Tony Marinelli — Theater Critic

To call this production engrossing would be accurate but insufficient. It is, more precisely, a work that recalibrates one’s sense of duration, leaving the audience suspended in its wake, attuned to the subtle rhythms of existence. In an era that so often mistakes speed for vitality, Zimet and his collaborators offer a counterproposal: that to truly experience time, one must be willing to let it tremble, to let it break, and, occasionally, to let it begin again.