 1 she makes a triumphant Provincetown return for 4 shows only, after debuting at The Art House last summer. Chita Rivera is a living Broadway legend and a two-time Tony winner as Aurora in Kiss of the Spider Woman and Anna in The Rink. She originated the Broadway roles of Anita in West Side Story, Rosie in Bye Bye Birdie, Velma in Chicago, and appeared in the original casts of Guys and Dolls, Can Can, Seventh Heaven, Mr. Wonderful, Jerry's Girls, and many others. She makes her Provincetown debut on Sept. 7 & 8 with two shows only. Series host and SiriusXM radio star Seth Rudetsky joins each of these three leading ladies at the piano. For tickets please visit www.ptownarthouse.com, or call 1-800-838-3006.
MUSE/IQUE, known for its counter-conventional performances that feel more like parties than formal concerts, continues 'Summer of Sound' 2013 with 'Moving Pictures' featuring groundbreaking cellist Matt Haimovitz and Emmy Award-winning actress Wendie Malick ('Hot in Cleveland') in a fresh take on motion picture scores by Elmer Bernstein, Jerry Goldsmith, Vangelis, Ennio Morricone, John Williams, Claude-Michel Schonberg and Erich Korngold as well as the world premiere of Sleepwalking, a concerto for cello and chamber orchestra with images by Peter Golub, prolific composer and director of Sundance's Film Music Program, tonight, July 27, 2013, 7:30 pm, outdoors at Caltech's Beckman Mall in Pasadena.
MUSE/IQUE, known for its counter-conventional performances that feel more like parties than formal concerts, continues 'Summer of Sound' 2013 with 'Moving Pictures' featuring groundbreaking cellist Matt Haimovitz and Emmy Award-winning actress Wendie Malick ('Hot in Cleveland') in a fresh take on motion picture scores by Elmer Bernstein, Jerry Goldsmith, Vangelis, Ennio Morricone, John Williams, Claude-Michel Schönberg and Erich Korngold as well as the world premiere of Sleepwalking, a concerto for cello and chamber orchestra with images by Peter Golub, prolific composer and director of Sundance's Film Music Program, on Saturday, July 27, 2013, 7:30 pm, outdoors at Caltech's Beckman Mall in Pasadena.
A singular talent who rose from child prodigy in the 1930's American South to become the soulful voice of a generation looks for redemption in Black is the Color of my Voice, a one-woman musical drama written and performed by singer and actress Apphia Campbell about choices, family ties and the ever-present sting of racial hatred.
Today we are talking to a spectacularly talented composer/lyricist noted for his incredibly impressive and accomplished oeuvre thus far, having collectively composed more than twenty full-length musicals, operas and specialty performance pieces - Michael John LaChiusa. Discussing his vast array of projects from BUZZSAW BERKELEY to FIRST LADY SUITE, HELLO AGAIN and THE PETRIFIED PRINCE Off-Broadway through to his double-header in the 1999-2000 millennial season with MARIE CHRISTINE and THE WILD PARTY both on Broadway to his Off-Broadway, regional and international successes since, ranging from LITTLE FISH to another two-show-season in 2006 with BERNARDA ALBA and SEE WHAT I WANNA SEE as well as THE HIGHEST YELLOW and the recent Americana-themed epic musical pseudo-trilogy of LOS otros, QUEEN OF THE MIST and GIANT. Additionally, LaChiusa touches upon some of his lesser-known work, such as his musical revue HOTEL C'EST L'AMOUR, various operatic pieces, additional material he provided for pieces such as THE SEVEN DEADLY SINS and his previous and upcoming solo musicals for continuing collaborator Audra McDonald, such as SEND (who are you? i love you) and MARLENE DIETRICH'S ABCs OF LOVE. Most importantly, LaChiusa takes us behind the scenes of the sparkling new deluxe cast album for GIANT, starring Brian D'Arcy James, and discusses the themes, ideas and adaptation of the Edna Ferber novel itself in a fascinating and revealing analysis of the vast, enveloping and vivid score he has composed for GIANT. Also, LaChiusa offers the 411 on this year's Tony Awards specialty song composed for host Neil Patrick Harris and some starry cohorts (Megan Hilty, Laura Benanti and Andrew Rannells), as well as previous Tony show one-offs penned for Hugh Jackman and others. Plus, LaChiusa clues us in on his upcoming projects - including FIRST DAUGHTER SUITE - and much, much more in this career-spanning conversations with one of modern musical theatre's most daring and prolific artists.
Gracie and Rose are two women who fall in love in Wyoming in the late 1950's. Gracie has been passing as a man, George, for some time, in order to do men's work and live the way she feels most authentic. Anastasia Coon presents the full-length Los Angeles premiere of her solo show Gracie and Rose. Los Angeles Writer's Center Director Che'Rae Adams directs the limited run of the full work in development, now through June 28 at Art of Acting LA during the 2013 Hollywood Fringe Festival. Click below to watch a promo for the show!
Ehrenkranz Artistic Director Jane Moss today announced the roster for Lincoln Center's fourth multidisciplinary White Light Festival, October 24 through November 23, 2013. The Festival's focus is music's capacity to illuminate the many dimensions of our interior lives, with a particular emphasis this year on the power of the voice. Spanning numerous musical traditions, genres, and disciplines, the Festival will offer 23 performances, films, and events featuring seven premieres and debuts by artists and companies from more than a dozen countries, including France, India, the Netherlands, Spain, Germany, the U.K., Mali, Estonia, Italy, Austria, Canada and the U.S. New to this edition of the Festival is White Light on Film, film screenings followed by discussions with their directors. Other Festival components include: a panel discussion focused on the subject of time, pre- and post-performance artist discussions, and the popular post-performance White Light Lounges.
Gracie and Rose are two women who fall in love in Wyoming in the late 1950's. Gracie has been passing as a man, George, for some time, in order to do men's work and live the way she feels most authentic. Anastasia Coon presents the full-length Los Angeles premiere of her solo show Gracie and Rose. Los Angeles Writer's Center Director Che'Rae Adams directs the limited run of the full work in development, June 13-28 at Art of Acting LA during the 2013 Hollywood Fringe Festival.
Danny Burstein, Eisa Davis, Raul Esparza, Peter Friedman, Judy Kuhn, Martin Moran, Da'Vine Joy Randolph, Anika Noni Rose and Henry Stram will star in Marc Blitzstein's The Cradle Will Rock, the inaugural show of New York City Center's new Encores! Off-Center series, playing for five performances, July 10 - 13 at City Center. The show will be directed bySam Gold and choreographed by Chase Brock; Jeanine Tesori is the Encores! Off Center artistic director. Chris Fenwick is the music director. In keeping with City Center's founding mission to make the arts accessible to all and to younger audiences, the majority of tickets are $25.
Conductors Delta David Gier and Oliver Hagen will replace Gil Rose for American Composers Orchestra's Jazz Composers Orchestra Institute (JCOI) Readings on Monday, June 3 at 10am (working rehearsal) and Tuesday, June 4 at 7:30pm(run-through) at Columbia University's Miller Theatre (2960 Broadway). Rose has withdrawn with regrets, due to a family emergency. Both events are free and open to the public, but reservations are suggested. ACO is one of three orchestras participating this year in JCOI Readings - the Buffalo Philharmonic Orchestra (April 23 & 24) and La Jolla Symphony & Chorus (September 19 & 20) are also workshopping, rehearsing, and giving public readings of new works for symphony orchestra by jazz composers.
A groundbreaking artistic-journalistic collaboration, which seeks to artistically explore investigative reporting through performances developed in front of live audiences, by Tides Theatre (Jennifer Welch, Producing Artistic Director and Cary Cronholm Rose, Associate Artistic Director), an innovative artistic collective in San Francisco, and The Center for Investigative Reporting (Phil Bronstein, Executive Chair and Robert J. Rosenthal, Executive Director), which believes that journalism that moves people to action is an essential pillar of democracy.
A groundbreaking artistic-journalistic collaboration, which seeks to artistically explore investigative reporting through performances developed in front of live audiences, by Tides Theatre (Jennifer Welch, Producing Artistic Director and Cary Cronholm Rose, Associate Artistic Director), an innovative artistic collective in San Francisco, and The Center for Investigative Reporting (Phil Bronstein, Executive Chair and Robert J. Rosenthal, Executive Director), which believes that journalism that moves people to action is an essential pillar of democracy.
Opening at the Palazzo delle Esposizioni, Rome, today, April 23, 2013, 'Empire State' explores the constantly shifting realities and mythologies of New York City as a 'New Rome.'
| 2000 | Broadway |
Original Broadway Production Broadway |
| 2023 | West End |
West End |
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