EPSTEIN FAMILY AMPHITHEATER

by ErinMarie Reiter - March 13, 2026

Rainy streets, shady characters, and a mysterious black bird that everyone seems willing to lie, cheat, or worse to possess, ”The Maltese Falcon” has all the ingredients of classic detective fiction but with a fun new twist in this world-premiere adaptation at North Coast Repertory Theatre....

by ErinMarie Reiter - March 09, 2026

'Who’s Afraid of Virginia Woolf?” is undeniably a marathon, but in the hands of Backyard Renaissance, the journey rarely loses its grip....

by ErinMarie Reiter - February 27, 2026

There are few phrases in literature more quietly unhinged than “I would prefer not to.” And in Fiasco Theatre’s ' Bartleby, now playing at The Old Globe through March 22, that polite little sentence lands like a stick of dynamite in an otherwise well-oiled office machine....

by Lucía Serrano - February 26, 2026

The Broadway National Tour of Beetlejuice has landed in San Diego through March 1. The “ghost with the most” is back for a limited run, promising laughs, cringe-worthy humor, and dazzling set and projection design that fully delivers on the spectacle of a Broadway tour....

by ErinMarie Reiter - February 24, 2026

“Somewhere Over the Border,” now playing at Cygnet Theatre through March 15, wraps that hope in music, metaphor, and a road-trip structure in a production that is charming and colorful on its surface, but anchored by performances strong enough to carry its deeper weight....

by ErinMarie Reiter - February 24, 2026

At its best, “The Recipe” at La Jolla Playhouse is as warm and inviting as a kitchen in winter: fragrant with possibility, anchored by love, and anchored even more firmly by two utterly charming leads. At nearly two hours and 45 minutes, however, this ambitious new musical sometimes forgets that...

by Ron Bierman - February 20, 2026

Rossini’s Barber of Seville is a top ten opera in performances. Donors love it for its vocal gymnastics, memorable arias and sparkling melodies. Receptive newcomers like it because of its delightful bubbling overture, the familiar Figaro aria that soon follows, and its simple fast-moving sitcom-li...

by ErinMarie Reiter - February 13, 2026

“Hedda Gabler” by Henrik Ibsen, now given a taut new version by Erin Cressida Wilson and directed with precision by Barry Edelstein at The Old Globe, stars Katie Holmes in the title role through March 15th....

by ErinMarie Reiter - February 10, 2026

“How to Succeed…” remains a slick, silly, and sharply performed romp—one that knows exactly what kind of absurd world it’s skewering, and does so with a grin....

by Ron Bierman - February 05, 2026

Jaha Ling led the San Diego Symphony’s first performance of Mahler’s seventh symphony in 2014, more than a century after the orchestra was founded. He called it “the most modern of all Mahler symphonies.” Many critics have made similar judgements, the more conservative among them meant it a...