Beatrice Onions — Theater Critic

Built on a foundation of obsession, instinct, and dread, A Knock on The Roof unfolds as a relentless monologue, barraging the audience with Mariam’s real-time commentary of everyday life. While this unyielding pace mirrors the terror of the knock, a pause within the text could let the audience absorb its weight fully.

These characters are surrounded by Matt Saunders's set design, a marvel. The cabin is armored in corrugated iron and furnished with all the homey trimmings of a fancy, off-the-grid Airbnb, and you can play find-the-hidden-object during moments of prolonged sisterly bickering. It’s during these times that the play deviates from its namesake — a book written by the American transcendentalist Henry David Thoreau, who wrote his Walden after spending two years alone in a self-built cabin to live a simple life of spirituality and environmentalism. Thoreau, however, did not have his sibling with him.