Rural England, 1759. As the country awaits the return of Halley’s comet, a young woman is sentenced to death. When she tries to escape the noose by claiming she is pregnant, twelve ordinary women are gathered to decide whether she is telling the truth. A dark, fierce, funny play about democracy and housework.
Kirkwood takes big, violent, not fully satisfying swings, but one must bow before her women. Even though this ensemble can’t “save” the play, I was grateful to witness both. Will it take another 75 years for such a cluster of talent to burn across the heavens? Keep looking up.
Several artists rose above last week’s bumpy performance. Sandra Oh is urgent in spirit, dry in manner as Elizabeth, the midwife whose acrid presence sparks conflict. Haley Wong creates a feral Sally who resolutely defies pity. Mary McCann coolly depicts a gentlewoman revealed to be not so genteel. Nadine Malouf smolders as the mean girl among a crowd that includes Ann Harada as a sufferer of hot flashes, Hannah Cabell as a soul twenty years mute who miraculously speaks, and ever-earthy Dale Soules as an octogenarian of staunch disposition.
2024 | Off-Broadway |
Atlantic Theater Company Off-Broadway Premiere Production Off-Broadway |
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