Reviews by Kristen Baldwin
Smash review: The infamous NBC drama is reborn as a riotous musical
Smash exists to sing the praises of the many, many talented people on and off the stage that it takes to bring a blockbuster musical to life. As much as I loved that mess on NBC, it’s clear Smash belonged on Broadway all along.
Mean Girls is not a regular musical, it's a cool musical: EW review
In setting this 'cautionary tale' to music, Fey and lyricist Nell Benjamin (Legally Blonde) have more latitude to explore the internal lives of these now-iconic characters. Though Henningsen's Cady is more broadly naive than the one originated by Lindsay Lohan, her earnest vocals bring a quality of sweetness to numbers like 'Stupid In Love' - in which Cady professes her equal devotion to math and her new crush Aaron Samuels (Kyle Selig). Henningsen finds her character's edge by her fifth number, 'Apex Predator' - a rocking tribute to Regina's top-of-the-food-chain status, and the reveal of Cady's primal desire to be popular. 'What's Wrong With Me?' shows poor Gretchen Wieners - played with a perfect mix of comic anxiety and melancholy by Ashley Park - in a rare moment of reflection: 'Where is my mind? Where does it end? Maybe I need to find a better friend?'
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