The YWCA USA, one of the oldest and largest non-profit organizations dedicated to improving the lives of women and eliminating racism, announced today that after a nationwide recruiting process, 13 women joined the YWCA National Board of Directors, effective June 8, 2013. They will serve on the organization's national board of directors along with four re-elected YWCA Board leaders. The appointment of the new board was ratified at the YWCA's National Business Meeting in Washington D.C. on Saturday, June 8, at the organization's 2013 Annual Conference.
Dorset Theatre Festival continues its longstanding commitment to New Play Development with an exciting new work by award-winning playwright Adam Rapp. Now in its 6th Season, DTF's New Play Programs have drawn critical and national acclaim, attracting some of the top writers each year to their Writers Retreat and Play Reading Series. "It is exciting that we have begun to attract such a sophisticated and engaged audience for our Reading Series. The Q & A with the writer and actors directly after the reading has become one of our hottest tickets," says Ashley Connell, DTF's New Play Reading Coordinator.
The Production Company's artistic directors, August Viverito, T L Kolman and Skip Pipo, proudly announce the company's return to the NoHo Arts District in residence at The Secret Rose Theatre and announce the first three productions of TheProdCo's 7th Legendary Season.
The NATIONAL NEW PLAY NETWORK (NNPN), the country's alliance of non- profit theaters that champions the development, production, and continued life of new plays, proudly announces that the 2013 Smith Prize Commission, which carries an Award of $5,000, has been awarded to Martyna Majok for her untitled play. Majok's proposed play is inspired by Slavoj Žižek's Violence, which examines capitalism and our treatment of people. Awarded annually to a proposal for a play that focuses on American politics, The Smith Prize is funded by a gift from screenwriter, novelist and playwright Timothy Jay Smith and a number of other socially-conscious donors.
TimeLine Theatre Company, dedicated to presenting plays inspired by history that connect to today's social and political issues, announces that The How and the Why by Sarah Treem (Netflix's House of Cards, HBO's In Treatment), directed by Keira Fromm and starring Janet Ulrich Brooks and Elizabeth Ledo, will be the third production of its 2013-14 season.
ANN, the new critically acclaimed play written and performed by Emmy Award-winning actress and 2013 Outer Critics Circle Award Nominee Holland Taylor, is launching the Great American Women Talkback Series, which will feature post-show discussions hosted by Tony and Emmy Award winner Lily Tomlin, Tony award winning playwright and activist Eve Ensler, feminist activist and writer Gloria Steinem, and award winning political humorist Kate Clinton. All talkbacks are complimentary with ticket purchase to ANN at the Vivian Beaumont Theatre (150 West 65th Street). ANN is directed by Benjamin Endsley Klein, and has been extended through Sunday, September 1, 2013.
Connie Whitlock, an artist, advocate, educator and visionary, received the 2013 West Valley Arts Council's Champion of the Arts Award at the 20th anniversary Diamond Ball, a Shanghai Soiree, on Saturday, April 13 at The Wigwam, 300 E. Wigwam Blvd in Litchfield Park.
Cannabis Science, Inc. (OTC: CBIS) is pleased to announce Sacred Cow Production presents American Drug War II, a film by Kevin Booth, for national release on June 6, 2013, as Dr. Robert Melamede, President and CEO of Cannabis Science, appears in the film and played a production role.
BAX | Brooklyn Arts Exchange has announced the 2013 Artist-In-Residence Year End Performances. Featuring BAX's Artists-In-Residence (AIR), these performances culminate a shared journey through the creative process. Audience members enjoy the rare opportunity to follow a work and engage its creators from the early stages through to full productions. This journey began with the Open Studio Series in November, continued with the Works-in Progress Series in January, and culminates in these Spring performances.
In a refreshingly to-the-point discussion session, Kate Weare and her company dancers revisited two recent works: 'Drop Down' (2006) and 'Garden' (2011).
Signature Theatre has announced that their "The World of the Play" series continues with a discussion of the history and current conditions of Chinese laborers, inspired by David Henry Hwang's THE DANCE AND THE RAILROAD, now playing in The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center. The panel of experts will reflect on the history, impact, and discrimination faced by Chinese laborers in the United States, and the issues facing these laborers today, both in the United States and in China.
BAX | Brooklyn Arts Exchange has announced the 2013 Artist-In-Residence Year End Performances. Featuring BAX's Artists-In-Residence (AIR), these performances culminate a shared journey through the creative process. Audience members enjoy the rare opportunity to follow a work and engage its creators from the early stages through to full productions. This journey began with the Open Studio Series in November, continued with the Works-in Progress Series in January, and culminates in these Spring performances.
This January, Flat Earth Theatre celebrates the legacy of legendary Czech playwright, president, and revolutionary leader Vaclav Havel with a production of his absurd comedy,The Memorandum, in an English translation by Vera Blackwell. When an office abruptly adopts a new "scientific" language, Ptydepe, a bewildered executive is forced to navigate a labyrinth of red tape in an effort to have an indecipherable memo translated. First performed in Prague under the shadow of Soviet-backed totalitarianism, The Memorandum lampoons the bureaucratic appropriation of language with a satirical spin still representative of today's global office culture.
In this week's "Meet the Press" PRESS Pass conversation, David Gregory sat down with author and historian Doris Kearns Goodwin to talk about the backstory behind Steven Spielberg's Lincoln, out now in theaters.
If 'Adam's Rib' and 'Moneyball' mated and begat a play, it might be 'Skybox,' a comedy of class warfare and the battle of the sexes that is set in the luxury box of a major league baseball park. The play, written by Walt Stepp and directed by Lissa Moira, is the successor to their collaboration on 'Siren's Heart: Norma Jean and Marilyn in Purgatory,' a play by Stepp which started at Theater for the New City and is now running Off-Broadway at the Actors Temple Theatre. Theater for the New City will present 'Skybox' November 8 to December 2 in its Cino Theater.
Rattlestick Playwrights Theater Artistic Director David Van Asselt and Managing Director Brian Long have announced the cast and creative team for the world premiere of Through the Yellow Hour, a play written and directed by Adam Rapp (Pulitzer Prize finalist for Red Light Winter). The first production of the company's 18th season, Through the Yellow Hour will begin performances tonight, September 13, 2012 at Rattlestick Theater (224 Waverly Place-off Seventh Avenue South, between Perry and West 11th Streets). The cast includes Hani Furstenberg, Brian Mendes, Matt Pilieci, Danielle Slavick, Alok Tewari, Joanne Tucker, and Vladimir Versailles.
People's Light & Theatre presents August Wilson's Seven Guitars, running tonight, September 12-October 7, 2012 on the Main Stage. Jade King Carroll directs.
People's Light & Theatre presents August Wilson's Seven Guitars,running September 12-October 7, 2012 on the Main Stage. Jade King Carroll directs.
Some of the biggest names on Broadway have graced the Joe's Pub stage. The tradition continues this month and into the fall when some of Broadway's finest vocalists and performers, including Sasha Allen and Ute Lemper, head downtown from the Great White Way to dazzle at Joe's.
Culture at the crossroads in Belle Époque France will be explored at the ninth annual Bard SummerScape festival, which once again features a sumptuous tapestry of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 23rd annual Bard Music Festival.
Rattlestick Playwrights Theater Artistic Director David Van Asselt and Managing Director Brian Long have announced the cast and creative team for the world premiere of Through the Yellow Hour, a play written and directed by Adam Rapp (Pulitzer Prize finalist for Red Light Winter). The first production of the company's 18th season, Through the Yellow Hour will begin performances on Thursday, September 13, 2012 at Rattlestick Theater (224 Waverly Place-off Seventh Avenue South, between Perry and West 11th Streets). The cast includes Hani Furstenberg, Brian Mendes, Matt Pilieci, Danielle Slavick, Alok Tewari, Joanne Tucker, and Vladimir Versailles.
In what is clearly shaping up to be the most popular and unifying campaign of 2012, Americans of every political persuasion have come together in unprecedented numbers, casting more than two million votes to select the finalists in the 2012 'American Humane Association Hero Dog Awards.'
Culture Project Artistic Director and Founder Allan Buchman announces today IMPACT 2012, a festival focusing on human rights, social justice, and political action. The 44-day festival, with more than 35 events, will take place at Culture Project at 45 Bleecker Street in Noho. See below for highlights; full schedule available at CultureProject.org.
Producers Carole Black and Pat Mitchell announced today that EMOTIONAL CREATURE, the new play written by Tony Award®-winning playwright, performer, activist, and The Vagina Monologues author Eve Ensler, will get a New York premiere this fall.
On Thursday, three-time Tony Award-winning Broadway composer Richard Adler passed away at the ripe old age of 90. Responsible for two of the biggest Broadway smash hits of the 1950s, THE PAJAMA GAME and GAMN YANKEES, Adler never quite managed to equal his career-high double-hitter of that era, yet his earlier work with Tony Bennett ('Rags To Riches'), Doris Day ('Everybody Loves A Lover') and Marilyn Monroe (the iconic 'Happy Birthday, Mr. President') surely shall solidify his place in the firmament of entertainment history along with his two classic musicals from the Golden Age. Winning both Best Score and Best Musical for both THE PAJAMA GAME and DAMN YANKEES, Adler's partnership with lyricist Jerry Ross - which began on Broadway in 1953 with JOHN MURRAY ANDERSON'S ALMANAC - was tragically cut short just months after the DAMN YANKEES premiere when Ross was diagnosed with lung disease and passed away soon thereafter. Yet, thanks to the beloved film versions of THE PAJAMA GAME and DAMN YANKEES and continued interest in the entities as expressed in the revivals and reappraisals of both onstage from Broadway to Biloxi to Bombay year after year, the snappy, snazzy tunes of Adler and Ross live on eight times a week all around the world - even now, more than fifty years after they premiered. Unfortunately, Adler's subsequent shows with other collaborators post-1955 failed to capture the early magic of his previous projects with Ross and his earlier musical and theatrical endeavors in the pop arena, with the racially charged KWAMINA flopping on Broadway in 1961 (though he took home a Best Composer Tony Award for his efforts anyway) and the awkwardly titled MUSIC IS failing to recreate the magic of its source material, Shakespeare's TWELFTH NIGHT, in 1976. A MOTER'S KISSES, starring Bea Arthur and a young Bernadette Peters, died on the road, as well. In the intervening years, Adler attempted musical adaptations taken from a number of intriguing sources - OF HUMAN BONDAGE and others among them - though only his ballet scores seemed to reach an audience; particularly his last, commissioned for a new production of Lorca's THE HOUSE OF BERNARDA ALBA in 1998. Of course, THE PAJAMA GAME has had two Broadway revivals - most recently the rapturously received Kathleen Marshall-directed production starring Harry Connick, Jr. and Kelli O'Hara; and DAMN YANKEES famously returned to the Great White Way with much ado in 1994 starring Victor Garber. Now seems particularly ripe for remounting YANKEES, as we approach twenty years in its absence - especially given the musical's seriously smashing showing at Encores! in 2007. Who knows, perhaps some risky producer will even take a chance on a new production of KWAMINA, MUSIC IS, A MOTHER'S KISSES or one of the bottom drawer shows someday soon to see if they possess any of the limitless potential shown by Adler's earlier work. Or maybe a stage treatment of his TV musical GIFT OF THE MAGI (originally composed for then-wife Sally Ann Howes)? Or, better yet, how about a revue? What a stupendous songstack Adler created over the course of his career - 'Whatever Lola Wants' to 'Hey There' to 'Hernando's Hideaway' to 'You Gotta Have Heart' to 'Steam Heat' to the aforementioned Bennett, Day and Monroe standards and so many more chestnuts.
| 2006 | Off-Broadway |
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