Jonah Off-Broadway Reviews

All of that can leave a theatergoer in a state of wariness — which, it turns out, is a great way to watch this play: trusting nothing, unsure where reality lies, guard firmly raised against any kind of charm. Mind you, “Jonah” will charm you an...

All of that can leave a theatergoer in a state of wariness — which, it turns out, is a great way to watch this play: trusting nothing, unsure where reality lies, guard firmly raised against any kind of charm. Mind you, “Jonah” will charm you anyway, and make you laugh. So will Jonah, the adorable day student (or is he?) whom Ana, our teenage heroine, meets at her boarding school (or does she?). Who and what is illusory here?

Bonds interweaves Ana’s three narratives skillfully, letting the audience piece together what’s happening (and what has happened) as Jonah jumps from one to another, exploring themes of desire, vulnerability and trauma. That’s a big part of wha...

Bonds interweaves Ana’s three narratives skillfully, letting the audience piece together what’s happening (and what has happened) as Jonah jumps from one to another, exploring themes of desire, vulnerability and trauma. That’s a big part of what keeps us engaged, so it’s a slight disappointment when the play’s denouement tips into overexplanation. But director Danya Taymor, in her visually spare world-premiere production at the Roundabout, elicits compelling performances from all four actors. The men are believably devoted in very different registers, and Beans—who earned a Tony nomination for her biting Sabina in The Skin of Our Teeth—delivers another charismatic and varied star turn. Even when the play is just okay, she shines.

While on the level of character depiction “Jonah” holds our attention, its episodic nature, stretches of mundane dialogue and the disjointed narrative lead to a certain frustration: Where we are in Ana’s life is impossible to pin down, and the ...

While on the level of character depiction “Jonah” holds our attention, its episodic nature, stretches of mundane dialogue and the disjointed narrative lead to a certain frustration: Where we are in Ana’s life is impossible to pin down, and the jumpy story is more confusing than illuminating.

Bonds crafts a denouement as genuine and original as it is moving. Her focus – within an intentionally smudged time frame – is boundaries, those breached and those willingly erased. She brings a fresh perspective to often overworked dramatic them...

Bonds crafts a denouement as genuine and original as it is moving. Her focus – within an intentionally smudged time frame – is boundaries, those breached and those willingly erased. She brings a fresh perspective to often overworked dramatic themes (sexual assault, domestic abuse) and adroitly mixes in contemporary concerns. Relationships now come pre-set with clearer rules: Participants are required to seek permission and keep asking, to a sometimes silly but reassuring degree.

Gabby Beans stays onstage throughout Jonah, a well-composed new play by Rachel Bonds, that tracks the development of her character’s imagination and reality from high school through sometime in her 30s. An actor of great magnetism, her skills are c...

Gabby Beans stays onstage throughout Jonah, a well-composed new play by Rachel Bonds, that tracks the development of her character’s imagination and reality from high school through sometime in her 30s. An actor of great magnetism, her skills are called upon to portray Ana, who we meet as an imaginative teen tiptoeing into a situationship with the adorable Jonah (Hagan Oliveras), a day student at the preppy boarding school they attend.