BWW Reviews: HOW TO WRITE A NEW BOOK FOR THE BIBLE at the Seattle Rep
There are certain authors whose shows I never miss if possible.
The latest reviews and critic recommendations from Seattle.
There are certain authors whose shows I never miss if possible.
Which is better, the idea of having children or actually having them? That's the question posed by the current show from Theater Schmeater, "Cradle and All" by Daniel Goldfarb.
Whether or not we are cheering for a certain character in a play needs to come from more than just being told that someone is the protagonist or good guy.
For certain shows there's really nothing like a big, fully realized production complete with all the professional singers and dancers that only Broadway can provide.
Let me just start out saying that I don't like this show.
So which of Santa's lists are you on? The Naughty or the Nice? Well for those of you that lean toward the Naughty then I probably saw you last night at the most interesting holiday diversion I've seen in awhile, "Mezzo Lunatico" at Teatro ZinZanni.
It's a small wonder that Rodgers and Hammerstein's "Cinderella" keeps getting dusted off and trotted out every few years.
Being a fan of film-noir, I was delighted to have the opportunity to review "Double Indemnity," the final show of A Contemporary Theatre's 2011 season.
I've said it before and I'm sure I'll say it again since it keeps coming up, I personally cannot stand other people's therapy on stage.
Not since "Contact: The Musical" have I seen such an ill conceived new musical roll into town.
I've always counted on the Rep to bring in the new and fresh stuff to the Seattle Theater community.
Issaquah's Village Theatre has chosen the tuneful favorite "Annie Get Your Gun" for its holiday season show, with original book by Herbert and Dorothy Fields and music by the venerable Irving Berlin.
The Broadway smash musical adaptation of John Waters' 1988 film, "Hairspray," has settled in for a four-week run at Seattle Musical Theatre.
There are many words I can use to describe Seattle Shakespeare Company's current production of "A Midsummer Night's Dream".
Being a fan of film-noir, I was delighted to have the opportunity to review "Double Indemnity," the final show of A Contemporary Theatre's 2011 season.
I've said it before and I'm sure I'll say it again since it keeps coming up, I personally cannot stand other people's therapy on stage.
I guess it's just human nature to wonder what became of our beloved childhood icons when they grow up.
Not since "Contact: The Musical" have I seen such an ill conceived new musical roll into town.
Traditional, proper Gilbert and Sullivan this ain't.
Many of us think of our families as a big circus but Lorenzo Pisoni has special insight on the real thing as he had to run away from home in order to NOT be in the circus.
On the surface, Seattle Public Theater's current production of David Mamet's "The Cryptogram" is a simple family drama.
There are many words I can use to describe Seattle Shakespeare Company's current production of "A Midsummer Night's Dream".
Saint or Sinner? That's the question that the latest new musical tryout at the 5th Avenue Theatre is wanting us to answer with the bio-musical, "Saving Aimee".
OK, so I find it an interesting coincidence that there are two (kinda) clowning shows in town right now.
I guess it's just human nature to wonder what became of our beloved childhood icons when they grow up.
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Million Dollar Quartet Harlequin Productions (6/19-7/19) |
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The Play That Goes Wrong Seattle Rep Theater (6/11-6/28) |
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Fussy Cloud Puppet Slam Volume 31: Slam Save America Theatre off Jackson (7/03-7/04) |
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Alison Krauss and Union Station Marymoor Live (8/22-8/22) |
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BEDROOM FARCE at Tacoma Little Theatre Tacoma Little Theatre (7/10-7/26) |
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15th Annual Festival of Shorts Wade James Theatre (6/25-6/28) |
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Dear Evan Hansen Village Theatre (5/15-6/06) |
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LET ME PUT MY HANDS ON YOUR MIND Acts on Stage (6/28-6/28) |
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Come From Away Village Theatre (1/02-1/24) |
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Wonderland Ballyhoo Theatre (7/17-7/25) |