Jonathan Netek

From start to finish, the show rarely lets up. It’s a whirlwind of choreography, music, and fast-moving dialogue, all held together by the direction and choreography of Casey Nicholaw. Large-scale dance numbers and smaller, character-driven moments are woven throughout, and the sustained energy of the cast over more than two hours is genuinely impressive.

Ultimately, WATER FOR ELEPHANTS is a thoroughly entertaining night at the circus theatre, packed with impressive artistry, strong performances, and a score full of catchy numbers like “Easy,” “Zostan,” and “Squeaky Wheel.” It balances spectacle with heart, delivering a show that’s both crowd-pleasing and emotionally grounded. If you’re looking for a good time under the big top, this production delivers. But get your tickets now, the train takes this show out of town after Sunday.

Performance-wise, this touring cast absolutely delivers. Nolan White anchors the production as Ponyboy with the same earnest, compelling presence that C. Thomas Howell brought to the film. Corbin Drew Ross as Sodapop is a delightful surprise after an extended shirtless introduction, his Act II solo reveals a warm, lovely voice, and he brings both humor and heart to the role. Emma Hearn’s Cherry Valance is a welcome presence every time she sings. Bonale Fambrini (Johnny Cade) is wonderful and has great chemistry with Ponyboy. Tyler Jordan Wesley (as Dallas Winston) is menacing and his voice is strong and haunting.

KIMBERLY AKIMBO is unlike anything else on the musical stage that I have seen. It is quirky, funny, and full of heart. It takes a story that could be maudlin and makes it vibrantly alive, reminding us that life’s limitations don’t have to limit joy. And that life, no matter the length, is a celebration.