BWW Reviews: MARY STUART at ACT
Political intrigue, shifting loyalties and two powerhouses vying for victory over the other while advisors whisper their own agendas in their ears.
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Political intrigue, shifting loyalties and two powerhouses vying for victory over the other while advisors whisper their own agendas in their ears.
OK, so I find it an interesting coincidence that there are two (kinda) clowning shows in town right now.
Many of us think of our families as a big circus but Lorenzo Pisoni has special insight on the real thing as he had to run away from home in order to NOT be in the circus.
Seattle Musical Theatre is starting off their new season of musicals through the decades with the 50's tuner, "The Pajama Game" by George Abbott, Richard Bissell, Richard Adler and Jerry Ross and direction from local theater veteran David Edward Hughes.
On the surface, Seattle Public Theater's current production of David Mamet's "The Cryptogram" is a simple family drama.
One part circus, one part play, one part performance art and a dash of improv for good measure, put all that together and you have Teatro ZinZanni.
Not since "Contact: The Musical" have I seen such an ill conceived new musical roll into town.
Political intrigue, shifting loyalties and two powerhouses vying for victory over the other while advisors whisper their own agendas in their ears.
Seattle Musical Theatre is starting off their new season of musicals through the decades with the 50's tuner, "The Pajama Game" by George Abbott, Richard Bissell, Richard Adler and Jerry Ross and direction from local theater veteran David Edward Hughes.
There's really nothing like the first time you see one of your favorite shows.
Right from the first few notes of the overture, whether you're familiar with the show or not, a musical theater lover's ears will register the familiar lilt of a Gershwin melody reminiscent of "Rhapsody in Blue" and cause you to settle in your seat a little more with a contended sigh.
Do you remember those Choose Your Own Adventure books like "The Cave of Time" from when you were a kid? The kind that would give you choices on how the story would continue like, "If you continue toward the ranch, turn to page 8.
Look out! The aliens are coming! … or the monsters … or the mysterious virus … or the woodchucks? Well which is it? That's one of the questions Wing-It productions is attempting to answer with their latest improv show "Project: B-Movie".
Last night the incredible talent from Contemporary Classics stepped up to the mic once more for the 11th installment of their wildly popular "New Voices" series, spotlighting new works from composers around the country.
There's really nothing like the first time you see one of your favorite shows.
Right off the bat let's just get out there what Sarah Ruhl's "In the Next Room, or the Vibrator Play" is about.
Right from the first few notes of the overture, whether you're familiar with the show or not, a musical theater lover's ears will register the familiar lilt of a Gershwin melody reminiscent of "Rhapsody in Blue" and cause you to settle in your seat a little more with a contended sigh.
I'm not always the biggest fan of transplanting established shows to another time or place.
If there's one thing that irritates me more than anything else it's someone else's therapy on stage.
Do you remember those Choose Your Own Adventure books like "The Cave of Time" from when you were a kid? The kind that would give you choices on how the story would continue like, "If you continue toward the ranch, turn to page 8.
Take a much beloved Disney hit animated musical written by the incomparable Alan Menken, Howard Ashman and Tim Rice and turn it into a big flashy Broadway musical directed by recent Tony award winner Casey Nicholaw fresh off 'The Book of Mormon'.
One of Seattle's younger theater companies is really starting to show its maturity.
Look out! The aliens are coming! … or the monsters … or the mysterious virus … or the woodchucks? Well which is it? That's one of the questions Wing-It productions is attempting to answer with their latest improv show "Project: B-Movie".
There are very few new and original stories in the world today.
In this world that we call theater, there are three main things devotees look for.
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Million Dollar Quartet Harlequin Productions (6/19-7/19) |
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The Play That Goes Wrong Seattle Rep Theater (6/11-6/28) |
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Frida...A Self-Portrait Union Arts Center (6/06-6/28) |
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Jack Johnson at Gorge Amphitheatre Gorge Amphitheatre (9/26-9/26) |
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Silent Movie Mondays: The General The Paramount Theatre (7/27-7/27) |
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Dear Evan Hansen Village Theatre (3/23-5/02) |
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Welcome to Seattle: A Hometown Improv Unexpected Productions (5/29-7/03) |
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15th Annual Festival of Shorts Wade James Theatre (6/25-6/28) |
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Mötley Crüe Cascades Amphitheater (9/26-9/26) |
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FOOLISH MORTALS: A Haunted Mansion Burlesque Cabaret The Triple Door Theatre (9/26-9/26) |