Alice

Marlow and Moss make no attempt to hide the fact that this theatrical pity party is semi-autobiographical (hilariously, all the show’s pseudonyms are pickpocketed from their favourite musical Oliver!). So amongst the tirades against Tinder, there’s a lot of chat about the pressures of writing a “Big Fancy Musical”. But although the show does indeed advertise itself as big and fancy, it feels more like an intimate queer cabaret night with panto production values.