Richard Maguire — Theater Critic

The three actors march, prowl and clamber over Es Devlin’s glass cube, a modern day office suite that revolves on stage. As we move into the 1980s it appears to spin to dizzying effect with Luke Hall’s video design that curves along the back of the stage. The way the three men move, always ending up facing the audience when the revolve stops, is a form of choreography. The three men never miss a step. Just below the stage, Yshani Perinpanayagam plays a piano, a haunting score by Nick Powell.