Unfortunately, the structural drawbacks of the theatre conspire to make this more of an endurance test than thrilling theatrical experience. Unless you fit in the Venn diagram of hearing person and BSL fluent, if you want to know what’s going on yo...
Critics' Reviews
Review: ANTONY & CLEOPATRA, Shakespeare's Globe
Antony and Cleopatra review – bilingual BSL staging adds intimacy and clarity
In the second half of the play, Shakespeare is preoccupied with the men at war, as Antony and Caesar stomp their feet and argue over the future of empire. All heavy drums and the slow-mo clashing of swords, these scenes hold less energy than the more...
Though the production is something of an endurance test, it's worth remembering that hearing audiences who don’t know BSL are merely required to spend two-and-a-half hours between the hearing and Deaf worlds – such a sense of dislocation is somet...
Review: ANTONY & CLEOPATRA, Shakespeare’s Globe
This bilingual production of Antony & Cleopatra is an interesting take on a complex and sometimes puzzling play; the interplay of spoken language and BSL adds some new dimensions and illuminates where there might otherwise be a tendency to obscurity....
Antony & Cleopatra – Shakespeare’s Globe, London
To experience long moments of silence on stage might feel unusual or an uncomfortable experience for some and yet it isn’t and nor should it be, and this is the point, of course. Director Blanche McIntyre skilfully brings the audience into a world ...
Antony and Cleopatra, Globe review: This sign language show was better on paper
This must have seemed like such a good idea on paper. Yet as the old saw goes, theatre does not happen on paper, but on a stage. If any theatre was going to attempt a fully integrated bilingual production using spoken English and British Sign Languag...
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