1938 - 1989 - Off-Off-Broadway Articles Page 8

True to their reputation as Westchester's 'most ambitious' chorus, the Hudson Valley Singers bring two modern masterpieces known for their immense power and beauty: Arthur Honegger's 1938 oratorio La Danse des Morts and Zoltan Kodaly's 1923 Psalmus Hungaricus, to Manhattan this spring

True to their reputation as Westchester's 'most ambitious' chorus, the Hudson Valley Singers bring two modern masterpieces known for their immense power and beauty: Arthur Honegger's 1938 oratorio La Danse des Morts and Zoltan Kodaly's 1923 Psalmus Hungaricus, to Manhattan this spring

Just in - NEXT TO NORMAL has one the 2010 Pulitzer Prize for Drama! As per the official Pulitzer's web site: For a distinguished play by an American author, preferably original in its source and dealing with American life, Ten thousand dollars ($10,000).

The 2010 Pulitzer Prizewinners and Nominated Finalists in all categories will be announced on April 12, 2010 at 3 p.m. Eastern daylight time. Finalists are not announced in advance. The 2010 Prizes are awarded for work published, produced or premiered in 2009.

The Museum of Modern Art presents Henri Cartier-Bresson: The Modern Century, the first major retrospective in the U.S. in more than 30 years of one of photography's most original and influential masters, from April 11 through June 28, 2010.

The Museum of Modern Art presents Henri Cartier-Bresson: The Modern Century, the first major retrospective in the U.S. in more than 30 years of one of photography's most original and influential masters, from April 11 through June 28, 2010.

Rubicon Theatre Company continues its 2009-2010 Season with the Central Coast Premiere of a timely drama about a fascinating and enigmatic figure in American history. TRYING, which opens March 13 and runs through April 4th (with low-priced previews March 11 and 12), is a poignant, poetic and powerful story about a relationship between Francis Biddle, Attorney General under Roosevelt and Chief Judge at the Nuremburg trials; and Sarah, a tenacious 25-year-old woman from the Canadian plains, one of a string of secretaries Biddle's wife has hired to help him put his affairs in order at the end of his long an illustrious career. Biddle, 81, is in poor health, proud and cantankerous as he begins to confront his own mortality. Sarah, however, is also headstrong, and from her early life on the prairie has developed a strength and wisdom beyond her years. Despite the difference in ideologies and age, the two forge a friendship. The play is autobiographical in nature and is written by Joanna McClelland Glass, who worked for Biddle in the late 60s.

Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.

Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.

Rubicon Theatre Company continues its 2009-2010 Season with the Central Coast Premiere of a timely drama about a fascinating and enigmatic figure in American history. TRYING, which opens March 13 and runs through April 4th (with low-priced previews March 11 and 12), is a poignant, poetic and powerful story about a relationship between Francis Biddle, Attorney General under Roosevelt and Chief Judge at the Nuremburg trials; and Sarah, a tenacious 25-year-old woman from the Canadian plains, one of a string of secretaries Biddle's wife has hired to help him put his affairs in order at the end of his long an illustrious career. Biddle, 81, is in poor health, proud and cantankerous as he begins to confront his own mortality. Sarah, however, is also headstrong, and from her early life on the prairie has developed a strength and wisdom beyond her years. Despite the difference in ideologies and age, the two forge a friendship. The play is autobiographical in nature and is written by Joanna McClelland Glass, who worked for Biddle in the late 60s.

Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.

New York Festival of Song (NYFOS, www.nyfos.org), who 'redefined the song recital with daring and dramatic programming' (The New Yorker), presents its fifth annual program with the Department of Vocal Arts at The Juilliard School on Wednesday January 13, 2010 at 8 PM, Killer B's-American Song From Amy Beach to the Beach Boys.

The January-February public programming schedule at the Museum of Jewish Heritage-A Living Memorial to the Holocaust will feature compelling discussions, lively music, and engaging films.

New York Festival of Song (NYFOS, www.nyfos.org), who 'redefined the song recital with daring and dramatic programming' (The New Yorker), presents its fifth annual program with the Department of Vocal Arts at The Juilliard School on Wednesday January 13, 2010 at 8 PM, Killer B's-American Song From Amy Beach to the Beach Boys.

New York Festival of Song (NYFOS, www.nyfos.org), who 'redefined the song recital with daring and dramatic programming' (The New Yorker), presents its fifth annual program with the Department of Vocal Arts at The Juilliard School on Wednesday January 13, 2010 at 8 PM, Killer B's-American Song From Amy Beach to the Beach Boys.

This Halloween (Saturday, October 31) from 10 pm - midnight on 89.3 KPCC, L.A. Theatre Works will air a sci-fi double bill

The American Museum of Jewish History in Philadelphia will honor Barbara Streisand, Irvin Berlin, Leonard Bernstein and Steven Spielberg among 18 inductees into its 'Only in America' Hall of Fame, the Philadelphia Inquirer reports.

The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.

A.C.T. Conservatory Director Melissa Smith announced today that honorary master of fine arts degrees will be conferred upon Grammy Award-winning musician Tracy Chapman and master playwright John Guare.

A.C.T. Conservatory Director Melissa Smith announced today that honorary master of fine arts degrees will be conferred upon Grammy Award-winning musician Tracy Chapman and master playwright John Guare.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

American Conservatory Theater (A.C.T.) continues its 2008-09 season with John Guare's Rich & Famous, directed by John Rando (Urinetown, The Musical and Wedding Singer on Broadway) in its first major revival since its 1976 New York debut. From the ingenious mind of John Guare, who brought Six Degrees of Separation and The House of Blue Leaves to the American stage, this delicious dark comedy springs to life with twisted humor, rapid-fire dialogue, and outrageous plot twists. The revival script includes significant rewrites to the original text, as well as hilarious songs freshly scribed by Guare himself. In Rich and Famous, playwright Bing Ringling yearns to savor the sweet taste of celebrity, and he's hoping play number 844 will be his lucky break. But on opening night, he slips into a nightmarish phantasmagoria that shows him just how wrong things can go.

Director-choreographer Mark Morris's much-lauded 2007 production of Gluck's Orfeo ed Euridice returns to the repertoire, with Stephanie Blythe taking on one of the pinnacles of the mezzo-soprano repertory, the role of Orfeo, for the first time in her career. Soprano Danielle de Niese, an acclaimed singer of eighteenth-century music and a graduate of the Met's Lindemann Young Artist Development Program, sings Euridice for the first time at the Met. Heidi Grant Murphy returns as Amor, which she performed at the production's premiere in 2007.