1938 - 1989 - Off-Off-Broadway Articles Page 9

American Conservatory Theater (A.C.T.) continues its 2008-09 season Koret Visiting Artist Series with a conversation with leading American playwright John Guare, author of Six Degrees of Separation, The House of Blue Leaves and A.C.T.'s upcoming Rich & Famous. Guare will talk about four decades in the American theater and his new version of Rich and Famous that includes significant rewrites in preparation for the show's first revival since 1976. A.C.T. Dramaturg and Director of Humanities Michael Paller moderates. The conversation will be followed by a Q&A session with the audience. The event is free and open to the public and takes place on the A.C.T. stage on Saturday, December 13, 2009, at 10 a.m. Reservations are required and can be made by visiting www.act-sf.org/koret or by calling 415.749.2ACT.

American Conservatory Theater (A.C.T.) continues its 2008-09 season with John Guare's Rich & Famous, directed by John Rando (Urinetown, The Musical and Wedding Singer on Broadway) in its first major revival since its 1976 New York debut. From the ingenious mind of John Guare, who brought Six Degrees of Separation and The House of Blue Leaves to the American stage, this delicious dark comedy springs to life with twisted humor, rapid-fire dialogue, and outrageous plot twists. The revival script includes significant rewrites to the original text, as well as hilarious songs freshly scribed by Guare himself. In Rich and Famous, playwright Bing Ringling yearns to savor the sweet taste of celebrity, and he's hoping play number 844 will be his lucky break. But on opening night, he slips into a nightmarish phantasmagoria that shows him just how wrong things can go.

American Conservatory Theater (A.C.T.) continues its 2008-09 season Koret Visiting Artist Series with a conversation with leading American playwright John Guare, author of Six Degrees of Separation, The House of Blue Leaves and A.C.T.'s upcoming Rich & Famous. Guare will talk about four decades in the American theater and his new version of Rich and Famous that includes significant rewrites in preparation for the show's first revival since 1976. A.C.T. Dramaturg and Director of Humanities Michael Paller moderates. The conversation will be followed by a Q&A session with the audience. The event is free and open to the public and takes place on the A.C.T. stage on Saturday, December 13, 2009, at 10 a.m. Reservations are required and can be made by visiting www.act-sf.org/koret or by calling 415.749.2ACT.

The UCLA School of Theater, Film and Television (TFT) announces the debut of its annual benefit gala: ONE NIGHT ONLY...With a Little Help From Our Friends, hosted by Rita Wilson and Tom Hanks, scheduled to take place at UCLA's prestigious performing arts theater, Royce Hall, on December 2nd at 7:30 pm.

The Academy of Motion Picture Arts and Sciences revealed Tuesday the 79th Academy Awards poster design, which features dozens of the most memorable and quotable lines from motion pictures, including a handful of films adapted from Broadway hits...

Lauren Ambrose, Ben Gazzara, Jonathan Hadary, Zoe Wanamaker and others will headline the Lincoln Center revival of Awake and Sing! on Broadway in spring of 2006

The New York Times reports that Ana Gasteyer has joined the cast of Roundabout's 'Threepenny Opera' for which previews will beging on March 24th.

The New York Times reports that Dale will return to Broadway after an absence of nine years to star as Mr. Peachum in the Roundabout production.

Performances of THE PAJAMA GAME will begin Friday, January 27th on Broadway at the American Airlines Theatre with the official opening set for Thursday, March 2nd. The limited engagement is scheduled to run 20 weeks through June 18th, 2006.

Robert Wright, whose musicals with George Forrest gave a Broadway voice to classical composers, passed away on July 27th at the age of 90

Alan Cumming, Edie Falco and Nelli McKay to appear in a new Roundabout production of The Threepenny Opera.

With those words and one last musical flourish, the final performance at Henry Miller's Theatre came to an end